dougdoepke
Good scenic Western that applies the 40's private eye premise to a frontier setting. Powell does his 40's hard case number effectively, while Greer does her slinky spider woman bit. In fact, you have to look twice to make sure this isn't a Spade or a Marlowe. Powell's an undercover investigator on the trail of whoever knocked over an army shipment and killed the guards. In town are a lot of suspicious characters, including Greer and Burr, but suspicion isn't enough. Some good touches, especially the Sedona, AZ, locations, scenically filmed in b&w and lending an atmospheric note. And catch the middle-age romance between Powers and Moorehead, not exactly a staple of standard Westerns, especially for perennial spinster Moorehead. Also, there's nervous lawyer Burr, about as far away from lawyer Perry Mason as it gets. But what I really like is the way the movie works Burl Ives and his catchy tune into the narrative. It's very smoothly and pleasantly done.I don't know that there's anything special here, although the story ends on an unconventionally downbeat note. In passing-- I gather from TCM that director Lanfield gave Greer a bad time because she wasn't the preferred Marlene Dietrich. Too bad because Greer manages in one package to be both conniving and poignant, no mean acting trick.
Red-125
Station West (1948) directed by Sidney Lanfield, is definitely a cut above your standard Grade-B western. The plot is complex, the camera angles are skillful, and the acting is outstanding.However, this is not a film you see because you like guns, fists, and horses. It's the acting that makes this movie so interesting. RKO put real effort into casting the film. Besides Dick Powell and Jane Greer, the cast includes Agnes Moorehead and Raymond Burr.Powell is typecast as the tough-as-nails stranger in a very tough town. Jane Greer is "Charlie," who owns the gambling saloon, the gold mine, and the sheriff. She wears gowns that no 19th-Century saloon owner ever wore, and, being Jane Greer, she looks great in them. (Greer was, of course, very beautiful, but her beauty came from her intelligence as well as from her features. She was known as "The Woman with the Mona Lisa smile.")Guinn 'Big Boy' Williams plays the bouncer Mick Marion. About Marion the hotel clerk says, "Me, I'd rather fight a forest fire." Powell answers, "So would I." Burl Ives is perfect as the hotel clerk who acts like a Greek chorus as he composes and sings a ballad about the plot as it unfolds. (The chorus ends, "And a man can't grow old, where there's women and gold.") I was able to find a used VCR copy of this film. I don't think it's available in DVD, and you'd be lucky to find it being screened in a theater. It would probably work better on a large screen, but the chemistry between Greer and Powell will work in any format. It's a movie that's definitely worth finding and seeing.
Haecker
Dick Powell, a favorite actor of the Noir genre, stars as military intelligence officer Haven, a smart aleck undercover investigator looking into the deaths of two soldiers. Everything appears, on the surface, to be fairly cut and dried, but a good script and excellent acting creates the moody atmosphere necessary to turn this unassuming western town into a darker place where things are not always as they seem. The plot is tight and the viewer should be prepared to pay attention lest she or he miss important plot points. Greer's performance is flawless, and even the actors who have few lines or quick cameos (Burr's performance comes to mind here), fully invest in their characters.The filming is rather innovative for the time, with realistic hand-held shots peeking through tree branches, at saddle level, or in the case of the aforementioned fight scene, employing angles that join Powell and Williams as they brawl on the dusty bar-lit road. Lanfield invites the viewer into the scene, creating a first person viewpoint that is entirely intimate.There are a few flaws in the writing, but on the whole, viewing Stations West is an excellent way to spend 80 minutes. Very entertaining!
Eric Chapman
This excellent Western is really a tough film noir cleverly set in the Old West. The dialogue is sublime, so razor sharp that the actors probably had to bandage their hands after reading the script. And there are interesting little details as well; for instance, the way Dick Powell condescendingly pats attractive women on the arm (the way you might a pet) to let them know who's really in control. (Or so he'd like to think.) Toss in a first rate supporting cast that includes Raymond Burr, Burl Ives, and Agnes Moorehead - all generously given their scenes to shine - and you've got one heck of a movie.On the surface, Dick Powell, as the undercover military officer trying to solve a series of gold robberies, is an unlikely leading man. He's more commanding here than many square-jawed actors, and when the film is over it's hard to imagine anyone else in the role.This is one of those extremely satisfying movies where nothing seems forced or labored. It has that effortless fluidity and clearness of purpose that makes it just as entertaining today as I'm sure it was 50 years ago.
AD
