The Beckoning Silence

The Beckoning Silence

2007 ""
The Beckoning Silence
The Beckoning Silence

The Beckoning Silence

7.4 | 1h13m | en | Drama

In The Beckoning Silence, Joe Simpson, whose amazing battle for survival featured in the multi-award winning "Touching the Void", travels to the treacherous North Face of the Eiger to tell the story of one of mountaineering's most epic tragedies. As a child, it was this story and that of one of the climbers in particular, that first captured Simpson's imagination and inspired him to take up mountaineering.

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7.4 | 1h13m | en | Drama , Action , Documentary | More Info
Released: October. 22,2007 | Released Producted By: DSP , Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.touchingthevoid.co.uk/news_item13.asp
Synopsis

In The Beckoning Silence, Joe Simpson, whose amazing battle for survival featured in the multi-award winning "Touching the Void", travels to the treacherous North Face of the Eiger to tell the story of one of mountaineering's most epic tragedies. As a child, it was this story and that of one of the climbers in particular, that first captured Simpson's imagination and inspired him to take up mountaineering.

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Cast

Steven Mackintosh

Director

Ian Chisholm

Producted By

DSP ,

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Reviews

Graham Bentley The DVD version of this film also contains a spoiler within the extras ~ although I can forgive the great man himself as Chris Bonningtons interview is as honest and emotional as Joe's. In that interview Chris describes his own experience as photo journalist and reporter on the first 'Eiger Direct' expedition in the early 60's, when a climbing friend, John Harlin dies. This leads onto to some short research to find that John Harlins son makes an attempt on the Eiger himself, 40 years after his fathers death, in a film called 'The Alps' which I haven't seen yet but believe has the most breathtaking footage.Also, within the extras on the DVD is 'the making of', but in a way, whilst its interesting, I feel it kind of detracts from the superb acting and shooting in the the main film.
bob the moo As a child it was the story of Tony Kurtz's attempt to climb the north face of the Eiger that first introduced Joe Simpson to the world of climbing. After his near-fatal accident in Peru, Simpson comes back to the story of Kurtz's mission and considers what he has in common with the climber who once inspired him. Using a mix of dramatic recreation and narration, Simpson tells the story of Kurtz's team and also attempts to do some parts of the original climb himself.I'm not a climber and indeed am not good at even basic heights so I am not target audience for Simpson's books or the film adaptations thereof. Watching people die or nearly die while climbing for sport or fun always seems to me to be a waste of life, just as any death in a high-risk sport or hobby strikes me. This doesn't mean I think it is stupid to do it (we all take risks) but just that I do have this in the back of my head while watching this sort of story. I imagine it is maybe down to the individual but certainly the main thing I got from Kurtz's story was confirmation that I'm not cut out for this activity and I cannot relate to Simpson, who takes it as an inspiration to do it himself.So the challenge with this is to make me, the casual viewer, buy into the adventure and be hooked by the story. It worked with Touching The Void and it works again here. Taking pretty much the same approach as that film did, The Beckoning Silence tells a fascinating and tragic story and does it in a way that will engage viewers even when the "why" issue is hanging around in the background. The recreation of the climb is good and avoids the hammy acting that some docu-dramas fall victim to. Simpson also goes to the Eiger for some of his narration but I'm not sure if something happened while he was there because the film makes very little use of this aspect and it could easily have done without it. Simpson's greater impact is as narrator to camera. He does well to bring his passion to the screen and convey it to the viewer – a big part of the film engaging me as it did.Overall then this is a good film that will appeal to the majority of viewers who like Touching The Void. Of course those that see climbing as a pointlessly dangerous pursuit may struggle to get past this but mostly the film does well to engage and draw the viewer into the world as Simpson sees it.
Casino-Royale Mountaineer Joe Simpson, famous not only for his survival on Siula Grande in Peru, but for his subsequent books including Touching The Void, Storms Of Silence and The Beckoning Silence, takes a journey to the Eiger to re-trace the steps of Bavarian mountaineer Toni Kurz who along with his three companions Andreas Hinterstoisser, Willy Angerer and Edi Rainer attempted a first ascent of the north face of the Eiger in 1936. Although it's not the tallest mountain in the world (4,107 m) or the most difficult the Eiger has a calling to all mountaineers that is hard to describe, but an obsession it can definitely become. On the way up Hinterstoisser found the key to the mountain when he set across an 100' sheer black rock, allowing the rest of the team to climb safely across (later in memory of his brilliant climb it was called the 'Hinterstoisser Traverse'). Unbeknownst to them at the time though to get back across the traverse they should have left the rope in place. After Angerer was hit in the head during a rock/ice fall, they had to abandon the summit and help their injured friend down the face to the safety of the valley. After Hinterstoisser was unable to get back across the traverse they had no choice but to abseil down. When an unexpected avalanche hits them 'like a tsunami' Hinterstossier falls 2000' to his death. Above him Kurz and Angerer also fall from the face but were stopped from falling all the way by the rope secured into the side of the mountain. Angerer, the first of the remaining three to fall off the face, was strangled by his rope, Rainer's diaphragm was crushed by the weight of Kurz and Angerer's bodies and Kurz was left hanging mid-air unable to go up or down and at the mercy of the elements as he waited for rescue. A few hours later, in horrendous stormy conditions, rescuers arrived but they were unable to do anything at that time and told Kurz they would have to come back in the morning. He knew he was being abandoned and his heart breaking cries for them to stay would have lived with them for the rest of their lives. The next morning they came back and this is where the strength and human spirit is so evident in Kurz's determination to live.This is a brilliantly told true story which has added impact due to the similar circumstances of Joe Simpson's near death in the Peruvian mountains where he believes that he 'should have died on a rope.' Superb photography by Jeremy Hewson and unbelievable performances by Roger Schali (Toni Kurz) Simon Anthamatten (Andreas Hinterstoisser) Dres Abegglen (Willy Angerer) and Cyrille Berthod (Edi Rainer) who re-enacted the climb and it's outcome. This is not to be missed and you don't have to be a mountaineer to appreciate the strength of the human spirit, the determination to overcome all odds that is so clearly on display here and the total sadness of the outcome.
davidknight24 This documentary could have easily failed. If it had been based on the original book then it would have encapsulated too many different ideas to be coherent. It has therefore concentrated on two specific themes. The first is that of Joe Simpson's changing attitude towards the mountains and the Eiger specifically, from being able to enjoy and climb to that of withdrawing from the sport. The second is a more specific event, the 1936 attempt by four climbers on the face. This is explored through reconstructions of the events, and by visits to certain parts of the route by Joe himself to explain the difficulties. Joe Simpson comes across as quiet and thoughtful throughout, and, through his previous experiences, is really able to empathise with the plight of the climbers, particularly Toni Kurz.The technical work is smooth, with the camera shots and layout being very similar in style to "Touching the Void", which this documentary has been billed as the sequel to.