This story began with a blind, bull elephant called Pla-Ra. Paul Barton took his piano to ElephantsWorld, a Sanctuary on the banks of the River Kwai in Thailand and began playing to the elephants while they were eating. "They were all having Barna Grass and it was that time of the day, when the elephants get to eat a lot and they don't waste a moment because they know that moment won't last forever," Paul recalls. "Pla-Ra was behind the piano with a mouthful of barna grass and I started to play Beethoven. Pla-Ra was chewing, and as soon as I played the first chords, he stopped eating with stalks of Barna grass protruding from each side of his mouth, and that's the way he stayed until the end of the piece." "Each time I played music for Pla-Ra, whether flute or piano, there was an identical reaction. Pla-Ra would stand for a while, and then he would curl his trunk and hold his trunk in his mouth until the piece was over. No matter how long that piece was, he would stay like that." ...
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This story began with a blind, bull elephant called Pla-Ra. Paul Barton took his piano to ElephantsWorld, a Sanctuary on the banks of the River Kwai in Thailand and began playing to the elephants while they were eating. "They were all having Barna Grass and it was that time of the day, when the elephants get to eat a lot and they don't waste a moment because they know that moment won't last forever," Paul recalls. "Pla-Ra was behind the piano with a mouthful of barna grass and I started to play Beethoven. Pla-Ra was chewing, and as soon as I played the first chords, he stopped eating with stalks of Barna grass protruding from each side of his mouth, and that's the way he stayed until the end of the piece." "Each time I played music for Pla-Ra, whether flute or piano, there was an identical reaction. Pla-Ra would stand for a while, and then he would curl his trunk and hold his trunk in his mouth until the piece was over. No matter how long that piece was, he would stay like that." ...
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Alexander Sletten
AsiaWorks ,
