Sam Panico Laura Wilson (Patty Duke, Valley of the Dolls, The Swarm) and Mark (David McCallum, Illya Kuryakin on The Man from U.N.C.L.E. and better known to today's TV audience as Dr. Donald Mallard on N.C.I.S.) haven't been married long. And on their first trip to meet his mother (Dorothy McGuire, The Greatest Story Ever Told), she learns that maybe this marriage wasn't the best of ideas. Mom has been ready to go nutzoid ever since Mark's first wife Elaine died and she's convinced that her ghost is inside her home.Everywhere Laura goes, she starts hearing Elaine's favorite song and even her voice. Is she trying to possess her? Or she just being ridiculous, as the family doctor suggests? The movie never really gives in the whole way to the supernatural. It's more about Mark shutting himself off and not dealing with the past.The family maid thinks that Mark's mother is getting worse and worse, with Laura in danger of the very same insanity. And what's the deal with Mark's friend David (James T. Callahan, the dad from Charles in Charge)? And can you talk a ghost out of possessing someone just by, well, talking to them?Director Delbert Mann (Marty) puts together a competent story, written by Art Wallace, who was the main writer for TV's Dark Shadows. It fits into the 70's well, where possession and Satan and old ghosts of murdered wives were around every corner. It's slow moving, but if you understand that going in and know the conventions of TV movie horror, you'll find some good in this film.

Leofwine_draca A slow-moving but suspenseful American television movie for fans of old-fashioned horror suspense yarns without the slick special effects and gory deaths that modern genre offerings give us. Filmed on mainly one location, with a small cast and a predictable plot involving possession, SHE WAITS is a surprisingly effective outing for the genre which has plenty of creepy atmosphere to please the horror fan. For once the house in which the film is set actually does look haunted, and there are plenty of uncanny moments with doors creaking open of their own accord and sudden, jarring strings on the soundtrack to help raise the hairs on the back of your neck.The movie starts off very slowly and gets more involved as it goes along, ending with an insane turnaround with lots of plot twists and a whodunit aspect as the method of Elaine's death becomes clear and the finger of suspicion is pointed at one of the people gathered in the house on a climatic night. Before all this, SHE WAITS keeps us watching with some well-grounded fear sequences like when voices are heard talking from an empty room, or a music box keeps on playing a creepy old-fashioned tune over and over. The last fifteen or so minutes of the film are those in which the "possession" occurs and are extremely taut and gripping, with an unexpected revelation.The best efforts of a familiar cast also help us to keep watching through the slow bits. Patty Duke (a familiar face in the television movie realm) takes the lead role and portrays her possession realistically, and doesn't overdo it like some could. David McCallum seems an odd casting choice for the role of the subdued husband who takes a backseat in the action and remains calm, even when about to be shot! However McCallum pulls through and puts in a sturdy, if undemanding, performance. Famous faces like Lew Ayres and Dorothy McGuire fill out the rest of the cast and put in strong support, whilst James Callahan is good value as the family friend with a dark secret.When released on video in the UK (on the Cougar label), this was bizarrely renamed NIGHT OF THE EXORCIST , despite the fact that there are no exorcisms - let alone any exorcist - in the movie! I guess they thought cashing in on THE EXORCIST's title would make it more popular, but the two films (the first with its strong visceral gut-wrenching horrors, and this with its more subtle chills) couldn't be more different.

Putzberger A wealthy man, whose first wife died under mysterious circumstances, brings his perky but insecure new bride to his family home, which is dominated by a crazy old woman. Yep, it's deja vu all over again! But to avoid being sued by Alfred Hitchcock or Daphne du Maurier, the filmmakers give the second wife a name, make the old housekeeper sensible while assigning the husband's mother the eccentric-crone role, and hint at real supernatural involvement in all the strange goings-on. But all the cosmetic changes can't mask the basic structure of "Rebecca," although this is an above-average ripoff thanks to the presence of an Oscar-winning actress, Patty Duke, in the Mrs. De Winter role, and an Oscar-winning director, Delbert Mann ("Marty," "The Dark at the Top of the Stairs"), who wrings as much atmosphere as he can out of an over-orchestrated soundtrack, a wind machine and an oft-recycled set (I believe this particular house was reused in "The Devil's Daughter" and might have served as "The House That Would Night Die," appropriately enough). Throw in slumming Hollywood vets Beulah Bondi and Dorothy McGuire as the requisite old women, ever-earnest Lew Ayres as the requisite crusty old doctor, and aging pretty boy from U.N.C.L.E. David McCallum as the requisite moody, mysterious husband and you've got an adequate low-rent chiller, although most of the people involved deserved better.As our film opens, kooky old McGuire is wandering her dark, empty house, calling out for a ghost named "Elaine" until older but stabler Bondi ushers her back to bed. Not long after, the newlywed McCallum and Duke show up unannounced. Omigosh, you wonder, is Patty going to start acting funny? Well, duh. But since Patty Duke could act, it's actually kind of compelling to watch, and the transitions imposed upon her character give her the chance to show off some range and depth. But while we buy Patty's transformation, we never buy McCallum's love for her since he lets his floppy hairstyle do most of the acting for him. The old folks are along for the ride and royalties and it's nice to see them getting some work. You know where it's going, but you don't mind the ride.

Lee Eisenberg Mostly, "She Waits" is your average woman-goes-to-house-and-strange-things-start-happening story, but it's kept afloat by the good performances. Patty Duke plays Laura Wilson, who goes with her husband Mark (David McCallum) to his childhood home, where his first wife died. His mother Sarah (Dorothy McGuire) contends that his first wife never left the house and is waiting to get him back. You can probably guess what starts happening thereafter.Overall, the movie has everything that we would expect in such a movie, namely the eerie house and overpossessive mother. Most of the dialog is routine, but there are some good lines. For example, housekeeper Mrs. M (Beulah Bondi) says of Los Angeles: "What self-respecting ghost would want to live here?" Lew Ayres (yes, the "All Quiet on the Western Front" star who later became a conscientious objector) plays the doctor.Nothing new, but innocuous.