webmaster-3017 A beautiful, yet unfulfilled romance… It seems that Taiwanese cinema is finally re-establishing in a manner of art house flicks. With Silk, Eternal Summer and now Spider Lilies, there is no question of doubt that Taiwanese directors are wonderful talents. While Spider Lilies seem rather commercial on the cover of the artwork, with the cute-eyed Raine Yang and the almost unrecognisable Isabella Leong, there is little questioning that it attracted a lot of a certain gender's attention. Full credit must be given to Isabella, who has now taken a path to a career stepwise an inch closer to Best Actress glory, with 2005's Isabella and now this. With that being said, Spider Lilies is certainly a beautiful film to watch and the constant cuteness of Raine is always going to add further viewing points, but the film ultimately remains slightly lacking and leaving the audience rather unfulfilled.The movie goes like this: Rainie Yang plays cute web cam girl Jade, who wants to get a tattoo to attract her online clients. She visits the tattoo parlor run by Takeko (Isabella Leong), and immediately remembers Takeko to be her childhood crush. Jade sees a stunningly beautiful spider lily pattern on Takeko's wall. She pleads Takeko to tattoo that on her body as "a mark of love", without knowing how special this poisonous flower means to Takeko. Takeko pretends to have forgotten Jade, but there are actually traumatic experiences that Takeko can never forget...Director Zero is no stranger to queer movies and apparently won the Taiwanese Best Director Award for some film called Splendid Float. Here, Zero seamlessly plays the film like a normal film and making the lesbian scenes all the more natural without a tick of queerness. Perhaps it is due to the pretty face of Raine who performs well enough to be acclaimed as an underrated performance. However, the real star of the show is really Isabella. Perhaps it is due to her make up or whatever; Isabella is acted like an accomplished actress beaming with confidence. Neo is daring to say that Isabella is an outside chance to be the next Maggie Cheung Man-Yuk. At times, Neo felt as though he is watching someone else, a real TB (tomboy) and now that's a compliment.Still, director Zero struggles to create something more, something deeper and something more relevant. It is a shame that the built up and structure seems so promising and along with the photogenic faces, one can only wish Zero should have done more. When the film reaches its conclusion, it fails to answers most of the questions that it initially raised, which only further hampers the film.Needless to say, the film is beautiful filmed and the lighting and use of colours are amazingly beautiful to endure. However, Spider Lilies come up rather short of its lofty ambitions and the result is an unfulfilled movie and leaving the audience wanting a lot more. Aside from these short comings, it is almost impossible to resist the moment when Raine kisses Isabella and their steamy hot sequence. Without being bias from a male perspective, the film does attempt to say something about memories. Perhaps it is true that it is human nature to remember the moments and people that they like and choose to forget moments that they do not want to remember. While, Neo can relate to the aforementioned line, the film fails to capitalize on any real issue and once again comes up falling short. Then again, any of that is unlike to deter the fans of the ultra cute – Raine Yang…I rate it 7.5/10www.thehkneo.com

showercomb i have to say i enjoyed Spider Lilies, no matter what other comments say. it was my first ever Asian lesbian movie and i was rather wide eyed. as part of Outtakes GLBT movie festival it was a breath of fresh air after watching Nina's Heavenly Delights which put me to sleep. BUT maybe because of my culture or upbringing, i found it rather disturbing that Jade (the younger character) was acting as if she's two years old and talking in that kinky childish prostitute voice, all the time not just on web cam, ugh! actually that's what she represented, not a woman and an individual but some male fantasy. the only time she looked somewhat real was in the love scene which was ridiculously short as if an afterthought. Takeko was a rather bland character but she appealed to me because she was more realistic that Jade. the plot could have been interesting, some imagery and drama but the execution of it less than inspiring and left me with a feeling of being skimmed over rather timidly. i would still recommend watching it if you want to see something not too mentally challenging and cute plus the girls are very pretty :)

DICK STEEL A spider lily is a flower that is said to line along the pathway to Hell. It contains poison which will cause one to lose our memory. Memories are central to the story, as the characters involved are questioned as to whether their memories are faulty, and if one can choose to repress them in the attempt to forget, be they happier times, or times of woe.Jade (Rainie Yang) is an Internet web-cam girl, living with her grandma, and making a living out of smut, enticing men to trade money for moments of online peek-a-boo pleasure. She has a love since 9 years of age, and it is the relationship with Takeko (Isabella Leong), a tattooist, that forms the fulcrum of the story. Takeko herself bears a strong spider lily tattoo on her left arm, and it is something that Jade wants for herself, trying to rekindle and capture memories of her lost love, now found again.There had been a recent fad about tattoos, nevermind the negative connotations once associated with this permanent body art. Perhaps this movie will change opinions about tattoos, as it opens your mind to specifics as to the reason behind each design, and the rationale that each person probably had when making their choices on a particular design. And as a plot device, it was a hand in glove, a tattoo's powerful symbolism of hiding real intentions or emotions behind, or to feed off its perceived energy and possessing the design's qualities.Spider Lilies has fine editing which serves the movie extremely well in engaging the audience with the characters' past. In fact, the rich back stories created for the characters make the story very compelling to watch. If there is a chink in the armour, then it's the characterization of Takeko's brother Ching (Shen Jian-hung), who is a bit slow in mental intelligence, and spends a lot of screen time pouting for his sister's attention, which totally messes up her social life, out of love and obligation to provide the only family care for him.The fear and pain of being forgotten in a modern society might resonate with many, and anyone who has spent enough time on the internet, will know that its anonymity can often lead to misunderstandings. That subplot perhaps added a touch of lightness coupled with a tinge of sadness and irony. As most youths today turn to the net as an outlet for expression, most will be able to identify with this portion of the story arc.I'm quite unsure if this movie will be able to make it to Singapore, given its more obvious subject material that the authorities will probably frown upon. But at its core, it's a tale of change and to have courage to live the life you want to lead, interwoven with a tale of love. If Saving Face can make it to our shores, I hope Spider Lilies will too.

JW CHIANG G/SRAT strongly recommends a new Taiwan lesbian (nutongzhi) film "Spider Lilies". This film will premiere at the Berlin Film Festival February 11, 2007. We hope you will encourage any friends who might be in Berlin to attend the premiere. This is Taiwan's lesbian director Zero Chou's new film. It portrays the love of and between two lesbians, evoking the hopes and hurts of everyone. It is a film remarkable in its fearless, unwavering representation of lesbian emotions while plumbing the depths of everyday lives. The film is further marked by the director's unpretentious concern for people on the margins of society and her humane yet piercing perspective on life.Spider Lilies (2007) – Do as you desire Reviewed by G/SRAT Spider lily is a flower that grows along the path to the gates of hell; it is a tattoo; it is a way of remembering and forgetting; it registers varied experiences of love and trauma.Everyday rituals are a way of du. Du is crossing over the river to the other side; it is also crossing through life to death and one's next life, over and over again. Storytelling through creative ritual action works through suffering that cannot otherwise be overcome (either in remembering or forgetting) in life. The film shows us how ritual storytelling and actions in different forms – webcam blogging, tattooing, getting tattooed, chatting under the guise of police entrapment – allows for crossing over to the other side, in life, and in death. Spider Lilies helps us see how different people have different ways of doing (or du-ing) – acting out, acting upon and acting through their desires, and therefore crossing through trauma to arrive at the other side, where one is no longer imprisoned within suffering but can live with it, having lived through it. It thus suggests to us ways in which we could do (or du) our own impasses.Everyone is non-normative, and must learn to du/do through different actions/stories. In the world of the film, violence and trauma are banal and special at the same time. No one is exempt from this everyday violence and trauma, no one is normal and without flaw. Through this film, all normative positions are under question. Non-normative roles on the other hand are represented in ways that subvert expectations. In Spider Lilies everyday trauma in two lesbian lives becomes the context and condition of their relation to each other. One of the lesbians obsessively remembers her first love at the early age of nine, and is courageous and forthright in pursuing a sign of love in the form of a spider lily tattoo. The other cannot forget early traumas nor can she remember or begin anything else, but finds a way to tell the stories for which there can be no words in her work as a tattoo artist. The film's view of its characters and their situations is a bit like the blind grandma's, fondly amused, and never judgmental. The tattoo is an allegory of cinema: as ritual that allows a crossing through, as a picture that grows, moves and penetrates its subjects, as a story told through pictures that reflect the past and help bring the future into being.