Tonite Let's All Make Love in London

Tonite Let's All Make Love in London

1967 "Swinging London 66-67"
Tonite Let's All Make Love in London
Tonite Let's All Make Love in London

Tonite Let's All Make Love in London

6.9 | 1h10m | en | Documentary

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

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6.9 | 1h10m | en | Documentary | More Info
Released: September. 26,1967 | Released Producted By: Lorrimer Films , Country: Budget: 0 Revenue: 0 Official Website:
Synopsis

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.

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Cast

Vashti Bunyan , Michael Caine , Allen Ginsberg

Director

Peter Whitehead

Producted By

Lorrimer Films ,

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Reviews

Muswellmedia Director Peter Whitehead was something of a one man band as a film maker making news items and what we now call pop promos. So what we get here is a number of the kind of films he was producing at the time joined together, collage like, rather than a rounded supposedly complete vision. But hey thats what it was like, there was no simple straight line narrative knitting it all together. Personally I think this makes it more honest and valuable as a document of the time and the reason why TV programmes are still using this material to illustrate programmes about the period. My favourite moment features the Stones playing the Royal Albert Hall and whipping the audience up into a rioting mob that flood the stage with Brian Jones laughing his head off at the chaos. Also Lee Marvin and Michael Caine define cool while Vanessa Redgrave sings out of tune.
ChristerThor For die-hard fans of Pink Floyd only. This is a history-lesson into the psychedelic London underground of the mid-60's, where light-shows, "Happenings", Beat-poetry, and spacey music were all the rage. This film is mainly several pieces of concert-footage of Pink Floyd in its original incarnation, when Syd Barret was still in the band, prior to him loosing his marbles and being replaced by David Gilmour. You see Syd and the band playing some long sets of "Interstellar Overdrive" on stage under strobe-lights, a piece of music that true fans love and which the uninitiated often find meandering and boring due to the modern short-attention span. This is Space-Rock, it ain't Britney Spears.You get to hear Allen Ginsburg recite poetry over images of the London night-life. You see John Lennon attending one of Yoko Ono's famous performance-art pieces, prior to them having met. You see Eric Burdon walking around. It's basically a slice-of-life in the heart of what's now called "the Swinging 60's". View it, if you can find it, for the history, if nothing else. For Floyd fans it's one of very few opportunities to see Syd Barret playing with the band, which is reason enough to seek it out.
Phantom Moonhead This is basically a short film focusing on Pink Floyd. It was shot at the UFO club in London if I am not mistaken. There is some footage of John Lennon being introduced to Yoko Ono so this is very important to Beatle fans as well. The rest is Pink Floyd in the studio recording the films soundtrack, "Interstellar Overdrive". This is a 16 minute version of the song and a wonderful little look in to the early career of Pink Floyd and their brilliant founder,Syd Barrett. This is the most common footage of Syd because it has been released to the public,a great place to start for anyone interested in "The Madcap".
Monster-17 I swear to God this is one piece of cinematic filth that should be burned, it's soooooooo boring.1: Don't rent it.2) Don't buy it.3) Heaven's forbid, if you find yourself enjoying it do make sure you get some much needed help.