Neil Doyle Not until the story reaches the tense banquet scene does THE DRUM really come to life. Before that, there's a lot of character and plot exposition that slows things up considerably before the big showdown toward the end that is really the highlight of the drama.SABU is the young prince that RAYMOND MASSEY wants to depose so that he can rule the unruly Indian tribes that resent British rule. ROGER LIVESEY is Captain Carruthers and VALERIE HOBSON is his lovely wife, a British couple adept at keeping a stiff upper lip while they deal with the uprising around them. RAYMOND MASSEY has the juiciest role and he's at his villainous best without overdoing it.It's all very Rudyard Kiplingesque in treatment and if you've got a feeling of deja vu, you're not alone. What it lacks is the excitement of a "Gunga Din" or "Lives of the Bengal Lancers." The story is slow to build suspense and the Technicolor print shown on TCM had a washed out look that made THE DRUM look like a film in need of color restoration.Livesey and Hobson haven't too much to do except to be their charming selves in a very British way and Sabu has been seen to better advantage in countless other films that followed.Summing up: Not one of the best of this genre but worth watching for the climactic banquet and battle.

Mike-764 The British are trying to make peace treaties with numerous tribes in India to make sure there isn't an uprising among rebel tribes. Captain Carruthers makes a treaty with the prince, but when the prince's brother (Prince Ghul) murders the prince, he now has the tribes just where he wants him (in a spot to annihilate the British). The murdered prince's son (Prince Azul) reaches Carruthers and tells him of what happened, so Carruthers takes a troop to Ghul's fortress. Ghul welcomes Carruthers with a ceremony of a 5 day feast, but when the feast is over Ghul plans to kill all the British troops with their smuggled machine guns, unless Azim can lead a British battalion to Tokot to stop Ghul's mad plan. Despite being politically incorrect with the British superiority over the people of India, the film does contain a fair amount of action and thrills to entertain the film going audience, granted it is no Gunga Din or Four Feathers (the latter of which and this film share the same author). Massey oozes evil as Ghul, and their is decent support with Sabu, youthful as ever as Azim, Massey as the stuffed shirt Carruthers, and Hobson as his wife. The score is decent, but not that rousing and shooting in color limited the best chances to use lighting. Rating, 7.

Ron Oliver A wicked Khan plans to use THE DRUM perched high up in his palace walls to signal the massacre of British soldiers invited to a banquet.Sir Alexander Korda's London Films was responsible for this lively Technicolor action film which boasted outdoor scenes shot near the North-West Frontier with the assistance of the Mehtar of Chitral. It blends excitement, humor & history - definitely from a British viewpoint - into an attractive package sure to entertain the viewer lucky enough to find it.Indian actor Sabu stars as the young Prince of Tokot who finds his life suddenly become very dangerous when he's forced to flee his usurping uncle and accept protection from the British Raj. Plummy-voiced Roger Livesey plays the Raj's stalwart envoy to Tokot who must find a way to stop the import of weapons to the evil new Khan, Raymond Massey, who is fomenting a rebellion. All three actors play their parts very well, with Massey especially attacking his villainous role with gusto.Also in the cast are Valerie Hobson as Livesey's courageous wife; David Tree as a junior officer; and corpulent Francis L. Sullivan as the local Governor in Peshawar. Alfred Goddard appears unbilled as the hapless private Kelly.*************************Born Sabu Dastagir in 1924, Sabu was employed in the Maharaja of Mysore's stables when he was discovered by Korda's company and set before the cameras. His first four films (ELEPHANT BOY-1937, THE DRUM-1938, THE THIEF OF BAGDAD-1940, JUNGLE BOOK-1942) were his best and he found himself working out of Hollywood when they were completed. After distinguished military service in World War II he resumed his film career, but he became endlessly confined for years playing ethnic roles in undistinguished minor films, BLACK NARCISSUS (1947) being the one great exception. His final movie, Walt Disney's A TIGER WALKS (1964) was an improvement, but it was too late. Sabu had died of a heart attack in late 1963, only 39 years of age.

bob the moo In colonial India, the natives live happily and peacefully under the kind rule of their British masters. Representing the bond between the two nations, young Prince Azim befriends several of the British officers. However his uncle Ghul is less welcoming of the British and has dark plans to slaughter them and raise a rebellion among the tribes of the hills.Some critics have pointed to the fact that, if this film were made today, it work spark outrage and be roundly condemned. This view ignores that, when the film was first screened in India in the late 30's, it sparked riots among the populace. However, the statement is true as well as being null and void, for there is zero danger of this film ever being made now! The plot is very pro-Empire and it is brazenly flag waving for the British. Looking back now, the film is laughable in it's depiction of it's characters. The British are kind and loving to all the Indians they encounter, while the Indians love them in return; those that don't are, of course, shifty and untrustworthy.This is rather insulting if you think about it too much - I must admit I wasn't offended but then I am neither English or Indian and know little of the history that is clearly being twisted here in favour of propaganda. The film does have a nice vein of good humour to it though that prevents it being too heavy, while the battle scenes are of the `up'n'over' school of filming. The plot itself is too simplistic and can't keep the charade up - especially now that it will be clear to most viewers that it isn't a fair telling.The cast are good, but again, there's no way that an `Indian' film would be shot today in Wales with the majority of the cast in blackface! The standout actor is Sabu. True his character is a little too good to be true but he has cheeky attitude and he is good fun throughout - just a shame his character seem to vanish for about a quarter of the film. The villainous Massey is also good fun and I enjoyed his performance. The British (namely Livesey and Hobson) are very stiff, although they do get the more heroic roles towards the end.Overall this film is worth seeing as we will hopefully not see quite it's like again. The film is un-PC in casting, script, plot and characters, while the history it claims to tell is nothing more than a flag waving exercise that rightly started angry riots in Indian when it was shown there. However it is worth seeing for the period, the glorious (for the time) Technicolor and an amusing and fun performance from Sabu.