The Nuisance

The Nuisance

1933 ""
The Nuisance
The Nuisance

The Nuisance

6.6 | 1h23m | G | en | Drama

Fast-talker extraordinaire Tracy gives one of his quintessential wiseguy performances as a conniving ambulance chaser who falls in love with Evans, unaware she's a special investigator for a streetcar company he's repeatedly victimized.

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6.6 | 1h23m | G | en | Drama , Comedy , Romance | More Info
Released: June. 03,1933 | Released Producted By: Metro-Goldwyn-Mayer , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Fast-talker extraordinaire Tracy gives one of his quintessential wiseguy performances as a conniving ambulance chaser who falls in love with Evans, unaware she's a special investigator for a streetcar company he's repeatedly victimized.

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Cast

Lee Tracy , Madge Evans , Frank Morgan

Director

Cedric Gibbons

Producted By

Metro-Goldwyn-Mayer ,

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Reviews

bkoganbing Seeing The Nuisance for the first time cured me of at least one illusion I had. That Walter Matthau in his Oscar winning performance as Whiplash Willie Gingrich had created something original. Billy Wilder when he did The Fortune Cookie must have seen this undeservedly forgotten MGM film with Lee Tracy in the title role.In fact I'll bet Matthau probably clerked in Tracy's office before taking the bar and learned everything well. Tracy is the shyster lawyer that shyster lawyers make jokes about. But he's cleaning out the insurance companies and in those Depression years they've decided to do something about it.What they've done is hire Madge Evans, a female PI to fake an accident and become a Tracy client. But as things go in these films of course she falls for the guy.Some other familiar faces populate the cast. Most familiar are Frank Morgan as an alcoholic doctor who treats Tracy like a son and helps Tracy with his fraudulent injury cases. And also there's the ever droll Charles Butterworth who makes a living faking being hit by automobiles for insurance settlements. He's running out of big cities to pull that racket.Still if you watch The Nuisance you'll know what inspired Billy Wilder in The Fortune Cookie.
Bob_Rohrer Lee Tracy is perfect as an ambulance chaser who plagues a streetcar company with phony lawsuits that prove so successful, the business strikes back with an undercover beauty (Madge Evans).This sharply written comedy/drama takes a tragic turn at one point, and the Tracy-Evans relationship gets convincingly intense toward the end when one of the characters runs afoul of the law."The Nuisance" boasts strong performances from Tracy and Evans, with standout support from Frank Morgan as an alcoholic doctor who's Tracy's partner in unethical behavior and from Charles Butterworth as a con man.Strongly recommended to all Tracy fans.
MikeMagi Sometimes when you run into an old, obscure movie, one of the credits will suggest whether it's worth watching. Take "The Nuisance," written for the screen by Sam and Bella Spewack, a team with a flair for sparkling dialogue whose Broadway credits include "Kiss Me Kate." In "The Nuisance," they provide Lee Tracy with the verbal firepoweer for his performance as a fast-talking, charmingly corrupt, ambulance-chasing lawyer whose pet target is the local streetcar company. With the help of Frank Morgan as a boozy medico with a gift for doctoring x-rays, he turns small accidents into big paydays. When the company hires lovely Madge Evans to entrap Tracy, the fun begins, building to a hilarious lesson in the antiquated laws of the land. (Watching one scene, I was reminded of the fact that it was still supposedly illegal to shoot rabbits from a moving elevated train in Manhattan even after all the El trains were torn down.) The result is a fast, frequently funny film with a surprisingly modern feel. In fact, despite scenes like a courtroom battle involving the fare to ride a streetcar -- five cents -- "The Nuisance" doesn't seem as outdated as the laws it satirizes
jaykay-10 Versatility is an attribute in any performer, but so is doing one thing exceptionally well. Perhaps if Lee Tracy's screen career had not met a premature, unfortunate ending, he and his public would have felt a need for him to play something other than the kind of role which he performed with such natural ease and remarkable skill: the brash, fast-talking, wisecracking, slithery, finger-jabbing, opportunistic, less than trustworthy (to put it mildly) rascal. As a tour de force, this picture ranks with his best, even if there may be more twists and turns of the plot than the story requires. Though Frank Morgan's poignant portrayal of an alcoholic doctor is not an altogether comfortable fit here, and Tracy's explanation of his loss of youthful ideals too pat to be convincing, the movie is consistently entertaining, with fine performances by all the supporting players aiding and abetting another memorable star turn by Lee Tracy.