monoceros4
Both are produced by Union Pacific Railroad but take completely different approaches. The tone of "Last Clear Chance" is angry and hectoring, featuring a truculent state trooper who harangues the Dixon family, and us, on following traffic rules and signs. All to no avail, of course: one of the young Dixons drives immediately from the lecture into a train, looking backwards and laughing all the way."The Days of Our Years" tries a different method, not aggressive but passive-aggressive. Instead of a browbeating cop there's a mild-mannered priest with a soothing voice. Selfishness and private life are to blame in all three cases: Joe rolls over his truck because he's in a haste to get together with his fiancée, George pushes himself too far because he's looking forward to a comfortable retirement, and Lenny gets a torch in the face because he's overjoyed at the birth of his son. The (one hopes) unintentional message is that having a life outside of work is begging for a lethal accident and insincere compassion from a blase churchman. No doubt he twists the knife a little further into innocent George every Sunday.It's not an accident, I'm sure, that the toy which Lenny gives to his son at the end of the movie is a toy train.
Michael H
I love this short, it is so depressing and MST are soooo mean with it and everyone involved. Where the heck does religion play into train safety? Who cares, it's a lot of fun. Earl Warren narrates here about members of his congregation who are train people and hate safety, and how these people will go to hell since they are accident prone.This is done by the same people who sponsored Last Clear Chance, another classic from Union Pacific, that one involved the police captain from Adam-12. I don't remember Earl Warren being in any other production except supreme court judge. He was a bit pasty which made him perfect for the role. It was law that you could not be tan in the 50's.
Jordan_Haelend
should always adhere to the rule "Don't bore the audience!" This one violates that precept but, even worse, milks it for all the maudlin whining it can get.This is sad, because there is a good, solid message in a film like this, which is that when we violate the rules we can involve ourselves in a serious accident and, in so doing, affect those people around us as well.But when a film like this tries to drag-out its plot like an afternoon soap opera, people will pay less attention to it. And THAT is the real tragedy in a film like this.
quamp
This is set in a small railroad town, and follows the exploits of a preacher. The preacher's congregation appears to be a bunch of thoughtless, accident-prone people who seem to hate getting hurt but can't stop themselves from doing bodily harm to themselves. Pretty bad acting and boring narration shoot this one down.
AD
