dougdoepke Holden and Ford may be the stars, but the film belongs to director Marshall and the incomparable Edgar Buchanan. Marshall started out directing comedy shorts and it shows up here in several memorable scenes. That fight scene may be the most amusing on boxing record. Dutch Henry keeps popping up, dukes raised, like a whack-a-mole, and I love the way the boisterous crowd ends up in a frontier free-for-all. The buckboard scene may be brief but it's expertly done, Trevor shows real comedic ability as she struggles with a rebellious ten yards of skirt. Then there's the topper—pudgy, gravel-voice Buchanan actually doing a song and dance. I wouldn't believe it if I hadn't seen it. But more incredibly, his graceful shuffle and tuneful refrain are absolutely charming. What a marvelous actor he was as he transitions here from musical performer to shifty-eyed mastermind.It's a good story if a bit shopworn—two buddies (Ford & Holden) falling on opposite sides of the law while competing for the same girl (Trevor). The various alliances get a little confusing so you may need a scorecard to keep up. Holden gets the majority screen time, while the always low-key Ford is even more so than usual. All in all, it's a highly entertaining, fast-paced 90-minutes, thanks mainly to an expert director and a cagey old coot.

Scaramouche2004 Two close friends find themselves on opposite sides of the law in this 1941 western, which follows the aftermath of the American Civil War into the lucrative business of cattle drives and cattle rustling.Dan Thomas (William Holden) and Tod Ramsey (Glenn Ford) have recently been dismissed from the Confederate army after the recent period of unpleasantness, and are heading for a new life and to make a new fortune in Texas, the state of opportunity in the old west.Tod is looking forward to making an honest living whilst Dan is just looking forward to making any kind of living, not really caring on which which side of the legal and moral fence this living may happen to found.After retrieving a sack full of stolen stagecoach money which Tod plans to return to its rightful owners and Dan plans to pocket for himself, they are captured and nearly lynched by the local sheriff which results in the inevitable chase.It is during this chase that the two friends split to take two different paths, two paths that will ultimately differ morally as well as geographically.Tod Ramsey ends up a trusted and respected law abiding cattle hand in the local town whilst Dan falls in with a crooked Dentist, (Edgar Buchanan) a corrupt rancher (Addison Richards) in charge of a cattle rustling gang, and an equally corrupt 'friend' of the people (George Bancroft) who all set about their merry work, ambushing and rustling the large cattle drives attempting to reach Abilene.With all the cattle drives failing and all the local Cattle barons facing bankruptcy, Tod Ramsey, unaware that his friend is responsible for all the rustling, decides that he will attempt to take a combined herd; the largest herd ever to come out of Texas and defend it all the way to market.For the rustling syndicate this means that Tod will have to be 'taken care off' and quick, but is the seemingly ruthless and ambitious Dan now evil enough to kill his own best friend? Will his loyalty to Tod allow the herd to get through to Abiline, or does he now have an extra plan up his sleeve? Claire Trevor is the love interest for both men, just to give them something else to fight about, although her character I feel is rather dis likable as she seems to flit her affections between the two with each passing breath obviously content to be with whoever is left standing at the end....and the fool takes her. Doh!This was an early Western for both male leads and both were destined for great things. Although Bill Holden's likable but disreputable character is the main focus is this film, it is Glenn Ford who is the treat for me here.He was without doubt one of my favourite actors and certainly my favourite cowboy. No offence to The Duke and Clint, but neither was a patch on Glenn Ford when he put on a gun belt and tightened up his spurs, and its great to see him here just starting out.

bkoganbing Two young cowpokes played by William Holden and Glenn Ford in their youth are trying to make their way to Texas. As former Confederates they're not treated so well in Yankee country. When they spot some outlaws holding up a stage they decide to rob the outlaws. Of course when the sheriff finds Ford with the loot, Holden has to rescue him from a lynching. In eluding the posse the two go their separate ways and thereby hangs a tale.This was the first of two films Holden and Ford made together, the second being The Man from Colorado after World War II. Both of them had the same unusual contract situation. Holden came up through Paramount ranks, but was spotted there by Harry Cohn at Columbia and given the lead as an unknown in Golden Boy. So confident was Cohn in Holden's success that he took the highly unusual step of purchasing half of his contract from Paramount. So Holden was under contract to two major studios at the same time.Ironically enough Glenn Ford in the late Forties had half of his contract purchased by MGM when Harry Cohn sold it. These are the only two stars whoever had such an unusual arrangement.It is also the first time Glenn Ford worked with Director George Marshall although it would take another 17 years for them to reunite in The Sheepman. After that the two of them did a whole string of successful comedies together.There's is some humor in Texas, but the accent here is on action which comes pretty fast and furious. Holden falls in with the outlaws he and Ford held up and Ford becomes a big mover and shaker with the cattlemen. Ford persuades them all to get a big herd together and drive them to the railroad terminus in Kansas. He's also trying to impress Claire Trevor the rancher's daughter who Holden also is interested in.Texas has a trio of villains in George Bancroft, Addison Richards and Edgar Buchanan. This was the film where Edgar Buchanan got his first attention. His folksy demeanor masks some serious scheming in this film, the first of many reprobates he played in the movies although most of them were not as seriously villainous as here.Glenn Ford and Edgar Buchanan hit it off very well. They worked in about a dozen films together and in Ford's television series Cade's County.Texas is a good western and it's a pleasure to watch two young screen immortals in their beginning days.

dinky-4 It's a bit surprising that no one's commented on this movie till now. After all, it isn't some obscure B-western but rather an almost "A" production with two rising young stars, (William Holden and Glenn Ford, plus Claire Trevor), and a respected director, George Marshall. Perhaps the fact that it's in b&w has unjustly relegated it to near-obscurity.Those who seek it out, however, will be rewarded by an engaging plot which has some interesting twists and turns, by some snappy dialog -- particularly in the first meeting between Holden and Trevor -- and by a host of good supporting players, such as Edgar Buchanan who plays a devious dentist.For fans of "beefcake," there's an early prizefight sequence in which a shirtless Holden battles the local champ in a bare-knuckle marathon. Only about 22 or 23 years old at the time, Holden's physique hadn't yet reached the maturity displayed in his later films, (most notably "Picnic"), but his bare chest, (shaved of the hair displayed earlier in "Golden Boy"),is still quite pleasing to the eye. If only the scene could be re-written so that Holden would have been matched against a stripped-to-the-waist Glenn Ford. Now, that would have been a beefcake bonanza!