Fluke_Skywalker
Plot; Rival cops must team up when they're framed for murder by the city's top crime boss.Released in the Golden Age of the Buddy Cop film, Tango & Cash sees perhaps the genre's biggest pairing of star power in Sylvester Stallone and Kurt Russell, and it's their charisma and chemistry that carry the movie.A notoriously troubled production saw Patrick Swayze leave (replaced by Russell), Stallone fire the director of photography (a guy named Barry Sonnenfeld) so that he could bring in his own guy, the director fired and the entire production go $20 million over budget. Filming began without a finished script and the final cut wasn't locked until just before its release. In short, it was a cluster foozle. But it works. Not amazingly well, but as a piece of disposable entertainment. Logic doesn't exist in this universe and trying to make sense of the plot will only give you a headache. If you just sorta roll with it, Sly and Kurt carry the whole tangled mess on their beefy shoulders and deliver a genre relative good time.
Smoreni Zmaj
6,3?!!! Really?!!! The only nominations it has are Razzie - Sylvester Stallone for the worst actor, Kurt Russell for supporting actress (I do not want to spoil by explaining this) and for the worst screenplay... I'm shocked! This is one of the mightiest crime action movies of all time, a cult movie as much as "Die Hard" is. Stallone and Russell are awesome tandem, the story is satisfying, action scenes are great, there are just enough funny lines, Teri is there to satisfy aesthetic needs, music by Yazoo and Alice Cooper,... Even I, who consider action movies to be the lowest type of cinematography, am thrilled. I'm sure there's no need to present this movie to those who grew up in the '80s and '90s, and you, kids of the 21st century, put it on your watch-lists immediately, and on top of it.9/10
SnoopyStyle
Ray Tango (Sylvester Stallone) is a neatly-dressed rich Beverly Hills cop. Gabriel Cash (Kurt Russell) is a street-tough disheveled L.A. cop. They are both outstanding narcotics detectives and thorns in the side of drug lord Yves Perret (Jack Palance). They get set up for killing an undercover federal agent in a drug deal and sent to a prison with criminals the pair locked up over the years.This starts with a couple of big action scenes. However, it's not until twenty minutes when the duo gets together. It also seems to be their first meeting. These two are set up for a standard combative buddy cop duo. It's missing the buddy part for too long. The trial rings false and the plea is even worst. On paper, this duo is a fun buddy cop movie. It doesn't turn out that way on the screen. It is so broad (not a pun on cross-dressing Kurt Russell) that it does have some camp value. The Teri Hatcher reveal is fun but this is a generally bad movie.
whirlingwonder
Hilarious! A sweatpant fantasy by two inimitable retards acting within an unparallel series of deranged scenes, a film that would have served far better in a fictional novel, focused to tell the story of the bedtime delusions of an overdosing drug addict, plunged within the depths of an unending state of paranoid dementation.A movie inundated with stereotypical absurdities at nearly every moment, is no wonder why the only viewers to cite this movie with any realistic appreciation, could only suffer from an immense degree of infinite gullibility.Hollywood must be in utter admiration for a musclebound airhead to leap the stage, that thinks as if his brain was lodges up his ass, and utters every word from his mouth as if his tongue was swallowed in his throat, but what about those big arms of his? The film would have been much more fit for view, if the two of these flagrant neanderthals tied bandanas around there hollow heads and screamed cowabunga, but how could they well have done that without ripping off a classic youth movie, no less a cartoon, that yet displayed far greater intellect and creativity to it's viewers?
AD
