Belying their apparent stillness, Emily Richardson’s time lapse studies make for compelling and surprisingly eventful viewing: in the case of Redshift (named appropriately, after Hubbles law regarding the different wavelengths of light from stars), the activity is on a galactic scale: the wheeling of the heavens over a ragged line of coast. Her other piece, Nocturne, offers compelling evidence of her gifts as a filmmaker: her extraordinary compositional sense, her precise editing, and her uncanny intimation of the menace and beauty of cities at night. Based in London she is undoubtedly a major talent. — Shane Danielsen; 57th Edinburgh International Film Festival 2003, Black Box Activity.
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Belying their apparent stillness, Emily Richardson’s time lapse studies make for compelling and surprisingly eventful viewing: in the case of Redshift (named appropriately, after Hubbles law regarding the different wavelengths of light from stars), the activity is on a galactic scale: the wheeling of the heavens over a ragged line of coast. Her other piece, Nocturne, offers compelling evidence of her gifts as a filmmaker: her extraordinary compositional sense, her precise editing, and her uncanny intimation of the menace and beauty of cities at night. Based in London she is undoubtedly a major talent. — Shane Danielsen; 57th Edinburgh International Film Festival 2003, Black Box Activity.
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Emily Richardson
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