TxMike My wife and I watched this at home on DVD from our public library.It has a British "period piece" feel although the period is 1962. Two new college graduates from different backgrounds, which was still a big deal in 1960s England, get married. She is Saoirse Ronan as Florence Ponting, violinist and leader of a string quartet. He is Billy Howle as Edward Mayhew, much less refined and often confused by his role in the world.The movie starts with the two of them in their hotel room, about to spend their first night together, figuratively and literally, and much of the backstory is told in a series of flashbacks. The movie is based on a popular book, and the author also became the scriptwriter for the movie, which is a nice touch. It moves a bit deliberately at times but we found the movie very worthwhile. It plays on a theme that certain moments in life create crossroads and the decisions we make each time can have a great and lasting effect on the rest of our lives.

e-70733 The director tried to restore the full picture of the novel, but the rude interspersed reminiscences will reduce the immersion of the story, which is a common problem after converting literary works into movies. As a result, the film is very raw in both the construction of characters and the superposition of emotions. Therefore, The sudden emotional outburst at the end of the film is not convincing. On the actor side, Billy Howle played well but Saoirse Ronan was a bit too tension.

Horst in Translation (filmreviews@web.de) Here we have "On Chesil Beach", set in the middle of the 20th century for the most part, briefly after WWII, and this is probably my new second favorite movie with the imdb release year 2017. Director is Dominic Cooke and these 110 minutes are his first full feature movie I believe. The writer is Ian McEwan who has written the bases for many many movies in the last decades, the most known probably Atonement over a decade ago. For this one here, he adapted his own novel and looking at the script and story here, this may have been a really wise choice. It is that good. Sure it helps to have an actress like Saoirse Ronan on board who may very well be the by far most talented performer from her age group by now. 3 Oscar nominations before the age of 25 says it all and hopefully that win is only a matter of time. But lets take a look at this film here. The first 75-80 minutes, it is a decent watch, a convincing period piece with no major weaknesses that may not fly by, but also never drags by any means. Several interesting subjects are dealt with like social differences between lovers, unrequited love , struggling parent-children relationships, first love, marriage (or the desire to get married), anger management, inexperience when it comes to dealing with the other sex, aspiring music careers and more. It's all okay at this point, but nothing stands out too much. So I prefer to focus more on the lastg hour in my review, namely the moment when we have the two protagonists meet on Chesil Beach as newly-weds and we find out about their struggles that result from their unfulfilling wedding night. His accusations that she left him standing there humiliated. Her proposal to live together as a couple for everybody to see, but not to pursue a sexual relationship at all. Heavy material really, ot was a different time. Today of course we can say they were both very young, especially the girl and that her perception and her longings and desires in that area may very well change at some point in the near future and that it should not be seen like that as if it is something finite really. Or is it? Maybe he could not have approached her from that perspective every again and he must have hoped for her to take steps accordingly. I don't think it is a case of her not loving him, they did love each other, but their problem was probably his temper and his ego as well, his fear of being a failure as well as her insecurities that probably did not help matters at all, even if in theory they should have.Then we have 2 big jumps in time afterward: the first takes us 20 years later, maybe more into the 1970s and we see the male protagonist considerably older now, leading a hippie life with several sex partners it seems, so clearly more secure in that area now and when he tells the story about his past, without mentioning himself, we find out how much he still longs for the girl from his younger years and maybe how much he regrets already not sticking with her. There is that crucial scene with a young girl at the man's record store. We find out she is the female protagonist's daughter thanks to the inclusion of many smart and qually touching references about Chuck Berry (that shows us how she kept longing for him), the name of her little orchestra and eventually the girl carrying the beautiful name Chloe. I found this scene especially heartbreaking as we see that Ronan's character developed sexually obviously away from her initial fears and struggles and even became a mother who was probably leading a fairly normal life when it comes to physical attraction and performance in the bedroom. You could see how it broke his heart to find out about that. And that at the same time, had she stayed with him back then, or he with her, this little girl never would have existed. And the second jump in time is even further taking us deep into the 21st century when both are old now. We have him visit the final concert by her and her band, something that was referenced many times before in the movie how he will see her and how it will be special, only with the difference that in these plans they are both still loving couples, but eventually it was as if their marriage never existed. And when we found out who became the father of her children, it is especially heartbreaking as this man was not one she showed much interest in when meeting the male central character earlier. When we see him burst into tears in the audience, it is not really possible to not join him in the theater you are sitting and experiencing this truly sad and depressing turn of events. I think pretty much everybody was crying in the showing I was in, inclusding myself obviously and when I was outside again seeing people leave the theater with wet eyes still gave me a feeling of warmth really. They may be strangers, but that did not keep us from feeling the same. What else is there to say. I think my perfect rating says it all. It is only a 7 probably before the last 30 minutes, but then it all goes north so quickly and so unstoppably that I cannot do anything other than giving it a perfect 10/10 here. For me personally, I somehow always felt that there would not be a happy ending in store for the two eventually and that's perfectly fine because it did feel realistic. Billy Howle is of course not as good as Ronan for the most part, but that is fine because pretty much nobody his age is these days. he still holds himself pretty well I must say. Might be a good career in store for him too in the next couple years. Overall, this is a must-see, preferrably with your significant other. It also will make you think a lot about life I hope and about how all decisions have consequences, many of them very crucial ones and it's important to make the right ones as much as you can, so you won't get in a situation like our (perhaps eventually fairly lonely) male protagonist here to regret what he did in terms of life and love. A good film that closes in on perfection towards the end. You will be moved and brought to tears if you're not dead inside. Highly highly recommended, also to males who can perhaps even form a stronger connection with the tragedy towards the end because of whom it happens to. Do not miss out.

Nathan I was extremely put off by this movie.The writer/producer McEwan was able to get one of the most talented actresses of the day in Ronan and the director Dominic Cooke basically spent half the movie with the camera on her legs, in various stages of near undress, with a large portion of the movie fixated on filming an intimate scene in a hotel room to consummate her marriage to the awkward actor.The director also found it somehow relevant to film two nude scenes involving the main actor's mother which go nowhere in developing the story.I found the director to be quite cynical and formulaic in the way he went about his business.To me, this was a cheap skin flick masquerading as some type of coming-of-age film set in the early 60's. This is totally amateur-hour. I was tempted to walk out of the theater several times if not for my admiration for Ronan.They try to piece it all together in the end by fast-forwarding briefly to the 70's in a scene that makes little sense and then to the present day with a calculated ironic moment which is supposed to make the viewer emotional.However, that opportunity was lost when the director tried to make us believe that a woman would run out of a hotel room half naked yelling at her new husband after making love for the first time with him.Truly pathetic. I can't believe somebody put up millions of dollars to make this movie.What an insult.