The Hours

The Hours

2002 "The time to hide is over. The time to regret is gone. The time to live is now."
The Hours
The Hours

The Hours

7.5 | 1h54m | PG-13 | en | Drama

"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

View More
Rent / Buy
amazon
Buy from $14.99 Rent from $3.99
AD

WATCH FREEFOR 30 DAYS

All Prime Video
Cancel anytime

Watch Now
7.5 | 1h54m | PG-13 | en | Drama | More Info
Released: December. 27,2002 | Released Producted By: Paramount , Miramax Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

...... View More
Stream Online

The movie is currently not available onine

Cast

Julianne Moore , Nicole Kidman , Meryl Streep

Director

Nick Palmer

Producted By

Paramount , Miramax

AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime.

Watch Now

Trailers & Images

Reviews

Katherine Confer-Jacobs I hesitated to watch this movie as it has an all female cast in the main roles, but since Meryl Streep and Nicole Kidman are outstanding actors I gave it a shot. What a huge waste of my time! The only thing I can say that was good about this film was that it was intriguing enough to compel me to view it twice in order to understand what it was all about which was a study of two morose women, who cared for no one but themselves and a third, played by Streep, who was like a flighty bird flitting from being a happy party giver to one who is mourning a lost moment of happiness while still caring for the man she once loved. Amazing that so many viewers saw these self absorbed women as anything but pathetic creatures.
alexdeleonfilm image1.jpeg"THE HOURS" ~ The story of how the novel "Mrs. Dalloway" affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives. Misdirected and spewed forth for Paramount by a director named Stephen Daldry this extremely overrated motionless motion picture was viewed at the 2003 Berlin film festival. The morning press screening of "The Hours" (with Nicole Kidman as Virginia Woolf) in the Big Hall helped me catch up on some sleep lost the night before. Crashingly expensive BORE and the Kidman role could have been pulled off by any halfway decent high-school actress. Not that Nicole was bad, just that the role is zilch – Anybody can play a zombie with a false nose. But the other parts of the film (it's a three part movie) were even worse. The Ed Harris/Meryl Streep segment could have been excised totally without missing a beat. Who wants to watch Ed Harris dying of leprosy on screen as they claim it's really AIDS, and who cares if he left Streep years before for a gay boyfriend? – and now she's living in a lezzy affaire with another woman whom she kisses repeatedly on the mouth.The only one of the three parallel stories that held my interest at all was the LA segment with Julianne Moore, but only because of her – because for my money Moore is the best actress in Hollywood –the new Bette Davis! But the overall story line with three extremely dull people building their private lives around the depressing suicide centered Woolf novel "Mrs. Dalloway" was one long embarrassing bore straining painfully for meaning while falling flat on its face. For me the film was over when Kidman (as Virginia Woolf) went under without so much as a blug-blug in the first three minutes of the pre-titles sequence where she commits suicide by calmly walking into a local lake. This picture should have jumped into the lake before it was released. The fact that it swept up multiple Oscars including a Best Actress for Ms.. Kidman he following February is proof positive of the meaningless of the annual Let's all pat ourselves on the back Ritual known as The Academy Awards. I cannot help but agree with the assessment of another IMDb reviewer who called it the Usual Feminist Garbage and said: "This was so awful it's a shoo-in for Best Picture". Amen.Bottom Line: Crashingly Expensive Bore with a bashingly bad nose-job
gsygsy A bravura piece of screen writing by David Hare is the foundation on which this remarkable cinematic edifice is built. It is peopled by actors of the highest quality. Several of its images are truly haunting. Many of its scenes are tremendously powerful.The story concerns lives in different decades linked by Virginia Woolf's novel Mrs Dalloway. It's essentially a literary idea, based as it is on a book by Michael Cunningham. But Hare, director Stephen Daldry and their colleagues turn it into a poetic study of life and death. It is given urgency and unity by Philip Glass's score.The Hours aims high and mostly achieves what it sets out to do, but there are, perhaps inevitably, a couple of fumbles. A climactic scene between two of its leading actors is presented in a series of ever tighter close-ups, which ends up giving the impression that the characters might not be in the same room. If that was the idea, it was a mistake - we really need to feel them communicating, sharing the space. Also, one of the story strands feels much more contrived than the others, shoe-horned in to make it all work: this is, I'm pretty sure, a problem in the source material which the movie couldn't avoid inheriting.In the final analysis, these are quibbles. To embark on a project as ambitiously multi-layered as this in a commercial movie, and then to realise it as fully as The Hours does, is quite an achievement. Everyone connected with it should be very proud.
brchthethird Why do people kill themselves? That is one of the central questions/themes that THE HOURS explores. Unfolding across three different time periods, this film tells the story of how the novel "Mrs. Dalloway" affects different women who have had to deal with suicide (or suicidal thoughts) in their lives. It stars Nicole Kidman as Virginia Woolf (who wrote "Mrs. Dalloway"), Julianne Moore as Laura, and Meryl Streep as Clarissa. Virginia Woolf, who has some mental health issues, is mostly confined to a country home with her husband and writes "Mrs. Dalloway" as a way to cope with her situation. Laura is a 1950's suburban housewife who, despite her external appearance, is very unhappy with her boring life. And then there's Clarissa, who is in a committed lesbian relationship and is planning a party for her writer friend Richard, who is also dying of AIDS. All three women have similar stresses and one of the strong points of the film is the way it seamlessly moves between each time period while still telling a unified story. It also deals with some weighty themes that will give you a lot to ponder aside from the key issue of suicide. Among these are social pressures and expectations, selflessness versus selfishness, what makes a person happy, etc. The acting supporting these elements was also top-notch, as would be expected from the outstanding cast, and each of the three lead actresses gets a scene in which to shine. I should also mention Philip Glass' score, which I was actually familiar with prior to seeing the film. I felt like his music was perfectly suited to the material, accurately conveying the sense of isolation, melancholy, and ennui common to all three of the central characters. However, the film's structure is partly its undoing, although not disastrously so. A lot of the dialogue is pretty on-the-nose, and the juxtaposition of scenes basically tells the audience how they should interpret what they're seeing rather than let them figure things out on their own. Still, the repetition of key dialogue from different characters and using match cuts to transition between time periods was an effective way to unify the narrative, as well as provide needed continuity. When it comes down to it, THE HOURS is a very well-made and well-acted film that deals with heavy themes and emotions, even if in a slightly pretentious way. This isn't a film I can see watching that often, if even a second time, but the potential for discussion and/or self-assessment makes this definitely worth seeing.