Svengali

Svengali

1931 "He hypnotizes! He thrills...! Any woman caught in his spell must obey."
Svengali
Svengali

Svengali

6.8 | 1h21m | NR | en | Drama

A music maestro uses hypnotism on a young model he meets in Paris to make her both his muse and wife.

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6.8 | 1h21m | NR | en | Drama , Horror , Romance | More Info
Released: May. 22,1931 | Released Producted By: Warner Bros. Pictures , The Vitaphone Corporation Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A music maestro uses hypnotism on a young model he meets in Paris to make her both his muse and wife.

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Cast

John Barrymore , Marian Marsh , Donald Crisp

Director

Anton Grot

Producted By

Warner Bros. Pictures , The Vitaphone Corporation

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Reviews

Hitchcoc The great profile shows it off as the mesmerizing Svengali, who manages to enchant a young woman, realize her singing talents, and push her to excellence. Of course, there is the overriding theme of sexual manipulation. Trilby is beautiful (Great name, by the way. One of my neighbors had a canary with that name. Now I know where it came from). Naturally, this guy has to have an adversary, one who will spoil his plans by his very presence. That is Bobbee. The striking black and white cinematography with Barrymore at his absolute best is what makes this movie cook.
SimonJack It's been many years since I read DuMaurier's "Trilby." I was a young man them, probably much more impressionable than I am now. I didn't know that there had been a movie made based on the book – let alone several versions. When I came across the title on IMDb I read the summaries and comments on all of them. It seemed to me that only one came close to the book – this 1931 Warner Brothers film, named after the villain of the story. Comparing the casts, one also could come to the conclusion that this would be the best of the films.John Barrymore does an excellent job as "Svengali." Marian Marsh is very good as Trilby, and this is her first starring role after a few uncredited roles in films. The rest of the cast are fine in their roles. I did notice that the ending was different, if in the same vein.The film didn't seem to be as sinister as I recalled Svengali from the book. Perhaps the front of gentleness displayed by Barrymore here assuages somewhat the terror of his character's demonic side. I don't recall if his character had a gentle or sweet side in the book.The filmmakers did an excellent job in setting the story with the stark appearance of the lodgings and spacious empty hallways in the beginning. Once Trilby comes under Svengali's spell, it seems that the film moves very quickly to the end. I thought there was a little more to the intervening years in the book.This was a very good portrayal of one person controlling another, especially with dark powers. DuMaurier's villain's name soon transposed into common language. A manipulating person who seeks to control someone is referred to as a Svengali.
JoeKarlosi Svengali (John Barrymore) is an eccentric mystical music teacher/pianist who makes his daily bread giving singing lessons to aspiring students in Paris. His long hair, forked beard, and piercing eyes make the unusual instructor a prime target of ridicule among the local townsfolk. One day a stunning and earthy young model named Trilby (Marian Marsh, perfectly cast and the living picture of the girl you heard about in the song "You're Sixteen") makes her way into the life of Billee (Bramwell Fletcher from the 1932 MUMMY), and wins his devotion. But like all the red-blooded men in this tale, the sly Svengali takes a liking to her himself, and hypnotizes the girl into following him. It's always exciting to discover an old classic from Hollywood's Golden Age that still captivates. SVENGALI is only borderline horror at best, yet it remains a true gem, an absorbing achievement in every way: from the powerful lead performance of Barrymore, to the delicious beauty of 16 year-old Marian Marsh, to the bizarre set designs of Anton Grot, to the wonderful direction by Archie Mayo. This is when movies were movies. *** out of ****
missrebeckah This is a phenomenal movie. Great acting, great story, cool cinematography. Really worth the watch, and don't watch the 1983 remake with yucky Jodie Foster. Gag. She can't hold a candle to everything Marian Marsh brings to the character. Beauty, charm, grace, innocence and vulnerability. I can't believe Jodie could be hypnotized, and I can never "forget" the star, or she's always Clarice to me. John Barrymore is THE man. He's an amazingly good actor, and amusing to boot. That beard is so funny looking I can't take my eyes off it. He has the presence of a real star, yet we get lost in the character because he is such a GOOD actor. And look at how HUGE the hallways are in those Paris studios. And the costumes! A definite classic. Watch it, you'll love it.Read more of my public domain movie reviews at: http://pdmoviereview.blogspot.com/