The Best Man

The Best Man

2005 "May the best man win... her heart."
The Best Man
The Best Man

The Best Man

5.9 | 1h36m | R | en | Comedy

When writer's block derails the literary dreams of Olly Pickering, he has to move in with his friend Murray after losing all his money. Things start to look up when Olly's college pal James asks him to be the best man at his wedding. Prior to the nuptials, Olly is drawn to a woman whom he thinks is the bride's sister -- only she turns out to be the bride, Sarah. Can Murray, who dislikes James, help get Sarah and Olly together?

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5.9 | 1h36m | R | en | Comedy , Romance | More Info
Released: July. 09,2005 | Released Producted By: Endgame Entertainment , Surefire Film Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

When writer's block derails the literary dreams of Olly Pickering, he has to move in with his friend Murray after losing all his money. Things start to look up when Olly's college pal James asks him to be the best man at his wedding. Prior to the nuptials, Olly is drawn to a woman whom he thinks is the bride's sister -- only she turns out to be the bride, Sarah. Can Murray, who dislikes James, help get Sarah and Olly together?

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Cast

Stuart Townsend , Seth Green , Amy Smart

Director

Csaba Stork

Producted By

Endgame Entertainment , Surefire Film Productions

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Reviews

Richard_vmt My standards for comedy are so low that I can't think of one I didn't enjoy. Therefore, it is doubly damning that I found this film tedious and unfunny. I guess if you are a 12-year-old infatuated with Yuppies these cut-outs might stimulate your imagination. But basically none of the characters light up.At fault is the failure to provide the little touches that make us identify. Now, with the main character, the film starts by pointing out he lost his ability to write at just the moment he received his first advance ($50k). That's something but apparently the only upshot of that fact is he fears to write a short speech as best man in his friend's wedding. What promised to be a key insight into the character is dropped. The rest of the film is the tormented posturing of Yuppie types fulfilling various roles in a forthcoming wedding. With this misfire at character building, he blends in with all the other males who have no defining traits and all look equally out of a clothing catalog. Yet all the males seem intimately involved with each other and their male networking, even though none of them should have much to interest anyone, so that I began to explain it to myself as if they were a group of Gay men who somehow lucked into roles as participants in a wedding. In fact, if this had been the premise, the film would have coalesced a little better. As for the women, apart from a formal glamor they too had little to interest anyone. And all chemistry between the opposite sexes seems missing. But there were two incidents at variance with this. One is his life with his female employer who is very dissatisfied with his employment. It happens that he discovers she is only feigning to be a married woman and this discovery suddenly empowers him as a man. But then the scene cuts without telling us whether they made hay while the sun shined. In a similar incident, a female discovers his ruthless gambits to break up his friend's wedding and she is similarly empowered. Again a hint of lust, this time from her. And a scene cut.It is as if the film is compulsively drawn away from life and towards the purely manneristic involvement in the wedding planning. As the film progresses, it is merely tedious and when some slapstick scenes arrive I was already so anesthetized I felt as if I were seeing it through a psychiatric haze. Finally, he realizes he should be the groom. But no exuberance is actually conveyed to the audience. It doesn't make up for the leaden film we have endured. A late scene during the "action packed" denouement features a brief shot of him jet-skiing across the Thames before the London Bridge, a bit of American vulgarity in a film with phony British accents. Conventionally, there would have been at least enough of this footage to give a feeling of exhilaration in the audacious flight over water. This too was poorly done.Give me back my money.
Amy Adler Olly (Stuart Townshend) has aspired to be a writer from childhood. Yet, after gaining an advance of 50 grand from a publisher, Olly saw it all go up in smoke when he developed a major writer's block and could not complete his book. Instead, he has taken a job as a personal assistant to be small publishing firm that specializes in self-help works for women. It is a position he detests. Fortunately, Olly has two close friends that make life bearable. One is a somewhat uncouth businessman, Murray (Seth Green) and the other is a polished university mate, James (Steve John Shepherd). When James becomes engaged and asks Olly to be the best man, the young writer agrees. Yet, when he attends an engagement party for the couple, Olly falls instantly for the bride-to-be, beautiful Sarah (Amy Smart). Murray suggests that Olly pursue Sarah, and perhaps aid his own cause by digging up some dirt on James. But, wouldn't that be the ultimate betrayal of his, admittedly, snobby friend? This is a sweet story for the target audience of romcom lovers. Although the tale is somewhat tried and true, it still has some originality, too. For example, Olly receives an invitation to go out on the town with Sarah and her friends but declines, saying he has to stay home and "deworm the cat". Now if ever there was a great line of refusal, that's it. But, in addition, the film's cast is quite fine, with Townsend a dear as the heartsick best man and Smart a delight as the object of two men's affections. Green is also quite funny, sporting a British accent, as the film takes place in London. Costumes and production values are high as well. If you are a fan of funny love tales, hitch a ride to locate this one, if you have to. You will be very glad that you made the effort.
Mark Jauncey I'm one of these people that loves to think that new romantic comedies can all be as good as Four Weddings and A Funeral, or Notting Hill, before I go to see them. But they can't, sadly.However, they all have their place, and some of the better ones in recent memory (Just Like Heaven; So I Married an Axe Murderer; Addicted to Love) all have one thing in common: memorable characters put into memorable situations.The Best Man/Unhitched does, but it isn't Stuart Townsend, who does a decent job of things as the leading man (and girls, he's just as cute but at least somewhat vulnerable unlike LeStat in Queen of the Damned). It isn't Amy Smart, who does a decent job of things as the leading lady (and fellas, she's every bit as cute as we remember her in Road Trip, and gets more screen time, thank the gods).So who is it? Seth Green of course. And this little fella doesn't get my vote simply because I'm 5'5" like he is (give or take an inch or two). Instead it's because: his accent is really rather good; his character is fun and unpredictable; and we'd ALL be rooting for him or doing what he does in the movie, if our best mate needed our "help".So is the script decent? Not bad. At times it doesn't flow, and the first half of the movie the dialogue and situations seem a little forced. But there IS an honesty in it, almost as though this or at least part of the premise has happened to the writers or someone they know. The second half of the movie is far better and moves along nicely.The acting? Not bad. Everyone except Seth Green just does what is required of them and not much more. The Seth-meister (and I feel like I can call him that) is far more animated and approachable than his turns as Oz in Buffy, or in films like Rat Race and The Italian Job.Can we believe the romance and the motivation behind Olly's (Townsend) actions? Somewhat. He's a bit of a wuss. "Come on Olly, catch a wakeup!" you'll be wanting to shout at the screen.Will we feel like we enjoyed the past 90 minutes at the end of the movie? I sure did. I'm guessing if you go in with the same low-ish expectations as me then you will as well.Verdict: 7 out of 10 - It's nothing special, but as a date movie, a cuddle-on-a-rainy-day-DVD or a pick-me-up after some bad news, it works...Bonus Hollywood value: Seth Green should be teaching Don Cheadle (in Ocean's 11) how to do an English accent!
gradyharp UNHITCHED is a fairly well made, generic Hollywood love story that provides a reasonably entertaining evening because of the actors cast in the roles. The story by director Stefan Schwartz and Ed Roe is recycled fluff with nothing new added, yet despite that fact the pacing and acting bring off a fun little film.As marriage enters the agenda of old friends, promiscuous James (Steve John Shepherd) is scheduled to marry Sarah (Amy Smart, always a pleasure to watch) and asks his best friend Olly (the talented and hunky Irishman Stuart Townsend in a very nice comedic turn) to be his Best Man. Olly, a writer whose first chapters have been lauded by his publisher (Simon Callow) and that early praise has thrown him into writer's block forcing him to take a menial job as a PA under grumpy feminist Tania (Johdi May), fears accepting the role of Best Man out of the challenge tied to writing the wedding reception speech. He is encouraged not to accept the role by his roommate friend Murray (5'4" Seth Green, who has many comedy roles to his credit - this one being the first with a fine British accent). Murray knows of James' peppered past and sets out to stop the wedding - especially when he discovers that Olly has fallen for Sarah, mistaking her for Sarah's Maid of Honor Becka (Kate Ashfield).Olly is a true friend and will sacrifice his longing for Sarah out of his loyalty to James - until Murray proves that James indeed is a promiscuous lothario. And the chase, with many a pratfall, begins as Olly ultimately sides with Murray to prevent his losing Sarah.Townsend makes a fine turn out of his obvious role, proving that he not only can master dramatic and intrigue roles, but light comedy ones as well. Seth Green may be small but he is a powerhouse of physical comedic talent. Amy Smart doesn't have much to do, but when she is on screen she glows with intelligence as well as beauty. It is the cast that makes this film work and they are enough of a pleasure to watch to merit sitting through another re-telling of a tired story. Grady Harp