pawebster One of the best things about this film is that it perfectly captures the "style" and the feel of (part of the) life in the north of England. It has its defects, though. Others have noted the perhaps overdone emphasis on drugs. It all gets a bit too highly coloured for the sake of drama. The film needed more of the positive sides of the culture: the music and the dancing. The main defect, though, is that the main character, John, is a bit dull, played by an actor who is about ten years too old for the part - and often looks every minute of it - and whose accent is not 100% convincing. His mate, Matt, is much better.

tobyhubner I hadn't even heard of the Northern Soul movement until I made We Are Kings with Rita Graham, who is one of their stars and a former Raelette. Then someone showed me clips of the Northern Soul girl dancing in the streets to the soul music, and of course I became a convert. What a great terrain for movie-making...the best soul songs, the classics, that I grew up with (yes I am from THAT generation). We had a guy in our class in prep school in 1969 that lived in Detroit and he started showing up with Motown records after Christmas vacation...our minds were blown that there was this alternative to the Beatles and the Doors and the Jefferson Airplane, and all new dance moves. So Northern Soul really gets it and I loved the story and the filmmaking was spot on. Highly recommended!

mylambretta I was really looking forward to seeing this film. I am and always have been a Soul music lover and Northern Soul fanatic. I was hoping to see how the Northern Soul culture developed alongside the pop scene in the 1970's. The beginning certainly started like this and reminded me of my youth club days. It showed how the music and scene became infectious and more and more people wanted to be involved. Unfortunately, for me, it went downhill very quickly. It is basically a film about the drug scene, with a Northern Soul theme running in the background. I went to Wigan several times and many other all nighters. I accept that some people did take drugs but in my opinion it was nothing like what was portrayed in the film. Having said that, the music and dancing scenes were terrific, although there are some of my favourite songs on the released CD set that were not in the film. At the end of the day it is a fictional film, based on facts from individuals from the time and if it was a film purely based upon the music and culture, then I suppose it would not have a very wide audience. Well done Elaine and thank you for allowing me to fondly reminisce about the wonderful memories of my younger days.

Red-Barracuda Before the emergence of the house and rave music scenes in the late 80's, there was Northern Soul. This phenomenon happened in the north of England where several clubs emerged where DJs played obscure American soul records. It may not sound like much now but I am guessing it meant a lot back in the mid 70's, particularly when you take into account the state of music in Britain at the time. Watch re-runs of Top of the Pops if you need proof that popular music in the UK was pretty dire on the whole at the time. These northern soul clubs offered up something energetic and joyous. From the perspective of today when everybody can get access to any music at the click of a button, it's amazing to think that some of the songs back in the day only existed on one solitary record owned by one DJ; so if you wanted to hear it, you had to go to see his set. The competition between DJs became intense but sadly such a retro scene was always going to have a finite existence because eventually there were no more obscure soul records left to find. Its details like these that I find most interesting about the northern soul movement, a music scene I am too young to remember.The film itself is strongest in its early stages when it focuses on the music scene more. It's such a specific phenomenon, it's fascinating in itself. Unfortunately, it does lose steam a bit in the second half as it concentrates more on the inevitable dramatic down-side that the narrative in these types of films seem to demand. In truth it's not entirely unreasonable to broach the subject of drug abuse as by all accounts a few northern soul fans died as a result of this and the scene was fuelled to a large extent by narcotics just as the dance music scene of the last twenty-five years has also. It additionally portrays 70's Britain as a beige hell, with fashions, haircuts and décor all of a remarkably appalling standard; in fact everything seems to lack any joy at all, aside from the music itself. But there is much humour in the script to alleviate the grim state of affairs somewhat and the young cast do good work alongside a selection of well-knowns including James Lance, Ricky Tomlinson, John Thomson, Lisa Stansfield and Steve Coogan. All-in-all, Northern Soul has a fairly generic story-line but it is made more interesting on account of the interesting scene it is based around.