iNickR I heard about this Canadian gem a few years ago when it appeared on the festival circuit. Getting funding to make a film is a difficult task for many independent producers regardless of geography. Artists searching for funding in Canada face a monumental challenge. And if you're not in Toronto or Vancouver, it's damn near impossible! Regardless of how good your script is, unless you have a history or a name attached to your project, forget it. There isn't enough support for indie producers in Canada, which is why many beg, borrow and even steal to get their film made.I have a soft spot in my heart for Canadian films for this very reason. I'm adding this preface to my review because for a Canadian indie film, without a known director or actor attached, to make it to Cannes and TIFF (that, I think many would agree, are prestigious film festivals) is virtually unheard of. Clearly, then, there's something genuinely good about this movie. I enjoyed the interaction between the three main protagonists, although much of it seems ad-lib and not scripted, it fits nicely. It's genuine. It works. It seems less like a movie and more like I'm standing nearby watching this story unfold in person. Whether it was on purpose or not, it's brilliant. I felt for, and understood, the characters: the quiet introvert Adam who is clearly more comfortable in his skin around his lifelong friend, Taylor (a girl, but not his girlfriend); the bad boy Nate (a character I despise), whose jealousy of Adam becomes quite evident in one of the best scenes in the movie; and the unsettled Riley, who is trying to be a good kid but seems to fall victim to the antics of his cousin, Nate.The three boys spend the summer in "small town Ontario" doing what kids in small towns do during the summer: cause havoc and occasionally break the law (glad to see things haven't changed much since I was a kid). Much of the story follows Adam (Jackson Martin) and his budding friendship with Riley (Reece Moffett), a bond that Nate (Nick Serino) quickly grows jealous of. Nate and Riley are family, but is blood really thicker than water when it comes to the Sleeping Giant? The answer becomes regrettably clear.

sber-91551 Sleeping Giant is a hidden gem of a film, but its gift can only be experienced when you abandon commercial expectations and allow the film the requisite amount of time needed to transport you from a pre- conditioned cinematic abyss to an authentic time and place. Emotions penetrate through the barriers of the screen, capturing the viewer with both the acting and directing.I enjoyed it. Well done.Rating: 8/10

joeravioli You could be forgiven for thinking that this is a monster film, but the "Sleeping Giant" to which the title refers is not actually some great, dozing behemoth. Rather, the giant in question is the pent- up, sleeping aggression that boils in a boy's mind, his violent nature that, for the good of himself and others, must be kept hidden and forgotten. Andrew Cividino's debut film, a haunting piece about three teenage boys who battle through their boredom on the shores of Lake Superior, explores this unsettling reality of the teenage experience with startling precision and a steady hand. With the majority of modern teenage cinema focussing on serving up ridiculous morbidity and sex objects on a badly-made platter (Hunger Games, I'm looking at you) and the celebrated classics of the genre focussing on created a homogenized teenage reality with which we supposedly all identify (Boyhood, I'm looking at you) this film, a film that dares to show a little truth, is an especially timely slap in the face. Not only that, but I can say with confidence that Sleeping Giant is the best film I've seen all year.Jackson Martin plays the protagonist of the film, Adam, a reticent fifteen-year old who exists, along with his friends Nate and Riley, in a state of perpetual boredom. Although the other two readily participate in all sorts of strange little schemes, it's Nate who drives them from one distraction to the next. Riley shares Nate's restlessness, but lacks the recklessness and bravado that solidifies Nate as the leader of the bunch. And Adam serves as the quiet voice of moderation, who goes mostly ignored, teetering on the fine line between retaining his principles and belonging with the people around him.It isn't just his friends who make him feel this way. Adam's father treats Riley better than he treats Adam, and the girl he likes, Taylor, is making eyes at Riley. But what is Adam to do? Living a secluded life and brimful of boredom, his friends offer the only available respite. So he goes along, robbing convenience stores (their getaway vehicle is a golf cart), smoking weed in a bum's trailer, and in a particularly anarchic scene, tying a firecracker to a skateboard. As the boys test the limits of their power, they grow more confident, more fearless, almost even suicidal. But don't you dare think that you're in for a coming-of-age film. This isn't a film about maturation. It's a film that addresses its subjects: teenage boys. It explores their hearts and minds, and the toxicity lurking in them. Nate is a stone-cold psycho, but it's frightening how recognizable he is. His dialogue is vulgar and bloated, but not unrealistic. And Nick Serino's performance is worthy of commendation ten times over.The direction is fantastic. The film is shot in an unabashedly Canadian fashion, reveling in the landscape and in bodies rather than faces. For a debut, the subtlety is incredible. Brief suggestions and striking lines capture our attention and urge us to think about their implications. Part of it is sheer guesswork, but some of it pays off. If anything, it makes the film a more engaging experience. Cividino's film is autobiographical in more ways than one. First of all, the setting is gathered straight from Cividino's childhood. But more importantly, the film reflects how he experienced those lonely shores, how he coped with boredom, and how poisonous his options were. As Adam descends further into juvenile savagery, he begins to develop strange -- but admittedly relatable -- little habits. He becomes fascinated with a fishmonger that his father is having an affair with, going so far as to place a telescope outside her house and watch her undress. He lies to his parents, Taylor, and finally to his friends.The final confrontation refers back to ancient Greek tragedies. The threads of fate are tied by this point, we know what's going to happen, and when it does, we realize that it didn't even need to, which makes it all the more heartbreaking. The only thing the film lacks is a real ending. Sure, it ends, but it seems to come out of nowhere. Something momentous has happened, at least in my mind, but the ending doesn't seem to do the harsh beauty of the film justice, freeze-framing the story in a way that's very, very unsatisfying. This is a problem, but still only a minor blunder that I'll admit is subject to taste.As they say, boys will be boys. And guess what? They're right.

vegicat This movies isn't so much a "coming of age" story as it is a glimpse into the cause and effect of various character's actions and emotions.The movie is filmed beautifully. Something about the way it was filmed almost felt voyeur-like. It's a slow telling -- people looking for action, adventure or intense drama aren't going to enjoy it. For the most part, the teens convey a believable apathy, and the angst that is presumably just under the surface stays there under a veil of boredom and is just alluded to by the cinematography.The teen characters are solid. They perfectly embody the flippant and nonchalant attitude of that age group. Their conversations and interactions were natural, and thankfully, none of them were precocious, precious or inherently bad. All in all, it was a very languid telling of minor actions and their major consequences.