Storm

Storm

2009 ""
Storm
Storm

Storm

6.9 | 1h43m | en | Drama

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate.

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6.9 | 1h43m | en | Drama | More Info
Released: October. 30,2009 | Released Producted By: Deblokada , 23/5 Filmproduktion Country: Sweden Budget: 0 Revenue: 0 Official Website:
Synopsis

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate.

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Cast

Kerry Fox , Anamaria Marinca , Stephen Dillane

Director

Ben Zuydwijk

Producted By

Deblokada , 23/5 Filmproduktion

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Reviews

jjploquin The first thing we have the right to expect from actors is that they can speak loudly and clearly enough to be understood by everybody in the audience. I am sorry but mumbling is not good enough for a professional who makes his/her living by speaking. The subject of the movie seemed attractive enough but after half an hour of straining our ears to understand what was going on, my wife and I decided that no matter how bad we'd love to see the bad guy brought down, enough bad acting was enough. It was made worse because the movie was supposed to be subtitled and it was not. Please, miss Fox and company, call me back when you have passed your exam in elocution.
Roland E. Zwick "Storm" is a superb drama about the continuing search for justice for crimes committed more than a decade ago during the war in Bosnia.The brilliant Kerry Fox stars as Hannah Maynard, a prosecutor working at the Haige, who is mounting a case against a Yugoslavian army commander, Goran Duric (Drazen Kuhn), who may have played a part in Serbian ethnic cleansing. The equally affecting Anamaria Marinca plays Mira, a young woman who was repeatedly raped under Duric's orders, but who has since moved to Germany to try and forget the past and to start a new life with her husband and young son. Yet, under Hannah's insistence, Mira is eventually convinced to do the right thing – i.e. to come forward as a witness against Duric - at great personal risk to herself and her family.The screenplay by Bernd Lange and director Hans-Christian Schmid is multi-layered and complex, with each character emerging as a fully fleshed-out human being. Hannah is largely motivated by a righteous zeal and a desire to see true justice achieved through the court of law. Yet, there are moments when her motives are brought into question, when even the man she is dating accuses her of using the case more as a stepping-stone in her career than as a means of achieving a noble ideal. Similarly, Mira is torn between the desire to see that justice is finally done and the understandable need to secure a safe and peaceful life for her and her family. But there are more than issues of mere justice involved here, for by suppressing the horrors of what happened to her in the past, Mira has, in many ways, prevented herself from moving on with her life, a condition she may be able to rectify if she agrees to testify against Duric.Beyond the character dilemmas, there is the broader issue of whether justice can ever be truly achieved in cases such as these, especially given the delicate political nature of such trials. Too often, for instance, the EU finds itself not wanting to "rock the boat" with present and future member nations and, thus, turns a blind eye to many of the obvious atrocities that have occurred in those places in the recent past.Rife with human drama and enflamed by a righteous passion, "Storm" is an engrossing and vital recounting of recent tragic history.
secondtake Storm (2009)It is hard for people outside of the United Nations crimes courts to know quite how that world feels from the inside. I think it's too foreign, in every way, to know. And Hollywood tends to approach this kind of situation with heightened drama, exaggerated flair, darker darks and more romantic romances. I'm not a U.N. insider, but this isn't Hollywood and "Storm" feels as close to getting to the reality of that world as you can get in a fictional milieu. That's the brilliance of the filmmakers, withholding and avoiding undue drama but also making the characters complex and interesting.Of course, restraint isn't always the way to engross your audience, and "Storm" tends to be interesting all along. It feels important and principled, a lot like its characters. This might help it last as a classic of some sort, gaining over time some of the shine it doesn't quite have now. But there is also the issue of why, exactly, the victims of war atrocities in the Bosnian conflict were forgotten by most of the world in the years after the war ended. From an American point of view, Yugoslavia had always seemed far away, not quite Europe, not quite Asia, becoming a mix of newly minted countries from the dissolution of a big one that had always remained isolated internationally. But the Europeans understand one of their own, and if this movie is right, it seems that Bosnia (and Serbia et al) were largely forgotten once the actual war was over. "Storm" is a particularly European approach to the issue, a Danish film overall, but a multi-culti multi-country production that fits its subject perfectly.This movie is about a kind of dogged heroism that is part of the glory, really (no joke) of the United Nations. You come to appreciate the struggling, idealist foreign service and civil rights work that goes on at the lower levels of the U.N. completely out of sight, but critically important. Here the fight is led by a discouraged mid-career lawyer played by Kerry Fox with something approaching perfection. Her character is so everyday (for a high powered lawyer), you sometimes forget that the actress is pulling it off so well. The second lead comes in only halfway through, the equally brilliant Romanian actress Anamaria Marinca, who is a victim being coaxed into testifying, even though it is putting her life and her family in mortal danger.Not many movies get made about this world in part because it's a little dry. There are no shootouts or bombs, just suspicious glares, sudden backroom decisions. But it's an important movie, at least it was for me, giving me just a small insight into that world, and into the social wreckage of the Bosnian war. If it had been given more drama, it would have acquired more hype, and director Hans-Christian Schmid deserves a bow for his steadfastness.In researching a little, I found this review which I thought was really well written, you might also enjoy: http://www.filmcritic.com/reviews/2009/storm/Or just see the darned movie.
buzzbruin I saw this picture after a critics recommendation. As a retired Lawyer I was fascinated by the Hague and its world Court process in prosecuting the atrocities of the Muslums and others in Bosnia. It is a cerebral thriller. It is more interested in pursuing the criminals who were the Leaders of these horrible crimes. It is a great film about the legal system no matter what the court. It relies on drama, good acting rather than tales of horror. The trial scenes are simple yet riveting and suspenseful. It is also a great pleasure that my wife and I knew NONE of the cast, making the film that much better. It always amazes me how many good filmmakers there are in the world who out perform the crap that Hollywood makes. The over blown-in love with special effects is so juvenile it is revolting. Suffice to say Im not a kids anymore and is great to know there are people who recognize that there is an adult mature audience hungering for such films. It is also a thriller, so I guarantee you wont be bored. See it as soon as you can since it is very limited release!!