The Painted Desert

The Painted Desert

1931 "BLAZING ACTION"
The Painted Desert
The Painted Desert

The Painted Desert

5.2 | 1h19m | NR | en | Western

Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own adjacent ranches. Bill, the foundling whom Cash has raised to young manhood, wants to end the feud and extends an olive branch toward Jeff, who now has a lovely daughter. But during a mining venture, the bitterness escalates. Is Bill to be set against his own adoptive father?

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5.2 | 1h19m | NR | en | Western | More Info
Released: January. 18,1931 | Released Producted By: Pathé Exchange , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own adjacent ranches. Bill, the foundling whom Cash has raised to young manhood, wants to end the feud and extends an olive branch toward Jeff, who now has a lovely daughter. But during a mining venture, the bitterness escalates. Is Bill to be set against his own adoptive father?

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Cast

William Boyd , Helen Twelvetrees , William Farnum

Director

Carroll Clark

Producted By

Pathé Exchange ,

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rickrudge The Painted Desert (1931)Two wondering cowpokes, Cash Holbrook (William Farnum) and Jeff Cameron (J. Farrell MacDonald) ride up on an abandoned wagon, the victim of an Indian attack. Nobody is alive except for a baby. The two quickly come to the little fellow's rescue, but it doesn't take long before they're arguing over what to name him and where they should settle down. Guns are even drawn and Cash leaves in a huff with the baby.These two become bitter rivals years later when young Bill Holbrook (William Boyd) and Jeff's daughter, Mary Ellen Cameron (Helen Twelvetrees) become adults. Cash sneaks his cattle onto Jeff's land to drink from his water and a gun battle almost ensues.This is where a wondering stranger rides onto the property, Rance Brett (Clark Gable) who offers to be an extra gun for Jeff and Mary Ellen.Meanwhile, Bill see's the ridiculousness of this feud. Bill has been trying to talk Cash into making peace with Jeff. He's spotted some ore deposits on Jeff's land and feels that together they could make a huge profit working together, while fighting each other, everyone looses. This is an old western with old stage and silent era acting styles that come off more funny to watch with today's eyes. This is one of Clark Gable's first talkies, and you know he's the heavy in this movie and frankly is the most three dimensional character in the whole film. You know Gable has a big future ahead of him and he is the reason for watching this. William Boyd, who later is known for TV's Hopalong Cassidy is your typical stiff blond hero in all this.
Zoooma Clark Gable in his first big role. He gets low billing but has plenty of screen time to make it appear as if he's one of the stars. Very interesting to see him as a villain in this early Western talkie. It's bigger than a B-western but not quite as fully formed as a feature film; it's somewhere in the middle. Beautiful Arizona locations but terrible production and poor acting aside from Gable and the leading lady, playing opposite western star William Boyd. This really isn't anything especially noteworthy except for Gable's appearance but I'm still glad I got to see it.5.7 / 10 stars--Zoooma, a Kat Pirate Screener
oldblackandwhite The Painted Desert is best remembered as Clark Gable's first substantial role for good reason. The future King of Hollywood's natural, dynamic style of acting stands out in this extremely creaky early talkie Western. In an unrewarding heavy role Gable speaks in his trademark relaxed, cocky manner, while other, more experienced actors such as J. Farrell MacDonald, early silent era star William Farnum, and a stiff-as-a-board Bill Boyd deliver their lines one distinctly enunciated word at a time as if speaking toward a microphone hidden in a cactus. Admittedly Boyd wasn't much of an actor in spite of his good looks and sunny disposition, but MacDonald and Farnum were. Blame an under-financed sound department and uninspired direction by Howard Higgins, who also co-wrote the murky script for this lumbering oater. Those who would excuse the stiff direction and acting as caused by unavoidable problems with early sound equipment should first take a look at Joseph Von Sternberg's Morocco (1930), released the year before The Painted Desert, but showing a marvelously sophisticated and artistically pleasing use of sound. Other than Gable, the only other actors who managed to rise above the restraints of the over-compensating sound technicians and Higgin's stodgy direction were gorgeous leading lady Helen Twelvetrees and Boyd's beautiful white horse.That's not to say that The Painted Desert doesn't have some good points -- especially for die-hard Western fans. Most of the low, low budget must have been spent carting the actors, crew, and equipment around several scenic Arizona locations, including the sure-enough Painted Desert. Sets by art director Carrol Clark and costumes by Gwen Wakeling were well turned out and authentic looking. Oldblackandwhite, who is one of the vanishing breed of Texans still preferring the Stetson style to the ubiquitous Beaver Cleaver ball cap, wishes he could find the hatter Ms. Wakeling used for this picture. The sets and costumes, along with a folksy, real-to-life dialog, as plodding as the delivery was, gave the movie an authentically quaint, rustic 19th century ambiance missing in many a better produced Western.Best of all, and almost worth the price of a DVD -- a cheap one anyway -- was having a tense, climactic, sixgun showdown between two elderly gentlemen! But there wasn't much else to get excited about in The Painted Desert. Mainly for curiosity seekers, dedicated Clark Gable fans, fanatical Western aficionados, and the usual desperate insomniacs. Neither the best nor the worst from Old Hollywood's Classic Era.
MartinHafer Even though this movie marks the first speaking role for Clark Gable, it is a completely forgettable B-movie. Despite Gable's being in a purely supporting role, this is in fact a film starring the future mega-star of Saturday morning kiddie Western, Hopalong Cassidy. Cassidy, in fact, is the brightest aspect of this film, as his acting is passable. As for the rest, the acting and action is strictly "poverty row" quality--i.e., it is obviously the production of a 3rd rate studio. While this does not make it unwatchable, it is about what you'd expect for one of these quickie movies. Several of the actors stumble over their lines badly and the movie just seems rushed though production. To make matters worse, the video from "Hollywood Classics" is about the worst quality video I've seen. I only forced myself to sit through it because I am a big Gable fan--and that's about the audience I'd recommend watch this film.