MaximumMadness Oh, Tomie... Tomie, Tomie, Tomie... I just can't quite wrap my head around your films and why I'm so fascinated with them. Based on the wildly popular horror manga created by Junji Ito, the "Tomie" film franchise is a bit of a puzzling watch to me. I haven't been particularly taken with any single chapter in the still-growing cinematic saga, and in fact have found a few to be overtly bad. And yet, I still find myself drawn to them. I think its perhaps a bit of curiosity on my part. After all, between television and theatrical releases, there have been nine adaptations of the character released thus far. So it's clear that there is an audience. And there is most certainly an admiration for the characters and the concepts."Forbidden Fruit" is the fourth installment in the feature-length film series, and at the time was evidently built up as a "final chapter" to cap-off the franchise. Of course, we all known that the "final chapter" is never actually the final chapter. But it is interesting watching the film knowing that was the intent. As far as planned conclusions go, I actually think it's a bit of a letdown, and never quite matches the decidedly higher quality set by the two previous follow-ups "Replay" and "Re-Birth." Those films did some really interesting things with the character. "Forbidden Fruit" just feels like its going through the motions. But as something of a casual fan of the series, I also don't think its the worst installment, and it's adequately entertaining with a few mildly creepy moments. It's just... kind of a middle-of-the- road addition. Not particularly good. Not particularly bad. Just... mediocre.The story this time is perhaps a touch darker and more intricate than previous installments, and involves the titular villain Tomie Kawakami (Nozomi Andô) befriending a high school loser who also happens to be named "Tomie." (Aoi Miyazaki) As the story progresses and their friendship goes through some peculiar moments (with hints of a sexual attraction between the two), it soon enough becomes clear that Tomie Kawakami has ulterior motives... motives which may be related to the father of her new "friend." (Jun Kunimura)The main issue I have with "Forbidden Fruit" is that without spoiling anything, many scenes and moments seem to add up to a whole lotta nothing. There are intriguing themes and ideas brought up consistently and a handful of stand-out scenes, but its to the service of just more of the same old, same old. It's just another "Tomie" movie through-and-through and does very little outside of imitating what came before with a few fleeting attempts to add more substance. In a lot of ways, I found it similar to the first entry in the cinematic franchise, which also unfortunately is the worst of the films I've seen in my opinion. Good ideas... so-so execution. I also felt there was much to be desired in the visual direction courtesy Shun Nakahara and the dialog by writer Yoshinobu Fujioka. It's very sloppy and aimless at times, especially in the first act, with Nakahara making some bizarre visual choices (an opening prologue scene that's practically pitch black and sepia toned and thus almost impossible to see, for example) and Fujioka trying a bit too hard to be clever with some pretentious moments and a few misjudged meta in-jokes. ("You're just like Sadako, Tomie!" ...subtle.)That being said, I'd be lying if I said I didn't have a bit of fun with the film. The performances are quite good for the most part, and you really find yourself enjoying the characters as a result. Miyazaki is a charming lead, while Andô is a good replacement for the villainous "Tomie." I appreciated the attempts to shake up the series and throw in a bit more substance even if it didn't quite come together particularly well. It at least shows a bit of effort on the parts of those involved, which is more than can be said for many horror sequels. There's a few genuinely startling sequences of suspense and fear that will tingle your spine and appeal to fans of horror. And I really enjoyed the ending. I won't spoil it, but it was the perfect way to finish the story and left me with a big old, devious grin on my face."Tomie: Forbidden Fruit" is a step in the wrong direction. But if you're a fan of the series, you'll probably get enough of a kick out of it to make it worth seeing. I give it a very middle-of-the-road 5 out of 10.

iamahero This is a beautiful, haunting film with great cinematography and a terrific score. I understand why people might find fault in it, but I think it's perfect and is my favorite Tomie film. Oddly, a few of the reviews here mention things that aren't in the film. There's nothing about stem cell research or weird video effects, so please ignore those reviews. If you are looking for a sinister, bloody film, this is not going to satisfy you. If you are looking for the typical Tomie film, you may also be disappointed. But if you enjoy creepy drama and absurdist horror, you will be quite pleased. I absolutely loved the ending, and I felt the film had a great structure to it overall. Please give this film a chance, and watch it with an open mind. It may take some knowledge of Tomie to fully understand, so don't hesitate to check out some of the Junji Ito manga, or at least a short summary of who or what Tomie is.

Death_to_Pan_and_Scan This is the 5th film (4th theatrical, the 2nd film was made for TV) of 7 about Tomie; the beautiful she-demon who drives men to kill her, but will not stay dead. I've never read Junji Ito's manga, so I will review this just as a film within the series.Good horror films are disturbing to us, that's part of their job. Tomie Forbidden Fruit does a good job of that initially, but loses focus and somewhat falls apart a little after the halfway mark. The first half is a good creepy horror film, albeit not a 'scary' one, though none of the series were. It suffers from 'Jeepers Creepers-itis': starts off with a great premise that seems to be going somewhere and then derails itself into silly territory that undermines that which preceded it. Luckily, it pretty much gets back on track at the end which is more than I can say for Jeepers Creepers. The idea is a good one and takes Tomie into the 'destruction of friends and families' territory more than previous entries did (Re-birth would be the 2nd best in that capacity due to its mother-son-girlfriend relations subplot).Kazu Hashimoto was in love with Tomie some 25 years ago, but she died as did the friend who stole her from him. We see him now as a middle-aged widower who named his daughter after his lost 1st love. Tomie Hashimoto is harassed at school by girls who bully her and her life is generally miserable until the day she meets Tomie. They become fast friends and…cue the PG-rated pseudo-lesbian overtones. Actually, Tomie isn't really interested in being friends with her namesake. Tomie actually despises her as a reminder that Kazu married another woman and gave birth to a daughter, Tomie Hashimoto. Tomie plans to regain Kazu and offers her love to him after he removes all remnants of the time that has passed, namely the shrine to his deceased wife (no big deal for a man who has forgotten her in the past 10 years since her death) and one other slight obstacle: the daughter of that union. In order to regain the beautiful lost love of his youth, Kazu must follow Tomie's orders to murder his offspring. Usually even men who'd be tempted by the offer would have enough love of their child and basic morals to refuse such a barbaric demand, but then again Tomie's inhuman spell on men defies rational thought and all bets are off.After Tomie is murdered (no big shock/spoiler if you've been watching the series up to this point), things takes a turn from the creepy disturbing horror mode into strange dark humor territory along the lines of "Basketcase" meets "Eraserhead". This derailment lasts maybe 20 minutes, which is more than enough for it to negatively affect the tone of the film. Tomie Hashimoto inexplicably decides to locate Tomie's remains and now has to take care of the decapitated head of her 'friend' as it slowly regenerates a body. There are comically-intended scenes of her feeding an ungrateful Tomie and taking her around town in a baby stroller (which makes one want to utter that infamous movie phrase "What's in the basket?"). Tomie quickly proves very demanding, beyond her caregiver's financial means or even any remaining desires to provide for her. Acting the role of a doting parent isn't something she's ready to accept from this selfish creature. In this way it somewhat mirrors Jack Nance's situation in "Eraserhead", right down to the monstrous deformities underneath those swaddling blankets. In the meantime, we also see Tomie H's nemesis schoolgirl bullies visit her home and meet up with daddy, whose tendency towards violence is not to be restrained after the psychological effects of his last meeting with Tomie. While amusing, it's fairly standard fare as Takashi Miike already did a better job of addressing the issue of high school bullies in "Visitor Q".Tomie returns and the father-daughter team come up with a clever -- albeit noticeably telegraphed -- way to keep Tomie from coming back into their lives, but the writers aren't ready to let the end credits roll just yet.Even though this was titled as the 'final chapter', 2 more apparently worse films would later follow. The organ music score almost sounds like intentionally lost throwaway tracks from Argento's "Inferno".6/10 (I give a 7/10 to the first half and a 5/10 for the comic relief sidetrack)

smashsmack This is whats supposed to be the finale for the Tomie series (despite there being 2 more released this year) and they are an interesting set of movies at that. The series is based around Tomie Kawakami, for whatever reason she is unable to die and is able to make men drop to their knees at will. Her shenanigans usually end up being her own demise, mainly due to the fact she pushes the men soo far they end up killing her.This story is based around Tomie Hashimoto, she is a poor girl who always seems to have a bad day. Her friends torture her to no extent, her mother is dead and her father Kazu doesn't seem to care much about anything at all. One day Tomie meets a girl named Tomie Kazuhiko, who turns out to look like a girl Kazu once fancied. Well of course it's the same Tomie and she has came back to claim her first love. Then the fireworks begin, well sort of.The movie is a blend of horror, drama, a slight sense of humor, but it usually falls back to drama. Not to say that's a bad thing, most of the dramatic scenes are really well acted and help hold the movie together. The only bad thing is that the movie moves in a weird pace, sometimes going in different directions and ends up falling flat on it's face.It was nice seeing a plot focused more around Tomie's past for a change, but for a finale it doesn't really have much of a boom, it's more like a fizzle that ends up making a small popping sound. Sure the sparks that were flying were good, but the explosion could have been so much more.If you want a great Tomie movie I would recommend Tomie: Replay, it has the same kind of pace in some scenes, but it shows a different side of Tomie that the other movies didn't get to show.