The Second Renaissance Part I

The Second Renaissance Part I

2003 ""
The Second Renaissance Part I
The Second Renaissance Part I

The Second Renaissance Part I

8 | en | Animation

Tells the early history of how conflict began between the humans and machines. Part 1 of 2.

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8 | en | Animation , Science Fiction | More Info
Released: February. 04,2003 | Released Producted By: STUDIO4℃ , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Tells the early history of how conflict began between the humans and machines. Part 1 of 2.

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Cast

Debi Derryberry , Jill Talley , Dwight Schultz

Director

Mahiro Maeda

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Reviews

freemantle_uk 2003 was seen as the year of the Matrix, with the release of two sequels and a computer game that actually linked to the plot of the film. Also released was a DVD of 9 short animated films, most written and made in Japan and made as Anime. Japan makes some of the best animation in the world. Sadly most of these shorts are disappointing. The best of them is the first part of a prequel to the first Matrix film.The Second Renaissance is made as a historical file. It tells how humans made machines in their own likeness. Humans live the high life whilst machines are the grunts, the workers of society, second class citizens. In the year 2090, a machine, BI-66ER was put of trial for murder, after killing his owners who wanted to deactivate him. The machine does not have a fair trial and riots start around the world. The governments of the world order to dismantle machines. Many machines leave human society and form their own country in the Middle East, O1. 01 has a productive economy and easily undercut the human nations, forcing them into economic crisis. The human blockade 01 and reject the machines requests for peace, thereby it was the humans who were responsible for the war that enslaves them.The Second Renaissance is a interesting watch, with excellent, traditional animation style and sets a compelling world. It shows how the machines were mistreated and that humanity sowed the seeds of their own destruction. There is a political and social world and the short tells a lot in it short running time. The short shares themes and a style to the classic silent film Metropolis, partly the beginning with the underworld. They are the themes of slavery, the mistreatment of the working class and racism. The short also has some religious themes and religious iconography. Mainly that men saw themselves as God and created the machines in their own likeness. Seeing themselves as the rightful masters of the machines. The machines too use religious iconography, mainly forming their nation in 'cradle of human civilisation' and the machines coming to the United Nations dressed as Adam and Eve, offering an apple.The animation style is beautiful, done in the traditional anime style (like Akira). The set designs are great, combine futuristic with historic cities, e.g. Washington D.C.. There is well down future scene, and surprising violence, which is key to the film. The director, Mahiro Maeda, also directed the anime sequence in Kill Bill Vol. 1, so has good credentials to Hollywood. He is willing to use violence and know how to keep a story going.The only real complain is a continuity error to the first Matrix film because Morpheus mentions that the humans have no historical records or know who started the war. But its a good watch.
tcoultis 'The second beginning' as it's title explains, shows us the beginning of the end for the human race. Set long before the matrix existed, this short anime written by the Wachowski's shows us the world that could lay infront of us in the not to distant future, set at the turn of the 21st century, the second renaissance delves into issues common with human behaviour; greed, power, control, vanity etc.The use of robots or artificial intellegence as slaves or servents is common among science fiction/fantasy stories. The second renaissance is no exeption to this concept, however instead of a simple man vs. machine layout, this story explains the struggle that the machines put up with, the struggle for acceptance in a world ruled by humans. Where the matrix films show us the human perspective, these short animations tell both sides of the story.The second renaissance part 1 + 2, answer many questions brought up by the original Matrix film, such as how the war broke out, how the sky was blackend, what led to the use of humans as batteries and it also introduces us to the machine city called 01, which may have relevance to the upcoming Matrix Revolutions film.I won't give away too much of the story, as I do not want to ruin the experience for perspective viewers, however, I will recommend it to anybody interested in the world of the matrix or simply anybody interested in Japanese animation (anime).9/10.
PlanecrazyIkarus The "Second Renaissance" shorts, both part 1 and part 2, are, to me, the biggest disappointments of the Animatrix. They have the look and the feel of a history lesson, the kind of extended Prologue I was so glad to not have in the Matrix. Having Morpheus hint at the past in the original was so much more satisfying than seeing cartoon robot people in this history lesson.It is spiked with stunning imagery, though, and much of it disturbing. Seeing a living human head torn apart and the brain splatter out, or a robot girl being assaulted and kicked into bits, or the first humans being inserted into generators, not as infants, but as adult prisoners of war, fully alive and conscious and in great pain - yes, on the gore front, this short and its sequel deliver massively, perhaps even too much for comfort.But at the same time, they disappoint. Being shocking is fine - after all, they cause an emotion and that is the intention. But for a story taking itself so seriously, with religious imagery inserted throughout (apples of knowledge, apocalyptic riders, and more), watching cartoon robots erect a pyramid Egyptian style as slaves of humans just feels awkward and ridiculous. The Matric Universe thrives on its organic-looking machines, not on the ancient image of walking-talking robot people that would have been just as home in the minds of 1920s Science Fiction writers. And despite all the strong imagery, the shorts disappoint because they just give too much history detail. An unknown history hinted at is a brilliant thing in a Scifi movie like the Matrix. Being presented with a "Zion Archive" footage Animatrix movie, Morpheus suddenly appears a bit stupid for not knowing what other humans evidently know, and quite frankly, the traditional "man against machine" setting with a hint of politics and religion thrown in is just plain ridiculous.5/10 (for achieving to cause the desired effect, shock, with its imagery, but also for failing to contribute value to the Matrix Universe)
P Carr **Warning! Spoilers Ahead!**This short is part one of two that expound upon the brief portion of "The Matrix" in which Morpheus explains how the matrix came to be. Because we already know the story, the plot itself is no surprise; and the short isn't so much entertaining as informative. But that's how it is presented, as a file in the historical archives. The visuals are better than average, and the generally cold colors aid the purpose of the short. A couple problems. The violence of the tale is a little gratuitous and, combined with the occasional dose of political correctness (UN scenes), detracts from the straight narrative of the short. Plus it needs to be seen with part two to be complete.The Animatrix concept is brilliant, and despite a few issues, this short still fulfills its purpose. It would not have fit in the original movie in style, content, or flow. This is the perfect method to reveal the history.Bottom Line: Good information. Could have been told a little better, but still a solid 7 of 10.