skelk The world of DD is all a bit dulled. He is insensitive to touch and doesn't really know what he wants out of life or where he wants to take his career. Whilst pleasant enough to those around him he is the kinda guy who never returns the DVD's you lend him and he isn't the kind of guy to go out of his way to help a stranger in need, or to even give them the time of day. DD is a reflection of society in general.So what would happen if this easy life was torn in two because of lost remnants of his childhood? Storm takes the viewer on a twisting comic book journey that forces the main character to question his entire way of life by looking back upon his previous choices and actions. Storm has often been likened to the Matrix in terms of style, both of the main characters are comic book heroes of sorts, both are lost in a confused world, but the comparison ends there. There are a couple of nods to some scenes from the matrix (Run DD) but Storm takes an entirely fresh look at what it is to be alive and to feel. Some scenes are very eerie and are reminiscent of silent hill and the ending is quite bizarre too. Essentially Storm questions the intrinsic nature of man, albeit with clunkiness and size 11 boots.

Landscape The first scenes are really tough and you'll think it's the centerpiece of the Movie because it is followed by the opening credits. It's not the last time you'll be wrong - the story is complex, but it's not too hard to follow its twists.In the beginning Storm is a very expensive looking SciFi-Thriller, interrupted by scenes of party-goers with their superficial chitchat talks, reforms into a superhero saga, makes the turn to some Silent-Hill-Looking countryside childhood drama and so on.But don't mind: it is not nonsense, it is a story leading back to some childhood experiences, and there has never been a more cumbersomely but entertaining way of getting to the point.And I liked very much the tough Eva Röse and the weak Eric Ericson, the usual role models exchanged, running through this set of graphic novels.

marsson_90 When I first saw the trailer for this movie I really got caught. For being a Swedish production it really is ambitious, especially the special-effects and other stuff that rarely been included in a Swedish movie before. The movie focuses on the young man D.D (Eric Ericsson),he's a man that think that he can manage to survive all alone, who lives in the Swedish capital Stockholm. His life is really enjoyable until the mysterious woman Lova runs into him and turn his whole world upside down, she's chased by some dark and evil men who wants to kill her. I saw the movie on a Swedish cinema, I loved it, for being a Swedish film it really rocks, I've never seen anything like it. Måns Mårlind, who created the Swedish series "De Drabbade" wrote the story of the film, he's an awesome story-writer. I recommend this movie to everyone who liked the movie "The Matrix", the whole atmosphere feels like the one in matrix, but that's my own opinion.

Stephan Johansson First of all the actors. Sasha Becker, who I have never seen before, does an excellent job. He holds the movie together nicely and goes through a variety of moods flawlessly. Now for the rest of the cast... Jonas Karlsson, an actor who I normally respect, is horribly cast for this movie and the role as the "bad guy". With or without a scar (hah) by his right eye. Eva Röse is not only poorly casted in her role but does a terrible job, overacting every single line she does. Another major problem with this movie is that it tries to much. It's like they added comic-book / matrix / fight club / anime / computer game references and scenes in the end just to be the flavor of the month and it totally destroys this movie! If all of that was removed and the tempo was actually slower the movie would benefit greatly. I mean come on,.. jumping over laser scenes and random running with ninjas hunting you in the midst of a otherwise good movie. Granted, the script steals a hell of a lot of influences (ripping of?) from other movies (butterfly effect / hell raiser / matrix etc) but it's core is good. Sadly this is like watching 3 movies in one with only one being good and them pulling different ways and you almost feel like jamming a fork into your leg every time you see a scene that apparently "has to be there" with no intent but to show that the movie is hip. Cudos has to go to the art department and the Cinematography guy in charge Linus Sandgren cause *that* work is totally flawless. I left with a bitter taste of what this movie could have been LIKE and what a waste of talent of the cinematography and lead actor it had been.