In Yoni Bentovim’s Snow, nothing is ever still. Text from a book is photocopied, wall-projected then filmed on 16mm. The physicality of the formats focuses our attention, searching for movement.
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In Yoni Bentovim’s Snow, nothing is ever still. Text from a book is photocopied, wall-projected then filmed on 16mm. The physicality of the formats focuses our attention, searching for movement.
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