Jasmin While the story kept my interest all throughout the movie, it still left a bitter taste in my mouth. The socialist crap those three youngsters were babbling all along was annoying. Unfortunately, the director is obviously on their side, because the only character who could have countered their opinions with facts and real experience was their kidnapping victim. But that poor fella just stays nice and is kind to them, for reasons not obvious enough to me (clearly he didn't want to get hurt, but once they are in nature's paradise, all three turn out to be quite tame). The victim never criticizes their childish and naive arguments, even though he was a guy who obviously was a "Been there, done that" (Generation 69, as people of his age are called when they were part of the Hippie and Protester Generation in Germany). It is true on the other hand that many people let go of their ideals along the way, and that adults settle all to quickly for the easy way. So the interaction during the kidnapping is quite intriguing. Spoiler coming: However, their conversations lead to nowhere, because not one character develops along the way, nobody shows a least a slight improvement. Or as the three characters state it delicately on a piece of paper: Some people never change. Sadly enough, Weingärtner didn't notice that the same accounts for his story telling and its lack of character development.

roxychampion My class and i studied this film as our A-level focus film for our exam and we all loved it. all the girls thought the guys were really hot and the story line was amazing. we decided to read some reviews before posting our own and by the looks of things most people feel the same way as we do!this has been a very interesting film to study, however the ending shouldn't of been changed for us English viewers. we have come away form the Edukators with completely different morals then the rest of the world. can't wait to see what the exam question will ask about this film but believe me i won't be able to stop writing!

Balazs Csaszar German movie-making is at its best. In the last 8-10 years a new generation of super-talented writer-directors and actors have emerged from the Harz mountains and Bavaria and took the world by storm. It all began with Tom Tykwer and his infamous Run, Lola, Run which showed the way for many a prodigal self-made movie-maker and put Germany back onto the map of world cinema. What is more, their peculiar take on timeless questions of existence and social awareness opened up a whole new perspective in audiovisual arts. They aspire to bring the viewer closer to understanding the nature of things by sticking to human scales, cutting down on special effects and avoiding false-sounding, pretentious dialogues and proclamations. One could say they are down to earth, although visual fantasy does shine through a good couple of times. Hans Weingarten's Edukators however, is balancing on the edge of full-blown idealism and the realm of common sense, and finds the perfect solution to let ourselves be seduced by the sensible and sensitive combination of the two.Jan, Peter and Jule are young souls worn out by the controversies of modern-day life. They try to play the role of the catalyst in a society which is only driven by money and economic interests: they break and enter rich people's homes to make them feel uncomfortable with all their excessive valuables. But one day - amid rather unwanted circumstances - comes the inevitable question the three have to ask themselves: Is what they do not as selfish as rich folks' habits to collect antique furniture or vintage cars?Edukators is an exciting piece, dealing with the exact same existential problems most of us have to deal with. Although shot with digital technique it remains enjoyable to watch. The filming locations were picked with an utterly good sense - not many times do you get to see the wonderful glacier lakes hidden in the Austrian Alps -, while cinematography is pure and unpretentious. It is all capped by the warm emotions the three young adults bring to the screen, and a captivating soundtrack. Superb.If you thought German films were an acquired taste, go see this one. Great feel-good movie for a quit night. It will not disappoint.

allcladrad Blair Witch Project was one of the worst things that has happened to my movie world. Each film that uses that running, jumping, bouncing technique has left me cold. One or two frame shots, while bouncing around are difficult enough to follow, but on low light conditions I am left wondering what happened? Films that use gimmicks are usually weak in acting or story lines. This film had potential in both of those categories. Why the need to junk it up? Why bother developing special effects that can't be fully appreciated because of juke and jive camera work? Or maybe it is an attempt to disguise flaws. I don't know, but they will continue to lose my attention.