Edgar Allan Pooh
. . . primarily because the only thing that Pepe says is, "Ah-Choo!" That's right, there's none of his phony baloney "French" Jibber Jabbering here. And though he winds up in bed hugging a male bulldog, it's more the result of a grudging Bromance truce than the creepy outcome of Pepe's crass importuning of an unwilling victim, as was the case in such earlier Looney Tunes\Merrie Melodies as ODOR-ABLE KITTY and SCENT-IMENTAL OVER YOU. In fact, the bulldog is actually a home-invading squatter, who's been previously evicted from another dog's house, an eagle's nest, and even a turtle's shell (!) in the middle of the winter cold. Is this tussle with a serial home snatcher enough to create a modicum of sympathy for Henry the Skunk (a.k.a., Pepe)? Not really. Once Pepe has chased the dog from his premises through a seemingly sexual use of his odoriferous defense mechanism, he sadistically retrieves said dog twice from a pond to torment him further. Still, perhaps this mutt makes a more fitting partner for Pepe than anyone or anything else. Fido's at least shut up the normally loquacious self-styled "Pepe," and that's much more than winning half the battle!
utgard14
A freezing dog is desperately looking for shelter during winter. He finally finds a cozy cabin with a warm fire going. Unfortunately for the pooch, the cabin already has an inhabitant -- a skunk that is debatably Pepé Le Pew. The two spend the entire cartoon fighting for sole occupation of the cabin. There's some disagreement among fans as to whether this is supposed to be Pepé or not. He only speaks one word and it's not with a French accent. The plot has nothing to do with romance, as Pepé's other shorts almost always did. It's included by Warner Bros. in a Pepé collection so I think WB must consider it one of his shorts. The simplest answer, to me, seems to be that this is an early Pepé short before his character had been fully fleshed-out and they had decided on what angle worked best with him. We see this with other characters as well whose earliest appearances differ greatly from their later characterizations. Anyway, it's a fun short with some decent gags. The music is energetic and the animation is colorful and attractive. Pepé Le Pew or not, I think most fans of classic shorts will enjoy it.
Lee Eisenberg
One of only three Pepe Le Pew cartoons not directed by Chuck Jones, Arthur Davis's "Odor of the Day" is one of the cartoons leaving ambiguity about the main character's identity (another was "A Corny Concerto", starring a duck who may or may not have been Daffy). When a dog goes to a house to spend the night...only to have a skunk enter, and the two begin fighting over the house.Aside from the fact that the skunk's identity is never specifically identified - though he looks like Pepe - whereas Pepe always remains oblivious to his offensive body odor, this skunk clearly knows about his body odor, using it as a weapon against the dog. Could this be Pepe's evil twin?! Whoever this Mephitis mephitis* is, we have here an OK if not great cartoon. But I think that we can agree that skunk cartoons are best when Pepe Le Pew tries too hard to get slinky (and presumably have sex) with a cat whom he mistakes for a belle femme skunk.*That's the scientific name for skunks.
Angel-Marie
Here's some trivia: Of the 17 Pepe Le Pew cartoons done by Warner Brothers, only 14 were directed by Chuck Jones. One Pepe appearance was a cameo in a Freleng cartoon, another Pepe cartoon was directed by one of Jones's animators, Abe Levitow, and Arthur Davis directed this one that seemed to have stripped Pepe of his legendary libido and make him more of a comedy actor, which is very much out of character for him. I really don't know what to make of this. I only recommend this if you don't like the monotony of Jones' Pepe Le Pew cartoons.
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