drew-campbell
Beautifully shot and scripted, this gripping human drama is one of the best British films I've seen in recent years.Two of a four-man crew on a Scottish fishing trawler on the verge of bankruptcy decide to traffic a group of Chinese immigrants in their hold; the young first mate (Martin Compston) keeps this highly illegal transaction secret from his proud father and boat's captain (Gary Lewis), but hopes it should go a long way to balancing the books. Meanwhile the dodgy crew member (Peter Mullan), who persuaded him to do the deed in the first place, gradually starts to develop a conscience as he witnesses the worsening degradation of the people slowly dying in the bowels of their vessel. Meanwhile sexually confused cook (Steven Robertson) helps the young pre-teen girl (Angel Li, on her debut) who is driven by desperation to steal out of the fetid, watery hold to his galley.The five principals are utterly compelling throughout, making the unflinching honesty of the story as it moves towards its inexorable destination so completely believable. On one level it is the kind of human suffering as old as mankind itself, while also reflecting the consequences as the pitiless expansion of modern global capitalism continues unchecked.Despite being a) Scottish and b) a bit of a buff for independent film, I had never even heard of this film when my 17-year old son & I came across it by accident on BBC late one night. It is a superb piece of work from all concerned and a genuinely moving experience. I can only assume the lack of big studio, big names and big budget (along with a quite forgettable, unhelpful title) conspired to ensure this memorable film didn't get a wider audience or praise. A great shame, but seek it out - you won't be disappointed.
dusan-22
When I saw Gary Lewis playing in the movie I was almost certain that this film is promising a lot. However, I was wrong. Lets start with good things: Excellent acting and camera directing which proves that movie was an art work (not so) long time ago. Everything is so convincing, almost like real. However, film misses a real plot. Simple plot is an idea of a real grandmaster, but it needs developments of characters and/or interaction with another plots. The movie is way too slow for its genre and way too profiled for an art film. Attempt to make a good movie has been lost somewhere on the horizon of the promising film-making. My opinion is that this is a real pity, since most of the people in this film project seems to know their job pretty well.
mactakeshi
I have just watched this film on television. I can only say that it was a very emotional ending. I would like everyone to remember this happens on a daily basis through out the world and we should pause for a moment to take in the enormity of it. However fictional it may be, this is a story that had to be told. I feel the writer may have developed the story before the cockle pickers from China died in England, factual. But to answer the person who posted that the film was too conveniently wrapped up at the end. The ending can still be compared to the reality of cheap labour being smuggled into a country successfully but still meeting a fatal ending. This film is a very honest portrayal of the fatal dangers involved in people smuggling. And although I originally thought it would be a reality check for people attempting leave their home for the promised land of the WEST. I have changed my mind because these people are intelligent enough to know that the hard place they are getting into is better than the rock they are currently under. It is still a honest account that the WEST is not all that it promises. I know anyone intelligent enough to watch this film will know that Scotland's people are not Chinese killers, however I still hope that people's judgement of Scotland is not affected by it. p.s. FAQ The young star of the film first starred in a film set in Inverclyde Scotland called Sweet Sixteen, and didn't Peter Mullen walk into a brothel called funnily enough Sweet Sixteen in Belgium, Only a thought...
Jamester
For a movie that had a very simple storyline to it (Chinese immigrants go on a ship seeking a better life in northern Europe), I was amazed at a couple things when I saw this very engaging movie at the Toronto International Film Festival with the dynamic and fun director present:1) First, this story feels so very true. No sugar coating. No over-dramaticism. Nor clunky lines. It's a story with what are real characters just being themselves, in a fairly enduring and harsh environment.2) Then, while I was wondering why the movie was called True North, when I thought I had it figured out, the story's message struck even deeper. True North is the unwavering north. Not another form of north that shifts as the tides do. And making moral decisions -- if there is such a thing as a moral righteousness, was a topic, perhaps as I think of what's important to me, and what I would sacrifice in the name of money, my livelihood, or my own wants -- was a topic that just worked for me.3) And because the movie just came out and told a story -- I just felt -- WOW! What an awesome piece of work. And when the director talked about his passion for shooting on a ship when it needed to be on a ship, and how very real the scenes were because of that, I was even more impressed. The shots were vivacious, interesting, and captured the feeling of being on a ship. How a propos!So -- for an engaging movie, and a director's 5 years of sweat and tears using real life to inspire this story-telling, I think you will be so very engaged with this movie. Check it out!
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