Shaza123 A man named Virgil is driving across the American desert, on his way to a long deserved holiday. He stops to pick up a young and pretty hitchhiker, who says she's been traveling from Chicago to meet up with her grandfather, a man she's never met. Our young little hitchhiker is named Rosalie. She's a teen who comes across as quite simple minded. Not only that, but strange as well. Little Rosalie claims she knows where her granddad lives because she saw it in a dream. Virgil pays no mind to this nonsense and humours her. And being the good Samaritan that he is, goes out of his way to drop off this peculiar stranger to her grandfather's shack, way out in the middle of no where. Now I know what you're thinking, Virgil might not be such a good Samaritan after all. We all know that tale. It is fortunate that Virgil's intentions happen to be pure in this instance, all he wants to do is make his flight to his holiday destination. Rosalie however, has other plans that aren't so pure. Virgil won't be making that flight of his. He won't be leaving that shack ever again. Sound familiar? I have to say, there is something about crazy chicks keeping males as captive, that I find so interesting. Usually, it's the other way around, guys keeping girls captive, so it's a nice change. Still, this story has been told a few times before. A few years ago, we had The loved Ones, a brutal display of torture and hilarity. Before that, Misery, which I feel Stephen King may have used this for inspiration. Misery had a crazy antagonist that succeeded in being a proper villain to the story. But here we have something far more interesting. I can't say for certain that Rosalie is actually the villain of this story. Naturally Rosalie isn't a good character, but it's hard to call her a bad character as well. Bonnie Bedelia plays Rosalie and she does such a fantastic job. At times she comes across as crazy, at other times, she is sympathetic, and at other times still, she's beyond annoying and vindictive. Many of her actions come across as calculated, as if she is toying with her victim, promising a doctor, a car pump, and never delivering etc. But Rosalie isn't a malicious character. She isn't out for revenge like Lola, she isn't obsessed with authors, like Annie, she just wants to love someone. Something I imagine we can all relate to. Sure Rosalie's actions are far beyond reprehensible, but at the heart of it, she's just a lonely girl desperately wanting to love someone, and be loved back. It's hard to hate her character, but at the same time, it's hard to completely sympathise as well. Rosalie might just be one of the most complicated characters I have ever seen. Then we have Virgil, our victim. When Rosalie asserts her dominance and breaks one of Virgils legs (with the back of an ax...cough...Misery...cough), his reaction isn't pleading for mercy to be let free. No, his reaction is to yell at her and belittle her like a child. Rosalie has an ax, but that won't stop Virgil being mean to her. Most of their dialogue is Virgil calling her names and belittling her time and time again. Now Virgil might have some right to be angry since she's keeping him captive and what not, but I started getting confused whether I should have been feeling sorry for him or not, in the same way I wasn't sure if I was siding with Rosalie or not. Ken Howard does a great job at being our helpless and nasty protagonist. We have one more character in the mixes here, by the name of Fry. If there is a villain in the movie, that would probably be Fry, who doesn't have any shred of sympathy from the audience. He is the pure bad guy that'll hurt both Rosalie and Virgil to get what he wants, which is gold that Rosalie supposedly has hidden away. I like how the dynamic between Rosalie and Virgil always changes whenever Fry is on screen. This movie runs for almost Two hours, and those three characters are the only actors in the movie. You'd think that would make things boring, but it doesn't. I was actually captivated the whole way through. The way the dialogue changed constantly between Rosalie and Virgil made them a very entertaining pair. Set in the desert, this movie feels isolated, lonely and cut off from life. It creates such an atmosphere to this movie, which I feel is helped more with its incredibly low budget look. This movie was hypnotic to watch. The ending is bound to divide audiences. I can see people hating the movie or loving it. I'm in the latter camp. To me, the actions of certain characters don't seem out of place, it makes this movie all the more memorable. If you enjoyed Misery, you'd love this flick too. But where Misery is an effective horror tale, this is an intense drama piece. There is no blood or gore, just fascinating dialogue and imagery. Characters that feel real, who are equally good and bad. All in all, this is just fantastic story telling. A must watch for all.

figjam69 The plot, as told by figjam (I'll try not to be too corny): > A stranded and dirty teenage girl is picked up along a desolate strip of highway by a traveling salesman. Being very straight-lace as defined by the times, he's at a loss as to how to react to (and protect himself from) the primal instincts of a lost, lonely little girl.> Unable to read or write, unable to understand the concept of hygiene, her closest "companion" being her rapist, all the girl needs is the help of a social worker. How do you get her the help she needs when you're her captive? > She needs companionship, but she doesn't know this and therefore, can't articulate it. She tries to keep the salesman from leaving her at any cost.> The key words to understanding Rosalie are GROTESQUE INNOCENCE. It's this innocence that makes this movie better than Misery (according to me). I wonder if this is the vision that Stephen King had for Misery but couldn't quite achieve.

Year2889 The guy from White Shadow is lured to the home of a young hitchhiker. There she keeps him, first by wrecking his car, then by (uh-oh here comes the real "iffy" Stephen King part) busting up his legs and tying him to a bed cause she just doesn't want to let him go. Of course he spends the remainder of the film trying to get some help and kill the girl. I won't give anything else away. I have been tryin for ages to find someone who has seen this so they could back me up that Mr. King ripped-off huge parts of this storyline for his own use.

Dii Richard (Ken Howard) is very clean and white in comparison to a brown and dusty landscape filled with brown, dusty people. He stands out like a cultivated plant in a wild desert garden. Rosalie is the girl you, at times, feel sorry for and, at times, are just simply disgusted with. Bonnie Bedelia does a wonderful job of playing her with a very hard stubborn edge that can drive you crazy. You will leave this movie feeling bewildered and frustrated to all hell.