weezeralfalfa If you like the other films in the "Road Series", you will probably like this one too. The plot is thoroughly ridiculous, of course, more so than the others, I would say. But the mayhem and occasional songs are much more important than the very flimsy plot of this farce. The screenplay can be usefully divided into several segments, the first of which finds the boys(Bob Hope and Bing Crosby) associated with a circus(in equatorial Africa?). Bing is the barker and Bob is the performer of various very daring stunts. Bob has had it when Bing suggests he wrestle a giant octopus. Unfortunately, their pyromania burns down the Big Top, sending them running for cover. Thus begins the second segment when they buy the worthless deed to a gold mine, then unload it on another. Next, they get involved with two footloose women who con them out of some money buying the freedom of one, supposedly being sold as a slave. These two women(Dorothy Lamour and Una Merkel) will be involved with them for most of the rest of the film. They get the boys to agree to finance a safari into darkest Africa, not telling them that actually they are heading for Dorothy's wealthy boyfriend. When they discover that they are being used, they quit the safari and head back. The next segment mainly has them interacting with a huge population of natives, who debate whether they are gods or scoundrels, fit to be boiled in their huge cauldron. The final, all too brief, segment has the boys and girls reunited, apparently where they began the Safari, anxious to return home, but in need of money to purchase two more tickets for the 4 of them.There is a huge gap in the story where the boys somehow escape from being boiled alive and make it back to safety. At the same time, somehow the girls make it back to the same spot, lacking any money to pay the porters and other workers of the safari. I understand that the desired run time was being approached, and a quick ending was needed.One of the more hilarious scenes is when Bob is made to wrestle a supposed gorilla as a test of whether the boys might be gods. The circus tent fire looked realistic, with people and circus animals running around screaming.Incidentally, Zanzibar is a group of small islands off the coast of Tanzania. I never had the impression that we were there. Oh well, the boys never made it as far as Singapore in "The Roald to Singapore".

mark.waltz The team of Hope, Crosby and Lamour are back for their second "Road" venture, and while not a sequel, the trio is definitely playing exactly the same characters, although with different names. The formula took, and this time, they are somewhere in Africa, although this is Hollywood's Africa, not Rand McNally's. Starting off in a carnival, Hope literally almost goes up in flames, and soon they are on the run and for some reason end up over the Atlantic and south of the equator where they once again save Dorothy from a predicament, although they're obviously suckers for doing so.Some neat sets, pretty tunes and racy (as well as racist) humor follows. The parody starts here, with one intended victim of the patty cake game "obviously having seen the movie". When they encounter an African native tribe, one of them quips, "Who's got the dice?" Some of the jokes work. A few others don't, and a few bring groans. Una Merkel has a rather small part as Dorothy's pal. Spoofs of nature documentaries of the time is obvious. This would really hit it's height of the series in the next film where the three went off to Morocco.

bkoganbing A previous reviewer said something interesting about this second Road picture being a satire on all those Hollywood jungle epics. A pet peeve of mine has always been that American's concepts of Africa came out of those films. We were not in the imperialist game in Africa which was good, but we also knew nothing about these people, their politics and culture, and in some respects we're paying for that ignorance.That being said, I can't hold up Road to Zanzibar for that kind of criticism. It's a comedy and a funny one. With the success of the Road to Singapore and the obvious chemistry between Bob and Bing, the boys could now unload their monkeyshines on the audience full blast.This film marked the beginning of a long association between composer James Van Heusen and Bing Crosby. Van Heusen was replacing Jimmy Monaco as partner to Johnny Burke, lyricist, and this was the first of many Crosby films they would score.And the songs followed the usual Road picture pattern. Bing starts the movie off by singing You Lucky People You under the opening credits and continuing it in the opening scene at a carnival sideshow, a nice patented Crosby philosophical number. Dotty sings You're Dangerous while trying to vamp Hope the schnook. But then Bing croons to Dotty It's Always You another ballad and finally Hope and Crosby have a patter number Birds of a Feather sung in up tempo as the law is closing in. In that same scene is Eric Blore, better known for Fred Astaire films and he contributes to the clowning with a nice touch.In a sense this is the first real Road picture because Singapore didn't have a lot of the spontaneity the others do because no one figured it would be such a hit. So get out and hit the Road.

Tom Sanchez "The Road to Zanzibar" scores in all departments! The interplay between Hope, Crosby, and Lamour is outstanding. A wonderful addition to this trio comes in the form of Una Merkel, playing Lamour's friend. She and Bob Hope made an inspired dream comedy team. Their scenes together are hilarious. Dorothy Lamour displayed a biting comic edge to her lines not usually displayed in her comedies.The photography is moody, diffuse, reminiscent of von Sternberg's films. A real treat for comedy and cinema fans!