Joshuamwc Having read the novel by Elizabeth Knox I had high hopes for the film. I bought the DVD and when I got round to the viewing I was impressed by Niki Caro's rendition. The movie was beautifully crafted from start to finish with the exception of the wasted screen time establishing the landscape. Too much screen time was dedicated to the albeit beautiful French/New Zealand landscape. The casting was perfect, each of the protagonists had a part to play romantically to Sobran Jodeau. Celeste (Keisha Castle Hughes) was the physical, the Baroness (Vera Farmiga) being Intelletual and Xas (Gaspard Ulliel) the spiritual. One factor I found disappointing was the relationship between Sobran and Xas in the novel played a significant role in influencing the fruition of Sobran's dreams to create a wine never tasted, yet in the film the relationship seemed downplayed. Which is a shame because it seemed like the film missed something which would have brought justice to the novel. However I definitely think that this movie is a gem which touches on a mythical theme not explored in the film Industry. The introduction of the angel Xas seemed very believable and I believe Niki managed to bring to life Elizabeth Knox's story of a vintner and his angel to life.

gradyharp HEAVENLY VINTAGE (aka THE VINTNER'S LUCK) is a somewhat perplexing film. Based on a novel by Elizabeth Knox and adapted for the screen by Joan Scheckel and writer/director Niki Caro it comes across as a patchwork quilt - many fine story lines that don't seem to fit together into a grand whole. Niki Caro has some fine films in her resume - The Whale Ride, North Country, Memory & Desire - so she has proved that she knows her craft. She is supported by an astonishingly fine group of actors, a sensitive cinematographer (Denis Lenoir) and one of the best teams of costume designers (Justin Buckingham and Harry Harrison) and music composer Antonio Pinto, yet the story never becomes airbourne - and that is a particularly important factor in this film.The year is 1815 and Sobran Jodeau (Jérémie Renier in yet another brilliant performance) is a peasant winemaker working or a château owned by Comte de Vully (Patrice Valota). Sobran falls in love with another peasant, Celeste (Keisha Castle-Hughes) despite the warning's about Celeste's mad father Sobran's father (Vania Vilers) claims Sobran will be doomed. Sobran longs to have his own vineyard and to make his own wine and one evening an angel (Gaspard Ulliel) appears to Sobran and encourages him to marry Celeste and begin his own vines and to meet the angel again in a year's time. A year later Sobran again meets his angel and reports he is not only married but that Celeste is pregnant. The angel encourages him to bravely begin his own vineyard. Sobran's goal is interrupted crop failure and by his going off to fight in Napoleon's war. He returns to the demise of Comte de Vully and the takeover of the Château by the counts niece, the beautiful Aurora de Valday (Vera Farmiga). Though Sobran and Aurora represent different classes they join together to make their dream of the perfect wine come true and there is a physical attraction that is consummated despite Sobran's commitment to his wife and children. Sobran meets his angel again and we sense the angel and Sobran are in love but a confession on the part of the angel creates a schism and form there the fortune of Sobran begins to dwindle until the resurgence of hope at the end: Sibran, Aurora, and Celestehave aged and Sobran's children are mature. The secrets of Sobran's heavenly vintage are revealed at last. 'A Heavenly Vintage is a beautiful and sensual tale about what it takes to create the perfect vintage.'Jérémie Renier, Gaspard Ulliel and Vera Farmiga offer stunning performances but even they are unable to make the story memorable. Given those involved form the top to the bottom of this production it is difficult to understand why it does eventually work. But perhaps that is the fault of the novelist Elizabeth Knox. The film is worth for the actors and the stunning costumes and décor. Grady Harp

clayboy44 I saw The Vintner's Luck a few days ago at TIFF 2009 I have not been familiar with Niki Caro's work, had not read the book and really did not know what to expect.I came out of that film exhilarated. For me this was a passionate look at life, love, labour with a glimpse of spirituality. I thought the cast was exceptional in a film with beautiful photography and pace. The introduction of the angel was completely believable and added such a wonderful mystical element to this lyrical, romantic film.- Fallen but not evil. Ulliel was really perfect casting!Critics have not all been kind but I think the audience potential for this film will be huge and cast off any negativity. At the second screening I attended, the audience was very appreciative in applause.I was blown away by what I had just seen. Caro should be proud of her accomplishment, as should the cast for bringing to life such amazing characters in such a beautifully realized story. And I'll look for the book now after this screening....

Adam0001 I was thrilled to hear Niki Caro was going to make this movie, no one else would have been able to portray the 'basic' elements of the novel better than she could and very well did. From start to finish the movie consisted of a real feeling of love and life. More so that she exactly put just that into making this film. The importance of simple things which when given love, sweat and time grow into something special, which if you haven't read the novel is the basic idea.There is a heavy pagan love of the earth atmosphere in the movie ensuring an uplifting feeling. Leading me onto the visuals which where spot on, the sweeping French vineyards and valleys where just as I imagined them. The casting was perfect, Sobran who is played by Jeremie Renier provided us with a inspiring and moving look at the trials and tribulations experienced by a 19th century wine maker. I would hate to give this remarkable film any negativity but it does bare mentioning that Xas is completely neglected. Played by the fantastic Gaspard Ulliel much that could have been anticipated was actually not used at all. In fact almost all of the characters fascinating background such as his knowledge of there whereabouts of haven and hell, his relationship with another human, other than Sobran, and the reason why he is a fallen angel is not remotely even mentioned in the movie. The angel seams to be of no importance sadly and could in fact have been withdraw all together. Niki Caro sort of justified this in the Q&A "the movie is about life". It seams to me that she didn't want to add the philosophical characteristic's which was very sad to me, Xas is a captivating individual. Aurora De Valday (Vera Farmiga) was compelling but sadly Celeste (Keisha Castle-Hughes) fell flat in the second half.Many fans of the novel might be disappointed due to the amount of fundamental moments in the development of the characters which is simply dropped out all together. However I do strongly think that this is as great an adaptation as anyone could have hoped for. Also if its anything to go by I was at the gala presentation, after which it received a huge round of applause.