yeodawg
This movie is about a low rent hustler, who while fleeing the police after a botched job hooks up with a mid-level gangster and finds out what its like to be an enforcer instead of the enforcee. The problem is with all his connections success and powers the gangsters not doing much better, than the hustler. Then you add in the moral dilemma of the gangsters specific trade and the love story, in short it plays more like "Carlitos way" than "Gangster No. #1". The opening scene the hustlers on the phone with an over the top angry gang-banger. They forecast that they're going to jump him just like they forecast when they throw him over the side of the building he'll and on a railing and not fall to his death. C'mon for god sakes the movie just started. We then see a group of suited gangsters with another over the top angry one who's pointing his gun at his fellow goons head. They raid a drug deal. So that's like 5 sets of gangsters and none of them interesting. That's the problem too many characters and not enough characters. No one a different or unique personality or stands out. They're either angry or subdued. The gang-bangers are not the interesting ones in "bullet boy", or "B.U.S.T.E.D." Same with the scenes plenty of scenes all boring and they don't push the story along. There are no scenes like in "8 dead men" where the tormentors brag to their victim about finding and torturing his hidden gay lover. And don't expect it the scenes to tie together like in "Layer Cake", the film just peters out, with a fizzle.
Tony Heck
After stealing a getaway car with a local crime boss in the trunk, Mickey (Gregory) is thrust into a world of human trafficking and ruthless killing. When the crime boss Don Barber is let go by Mickey he suddenly realizes that Mickey is a man he wants on his payroll. Mickey is tasked with trying to find out who attacked Don and to extract revenge. Since "Snatch" came out it seems like everyone is trying to make the next one, or be the next Guy Ritchie. Since "Snatch" I think that "Layer Cake" is the only one that can be compared to it. This movie is very violent and bloody, that's where the similarities end. I just really couldn't get in to this one. Some parts were pretty good, but they were few and far between. It didn't hold my attention. I give it a C-.Would I watch again? - Nope
abbithomas
Vincent Reagen awesome, Leo carries it well and Phil Davis is as strong as you would expect from an actor of that caliber. Strong performances all round. The storyline requires a certain suspension of disbelief to support the idea that the keys of the empire would be handed over to an unknown but the plot allows for this in Mickey saving Barber's life. Refreshing to see none of the usual suspects were wheeled out in the casting of this film. Think the sound track carried well too. Madsen's performance was a bit disjointed but that hey that can be Mr Mad-sen for you. Don't understand the complaints about bad language considering the genre. My only comment would be that the grade on my copy was a bit over the place. Worth a a second viewing.
davideo-2
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Small time crook Mickey (Leo Greggory) is in deep debt to ruthless drug dealer Robbo (MC Harvey) and is generally down on his luck. Then, by chance, he is found by big time gangster Barber (Vincent Regan) and given the opportunity to enter the big league, where he crosses paths with American gangster Martell (Michael Madsen) and is drawn to Barber's temptress wife Liza (Beatrice Rosen.) But the higher he climbs, the deeper he gets and when he finds himself caught up in a lucrative human trafficking ring, he finds it may all be a bit too much.There's a whole plethora of British acting talent about at the moment, and The Big I Am showcases a lot of it, with lead star Greggory, and a supporting cast including Harvey, Paul Kaye and Terry Stone, as well as the more well known likes of Madsen, Steven Berkoff and Gerad Butler dead ringer Regan. The premise of the story is a bit implausible and the pace is a bit weary which makes it drag a bit more as it gets closer to the end. Still, director Nic Auerbach handles things with enough flare and substance to get things by, with a slick urban grime soundtrack, an appropriately dark and hard hitting tone in places and a hip and convincing cast to carry things along. ***
AD
