Populaire

Populaire

2013 ""
Populaire
Populaire

Populaire

6.8 | 1h51m | R | en | Comedy

Rose Pamphyle lives with her widowed father and is destined to marry a son of the local mechanic. When she travels out of town and applies for a secretarial job with an insurance agency run by Louis Échard, he learns that Rose can type with extraordinary speed - using only two fingers. He tells her to compete in a speed-typing competition if she wants the job.

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6.8 | 1h51m | R | en | Comedy , Romance | More Info
Released: September. 06,2013 | Released Producted By: France 2 Cinéma , Canal+ Country: France Budget: 0 Revenue: 0 Official Website: https://www.wildbunch.biz/movie/populaire
Synopsis

Rose Pamphyle lives with her widowed father and is destined to marry a son of the local mechanic. When she travels out of town and applies for a secretarial job with an insurance agency run by Louis Échard, he learns that Rose can type with extraordinary speed - using only two fingers. He tells her to compete in a speed-typing competition if she wants the job.

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Cast

Romain Duris , Déborah François , Bérénice Bejo

Director

Sylvie Olivé

Producted By

France 2 Cinéma , Canal+

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Reviews

Rosie Leon (fireflypsngr) Found this on Netflix. I needed a feel good movie and this movie was perfect.Set in the 1950 Romain Duris plays Louis Echard an insurance agent in need of a secretary. What he finds is a beautiful but clumsy girl whose saving grace is her fast typing with 2 fingers.As the movie unfolds it just grabs holds and takes you on the journey to the World Championships in Speed Typing.I became an instant fan of Romain and want to play catch up on his movies. I hope he finds a Hollywood script that allows him to shine.Romain Duris reminds of Cary Grant, handsome, funny, charming and incredibly talented.
hinforr Well, I suppose some would say it is a comedy. In fact it is not really funny. Of course sometimes, occasionally, it might raise a smile, of sorts. But it is stretching it to call it a comedy. If it had been made in the 1950's or early 1960's when it is supposed to be set, rather uncertainly - there are inconsistencies in the set that could go towards its goof count - it might have interest as a historical document. But to think that this was made as late as 2012 begs questions of values the production team and others involved (except perhaps for the actors, who would always appreciate a crust of bread.) And it begs a similar question about those who were rating it as highly as they did.The "girls", adult women, are treated as performing chimpanzees, set up to compete - in the final showdown indeed in a non-contact cat-fight, as speed typists, the acme and ultimate ambition for women in the man's world that is/was an office. The romantic line running through it, that may allow some to ignore the reality of what the film said it was about, is really thin and full of stereotypes, and the final denouement is sad in its predictability. Really, have they learnt and understood nothing about the relations between the sexes, patronising bosses (patrons), lecherous bosses' sons, equal opportunity, sexism and discrimination and so on. It is not a question of "political correctness", just of maturity in film-making. This is not mature. Who was the intended film audience, what were they wanting to say to those people? That that was some halycon, good-old-days ? There is a place for re-creating old film styles. For a brilliant film that does successfully to the highest degree, by contrast with this, see:he Artist another French films made only a year earlier in 2011, also called a romantic comedy-drama (written, directed, and co-edited by Michel Hazanavicius). Ironically that film also had Bérénice Bejo who deservedly was praised for he part. In this film there was nothing that she could have done. Or anyone for that. Sorry folks, that's all!
karima42 This is a French romantic comedy, I enjoyed watching it but it also has some problems. The good parts: The best part about the movie is the nice set design and the costumes. It's great to see a movie that is not set in a contemporary US city like most other comedy movies. I liked the female lead actor.What I didn't like: The two actors don't seem to have real chemistry. Both main leads are supposed to have certain features. She is supposed to be a klutz, he is supposed to appear a bit mean but should be a good man on the inside. This characteristics are used to explain why they act the way they do. Unfortunately the director spends about one and a half minute on these characteristics and that's it.
Rold-Ickam Populaire is the shiny pearl type of movie. Simple enough to be worn regularly and noticeable enough to be more than a touch of color. The typical 50's pastel and soft colors are everywhere in the movie, except when the tone of the story turns less glamour and kitsch to become more intimate. Then the colors turn brighter, sharper and more intense... following the scene moods. I had no idea about what kind of movie my friends dragged me to but I have to recognize this was a very pleasant surprise. The lead actors (Deborah François and Romain Duris) are carrying the whole movie and it turned way more thrilling that I could expect at first from a type machine competition movie.There is some sense of Pygmalion and My Fair Lady where love is in the air even though it wasn't the initial purpose. When a young, pretty and innocent girl is coached by her boss, she turns into an accomplished and genuine beautiful Lady.If you're planning a nice movie sessionflick with your soulmate, without complicated plot or senseless violence and you want to ensure you'll finish smiling at the end, go for Populaire, worths it !!!