When it comes to cinema, a mirror is rarely just a mirror. As one of the medium´s most ubiquitous and expressive symbolic objects, mirrors have long represented something greater than themselves — usually, when looked upon, some otherwise internalized or unsavory facet of a person´s psyche. With TEAL, Björn Kämmerer strips the mirror of its metaphoric trappings and, in the process, restores a bit of its practical magic.
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When it comes to cinema, a mirror is rarely just a mirror. As one of the medium´s most ubiquitous and expressive symbolic objects, mirrors have long represented something greater than themselves — usually, when looked upon, some otherwise internalized or unsavory facet of a person´s psyche. With TEAL, Björn Kämmerer strips the mirror of its metaphoric trappings and, in the process, restores a bit of its practical magic.
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Björn Kämmerer
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