jm10701 For those unfamiliar with Charles Busch, he is an actor who almost always plays highly dramatic female characters, inspired by the great Hollywood stars of the 1920s through the 1950s, in plays or movies he writes himself. He first found success in the early 1980s on the far fringes of New York's East Village; from there he moved gradually to more mainstream theatrical venues, movies and television.Although he's often called one, he's not actually a drag queen. He's an actor who happens to play female characters, but his makeup and costumes are never any more outlandish than those of the great female stars who inspire him. Although he's also often called "camp", he really is a serious actor and writer. There is nobody else like him.This movie is a documentary of his life up to about 2004. A typical online review of it says, "You will laugh and you will cry as you follow Charles Busch's path to the bright lights on Broadway!" Well... no. I did enjoy this movie, though; and I guess it's not surprising that his fans would gush like that about him. It fits.I wasn't a Charles Busch fan before I watched this movie, and I'm still not a fan, but I'm very glad there are people like him in the world. I'm also glad he has found productive venues for his eccentric talents.I greatly admire anybody - and he is a PERFECT example - who fits nowhere in the world and so makes a place just for himself where nobody was before. Good for him. And everybody who knows him evidently truly loves him (even his own family!), which is remarkable for anybody in any field. Although I neither laughed nor cried a single tear, I'm very glad I watched this movie.I actually liked the silent-movie short included on the DVD (Her Royal Escape to Love, filmed in and around Central Park's wonderful Belvedere Castle after a snowstorm) better than any of his speaking performances. His acting style, which is far too hammy for me, is absolutely perfect for silent movies. He is a terrific silent-movie actor, and if he did more such movies I would become a big fan fast.

evening1 I never thought I'd come across a drag performer I could take seriously, but I liked Charles Busch both as an actor and the central talking head in this intriguing documentary.The film does a great job showing how Busch drew inspiration from classic film and opera, as well as his dysfunctional family, where he lost his mother early and learned to equate performance with love."I was desperate to become a childhood star but there was no one in my family willing to exploit me," Busch states in a typically endearing confession. Yet I found it hard to care about the many excerpts from Theatre in Limbo. They were often too campy, soap operatic, and sitcomish to capture let alone hold much interest, but I realize many would disagree with me.I really admire the way Busch created his entire professional world. He needed to act, so he became a writer to create scripts, and he created companies so that he could perform. Now that's indomitable!

TooShortforThatGesture A not terribly interesting documentary about a modestly successful performer/writer whose work -- at least as it is shown in the movie -- comes across as fairly "one-note" and hilariously amusing only to those who participated in making it.You have to be a little suspicious of the need for a documentary about someone's life when 80% of the interviews are with his family, his lover and a single member of his old theater company whose insistence on the "importance" of the work she did with him in the late 1980's seems geared just as much toward her own importance as it might be to explaining why we should spend all this time learning about Busch. Perhaps the filmmakers had a hard time finding anyone outside their subject's immediate circle who felt a need to say anything about him. There's no way to know whether that's the fault of the subject matter or the fault of the documentarians.Maybe you had to be there. But a good documentary should give you the sense that you were.

jotix100 During the last quarter of the 20th century, New York saw the arrival of artists of the caliber of Charles Ludlum and Charles Busch. These men's love for the movies that had shaped their youth, started their own views of those idols when they established companies that capitalized on the type of 'ridiculous' theater where they, in turn, reinterpreted the way those larger than life figures influenced them.While Charles Ludlum, the creator of the Theater of the Ridiculous, passed away at the peak of his creative years, Charles Busch went on to establish himself as one of the best exponents of this genre. Charles Busch's humble beginnings can be traced to his days at the Limbo Lounge where he and his friends would perform for his followers, most of whom were gay, and who really appreciated Mr. Busch's humor. It wasn't until the Establishment press, by way of a New York Times reporter, wrote about what Charles Busch and his clan were creating, that New Yorkers embraced this new type of hilarious insanity.Charles Busch's biggest hit was "Vampire Lesbians of Sodom", a play that established him and his collaborators as legitimate exponents of this new form of theater. All this is the basis of this wonderful documentary shown recently on the Sundance Channel. As directed by John Catania and Charles Ignacio, we are taken to hear first hand by Charles Busch and his close friends and members of his group what it was all about.Mr. Busch is a kind man whose contributions have brought joy and entertainment to theater lovers. In the film we hear first hand accounts by Theresa Aceves, Kenneth Elliott, Julie Halston, Carl Andres, and others about what it was to be associated to Mr. Busch from those obscure days to the present. We also see interviews by such personalities as Boy George, Michael Musto, Paul Rudnick, Rosie O'Connell, Kathleen Turner, and B. D. Wong, among others where they give praise to an unique voice in the New York scene: Charles Busch!