TheLittleSongbird Of the NBC live productions, 'The Wiz' is by far the best, which is saying a lot seeing as 'The Sound of Music' and particularly 'Peter Pan' fell completely flat.Also think that it is a big improvement over the 1978 Sidney Lumet-directed film with Diana Ross and Michael Jackson. That did have a few good thing, such as Jackson, but generally it is down there with the worst film musicals with Ross being horribly miscast and the whole thing felt misconceived.'The Wiz Live' is not perfect but entertained and was mostly well performed, far better than anticipated. The musical itself this reviewer likes a lot, there may be some bias though as someone who performed the backing vocals in our school production ten years ago and has fond memories of the experience. The songs, in a 1970s Motown style, are catchy with a great mix of the funny and the emotional, and are surprisingly accessible, and the story is a clever updated version of the classic 'Wizard of Oz' story.Starting with the many good things, 'The Wiz' is by far the best-looking of the NBC live productions, 'Peter Pan' did look beautiful if a little confined sometimes in space while 'The Sound of Music' looked sparse and cheap. 'The Wiz' however is far more expansive in space and is bursting with colour with inspired use of video screen to create background sets. The costumes, apart from the cheap ones for the Winkies that are not right for dancing really, are beautifully designed and look great especially the breathtaking one for Glinda.Choreography is full of energy, with a fantastic contribution by Cirque De Soleil who not only do some wonderful dancing and characterful acting for the Flying Monkeys and Poppy Girls but manage to solve potential problems with scene changes, was surprised at how well the tornado came off. The staging is similarly energetic and also boasts some very touching moments, though this reviewer has always found the ending rushed and abrupt and it's the case here. Less successful is the updated dialogue, with some jokes that badly jar and feel stale and out of date.Musically, the production is mostly very good, with rousing and nuanced playing from the band, beautifully balanced and enthusiastic backing vocals and alert and sympathetic musical direction. Most of the performances are quite excellent, with standouts being Elijah Kelly's vulnerable and full-of-life Scarecrow, Ne-Yo's charming and sometimes witty Tin Man, David Allen Grier's purr-fect (pun intended) Lion, Amber Riley's sympathetic Addaperle and Stephanie Mills (a great Dorothy herself a long time ago) touching Aunt Em who makes the most out of "The Feeling We Once Had".Unfortunately a few don't come off so well. Shanice Williams' inexperience does show in some rather one-dimensional acting and stiff and not-sure-of-the-steps dancing as Dorothy, though she does possess a good voice, especially in "Home" and "Ease On Down the Road". Uzo Aduba looks and acts positively angelic as Glinda, but while some of her singing is good she does sound strained and flat in "Believe in Yourself".Mary J Blige and particularly Queen Latifah are more problematic. Mary J Blige sings well in the role of Evilene, though this viewer prefers a more gospel sound in "Don't Nobody Bring Me No Bad News", but her acting falls flat, Evilene should be menacing but also funny, Blige is neither and looks ill at ease with the menace being non-existent and the scenery-chewing being ham-fisted and unnatural. In a gender reversal, Latifah is all wrong in the title role, she shouts her way as well as sounding somewhat drunk in her introductory song and her acting feels like a bizarre comedy skit with flat line delivery.Overall, while an uneven production 'The Wiz Live' was far better than anticipated. By far the best of the NBC Live production and superior to the film. 6/10 Bethany Cox

clearthinkernow I don't think I've ever actually seen The Wiz before. I do remember the commercials and all the interviews back when Michael Jackson's version was made, but don't recall seeing the entire movie. Perhaps it's time to check it out now. For a big-name production and, I'm sure a big financial commitment by NBC, this is a sad mess. Some of the songs have become iconic, but the renditions here show each performer trying to make his or her "mark" by screaming out the songs. Screaming may be in vogue right now, but it is not pleasing nor does it actually showcase a singer's talent. I found it so annoying, I had to force myself to sit through the entire production. The reason we enjoys musicals is so that we can live through the songs with the story. If I'm gritting my teeth and grimacing throughout, I'm not enjoying. Skip this version. Unfortunately another loss for NBC live productions.The story of The Wiz should be light and airy. This one was so angry that I would have ended viewing if children had been present. We never saw Dorothy scowl before. Speaking of children, Dorothy, who is a child, had the shortest skirt NBC could get away with. I am appalled that, even with children, we cannot seem to have modest clothing. The actress did not have a slip on either. Her turns showed all the way up. This version is definitely not for children or anyone who appreciates fine theatre or their hearing.

carol blank What a treat to watch all of these professionals. The dancing was amazing as were the acrobats. The choreography was very hip and interesting. It reminded me of the old black and white movies where the dancing was at least as important as the singing and the acting. There isn't enough of that in many of the musicals I have seen recently. The scenery changes were flawless as was the scenery itself. I loved the emerald dancers and would love to know a little more about who they were and if they are dancers on Broadway. The costumes were also fun. Dorthy's was probably the least inspired which I found kind of odd. Shenile just sealed her future.

mark.waltz After being transformed into an unhappy schoolteacher who ends up in Oz in the misguided 1978 movie version of the smash hit Broadway musical, Dorothy has been given another chance on the screen, this time on T.V. The third live musical over the last three holiday seasons, hopes have been high for the past couple of weeks that they get it right. So Dorothy is a young girl again, modernized to the current day, so greater care has been taken to ensure that the show is preserved with its original themes.It starts off great with the original Dorothy, Stephanie Mills, as the strict but loving Auntie Em, singing to her troubled niece (Shanice Williams) with patience, adoration and guidance. Outstanding choreography represents Dorothy inside the tornado, and is stunning. At first, young Miss Williams seems just a tiny bit older than her years through cynicism and clothing perhaps a bit too revealing for a girl her age, but it soon becomes obvious that she is indeed a young lady as her vulnerabilities and curiosities arise over her new location.Other than Mills, David Alan Grier, Mary Jay Blige and Queen Latifah, I am unfamiliar with any of the supporting cast as well as the T.V. shows they are on. However, they all have the skills of veteran Broadway performers. Why Queen Latifah hasn't graced the stage as of yet is a mystery to me. Elijah Kelley is a totally vulnerable scarecrow, gentle and thoughtful even with out a brain, while Ne-Yo is a joy as the tin man. He doesn't have the scene-stealing capabilities that Nipsey Russell gave to the movie but simply makes it his own take on a beloved character. Grier adds his own magic as the lion, a representation of the prototype of blow-hard that shows off their exuberance or force of nature yet is a total pussycat on side. Each encounter with Williams shows her just getting more and more lovely with that teen angst disguised as attitude disappearing as fast as witches are dispatched of.The only issue I had with the introduction of her friends us that they all take place immediately on top of each other and feels rushed. What is not rushed is the care that went to the creation of the sets and costumes which are a drag queen's dream come true. It has all the qualities of a live Broadway musical and in that sense, it us absolutely spectacular. For the remaining cast, Amber Riley is an exuberant Addapearle while Queen Latifah is a good gender switched Wiz, playing the role with serious authority. her smile and dimples winning me over all the time. Blige sweeps across the stage as Evalene, and adds a funny take on her queen of mean. Instead of being a vile old witch/slave master, she's more grumpy than wicked. Uzo Aduba as Glinda reminded me of a subtler Bette Midler in her posture. If not a drop-dead beauty in looks, her spirit is quite beautiful and her belting of Believe in Yourself is a gem. Topped off with Williams' Home, it just comes to an emotional conclusion.As for the songs, they are energetically performed and lavishly staged. The ballads are touching and the production numbers and comic songs filled with energy. A brand new song seems to be an anthem in the making with its energy and heart as Dorothy works on challenging her clearing friends to join her in the quest that the Wiz has given her. But what the heck happened to Toto after the opening scene? Perhaps since Diana Ross's Dorothy forgot Toto in the Emerald City of the movie, they didn't want to make that mistake again. It is interesting to note that the dancers are multi-racial. So let it be said that after two fairly enjoyable tries that are still publicly maligned and wrongfully scorned that the network got it right, giving the world a very well staged version of a show that up until now didn't have a legacy. No Cheese Wiz this one!