boblipton This movie continues the tall tale begun in SISSI as the adorable Imperial lovebirds move into the Schonbrunn Palace and all is hunky-dory for a year. When their daughter is born, however, up pops the Evil Mother-in-Law Trope, as Archduchess Vilma Degischer moves the baby to her wing of the palace. Maternal love cannot bear this, so Sissy flees back to Bavaria. Will the Emperor follow? Will the Archduchess admit she's made a mistake? Will the Hungarians walk out on the Spanish Reception when they think they've been snubbed, threatening the Dual Monarchy? Given the rough relationship of actual history to this spun-sugar confectionery, the best one can hope for is an exercise for old people tired of devastation by two World Wars talking about how it was better back in the Good Old Days. That's what one gets here in spades, with beautiful actors in beautiful clothes in beautiful settings, gemutlichkeit family relationships and beer and ham hocks at formal dinners, because under it all, that's what people really like. As a follow-up to the earlier movie, it's fine, but breaks little fresh ground on its own.

Horst in Translation (filmreviews@web.de) "Sissi - Die junge Kaiserin" or "Sissi: The Young Empress" is the second of 3 Sissi films starring Romy Schneider, her mother Magda and Karlheinz Böhm. Director and writer is Oscar nominee Ernst Marischka again and it runs for 105 minutes just like the first. Many of the topics in this film are exactly like they were in the first. The love between the 2 main characters is still strong, but so is Sissi's connection to back to her rural roots. She loves her parents, especially her father. She is the ultimate do-good character and protects animals this time and the Hungarians as well. The main antagonist is once again Franz Josef's mother and there are occasionally successful attempts at humor, even if this is probably even more a drama than the original movie, mostly with the motherhood plot. And of course the mountain climbing scenes, which for the first time bring the danger of death to the movies, even if it was fairly cringeworthy.I personally did not like the original too much and same applies to this one here. It suffers from one-dimensional writing, especially in terms of the character developments which are almost non-existent. The actors are mediocre for the most part and not good enough to elevate the weak script for the most part. I would not have needed this sequel and I also do not need a third film. I have almost no hope this one is better than these first two. Do not be fooled by the awards recognition this film got. Schneider lost the Bambi for the second year in a row to Maria Schell. The best thing about this film is, just like with the first the visual side. Schneider looks absolute stunning and the costumes cinematography and set decorations are all fairly good. But these pros cannot make up for the lack of great story or acting. Admittedly, it is not worse than the first in my opinion, so if you enjoyed that one, you will probably like this one as well. I just wouldn't know why. Not recommended.

MartinHafer A few years ago, my wife and I toured Austria. Up until then, I'd never heard of Empress Elisabeth ('Sissi'). However, as we toured a couple of the royal palaces in Vienna, we heard an interesting version of the life of Sissi. Tour guides said that the popular image of the empress was far from the real lady. On more than one occasion, she was described as vain as well as 'not quite right' (a nice way of saying crazy or at least emotionally unstable). And, tour guides enjoyed regaling us with stories about her eccentricities. Some of these I know to be true (such as her obsession with her weight) and others I still haven't been able to prove or disprove (they claimed she had teeth pulled in order to make her face look thinner). Regardless, this new assessment of the woman flies in the face of the fanciful and highly fictionalized Sissi trilogy made back in the 1950s. Whether or not you'll like these films has a lot to do with whether you are looking for the real Elisabeth or the nearly Cinderella-like fictionalized Sissi. Since I am a retired history teacher, you can probably guess which version I prefer.From what I have been able to learn, "Sissi: The Young Princess" is closer to the truth than the first film, "Sissi". That's because the first film is all happiness and joy--and is hard to believe. But here in the second of three films, you see the beginnings of a schism in the marriage between her and Emperor Franz Joseph. The film seems to blame all this on Franz's overbearing mother, Archduchess Sophie. While she was clearly a dominant figure in her son's life, blaming all the couple's problems on her is overstating things a bit. Much of the problem between the pair related more to very, very different temperaments--Franz Joseph was a rather dull and hard-working man whereas Sissi was almost manic and never liked to sit still. And, from what I have recently read, Sissi seemed to have little interest in her husband.So apart from overstating the awfulness of Archduchess Sophie, what's the rest of this film like? Well, like the first one, it's filmed in magnificent color--and sure looks great with its location shoots in the mountains as well as throughout Vienna (such as in Schönbrunn Palace). And for the romantics out there who love everything royal, there is a lot to like. Romy Schneider plays Sissi with an almost cloying niceness and you can't help but like her--even though she isn't too much like the real Sissi. She is who people WISH Sissi to have been--much like the world's fascination with Princess Diana. Not, like the real Sissi--complete with coughing fits and depression! All in all, an enjoyable film that's best taken for what it is instead of what it isn't. To me, it's like a steady diet of meringue--tasty but not especially filling.

dbdumonteil ....and she will have them all on her side,says Duchess Ludovica (Magda Schneider) to her son-in -law who is none other than the Emperor of Austria Franz-Joseph.In real life ,Elisabeth was not as lucky as Romy Schneider's character:not only her first daughter died (the one we see in this part of the trilogy)at a very early age (two) but she was also estranged from her second one ,Gisèle (whom we see in the third "schicksal (sic)" segment.As for her only son,the doom-fated Rudolph,she was never allowed to take care of his education,although she intervened once to snatch him from the clutches of Gondrecourt -who fired several shots in the Kronprinz 's bedroom to gently wake him up.The only one she had for her was her last,Valerie.So we find Sissi battling against her sinister mother-in-law,a stickler for form.She has to strike back ,not only to get her child again ,but also for count Andrassy and his Hungarians the old lady will always consider her enemies.There is a charming moment when Sissi and Franz take a holiday in the mountains.And as always,in the last scenes,pomp and circumstance prove that the love you take is equal to the love you make.I will always love the Sissi saga.It's part of my childhood.Forever,my love.