dougdoepke All in all, it's a decent oater, more plot-heavy than most, but nothing special. Seems Clark's (McCoy) lost his ranch to swindler Russell (Oakman) and now bad guy Russell wants to finagle good girl Betty's (Day) ranch away from her. And if that's not enough, he's also trying to frame Clark for robbery and murder. Plus he's got help from crooked deputy Bendix (Brennan). Good thing Clark's a pretty good sneaky prospector. There's some good hard riding, mostly through familiar LA terrain, but not much fast shooting or flying fists. Mc Coy, of course, makes a good hard-eyed hero, and get a load of that 50-gallon hat that tops anything in movies! And where did they get his absolutely stunning white horse that's the equal of Trigger or Silver in sheer looks. On the other hand, Wayne fans will be disappointed since his screen time is sparse, but already he shows the youthful charisma that Lone Star and Mascot would wisely feature. Still, I could have done with less talk and more scenery and action, but the mix is still enough to keep this now Front Row Geezer happy.

classicsoncall Old time Western movie fans get an unexpected treat in this Tim McCoy oater - future A-listers John Wayne and Walter Brennan are both on hand to lend support. Wayne's character goes by the unusual name of 'Duke' - who would have guessed that? Meanwhile Brennan finds himself cast as a villainous sheriff's deputy, coming on screen about the time Wayne disappears from the story.The opening credits list the name of Kurt Kempler relative to 'Continuity', so I made it a point to see if he did his job or not in regards to the story. As with many of these B Westerns from the Thirties, continuity is one of the last things on anyone's mind during filming and true to form, this one was no exception. For example, right after Tim Clark (McCoy) loses his ranch, he's left with no earthly possessions other than his horse, so he decides to go silver prospecting. A subsequent scene shows him guiding his mount and another pack horse through rough country, followed immediately by another scene in which he's shown riding along with no more pack animal. What happened there? Here's another one - recall when Tim Clark shows up following the express office robbery, town villain Russell (Wheeler Oakman) remarks on his 'new' bullet wound. Tim was shot in the shoulder a few days earlier and he was wearing a shirt, so how could Russell know he had been shot with no outward appearance of it's effect?Another instance I got a kick out of occurred when Tim is back at the express office with the sheriff and Russell henchman Zeke Yokum (Richard Alexander). Attempting to sort out clues about the robbery, Tim casually looks down, and there on the floor happens to be a piece of paper with a boot print on it that matches the metal heel mark on Yokum's boot. With the robbery having occurred a couple days earlier, why wouldn't the sheriff or anyone else have noticed it before? At least in Sheriff Malcolm's (Tully Marshall) case, you might chalk it up to old age. At the time of filming, the actor was sixty eight years old and looking every bit of it. You have to wonder why the town couldn't find a younger lawman. And by the way, that boot heel impression on the piece of paper was somewhat laughable, it could have been made by any boot! But I guess stuff like this didn't matter too much back in the day. These films were churned out in a matter of days and then it was on to the next one. However there was one interesting element here that I found kind of fascinating actually. It was when Tim McCoy took off on his horse after outlaw Russell, and his horse nearly stumbled before catching himself and getting upright again to continue the chase. If I had to guess, the horse might have been auditioning a near fall for a larger part in the next picture.

bkoganbing Though in the film John Wayne is second billed to star Tim McCoy he actually has very little to do. Wayne is in the unaccustomed role of sidekick. Wayne and Wallace MacDonald are the last two ranch hands working for Tim McCoy. He's lost is ranch to crooked banker Wheeler Oakman, but being the good boss and friend he is to Wayne and MacDonald he finds them jobs with neighbor and sweetheart Alice Day.That might be short term employment for Oakman has designs on the ranch and on Day. Those designs on Day ain't covered by the cowboy code. McCoy goes off prospecting for a couple of years and no sooner is he back than he's framed for an express company holdup and killing resulting from same. The rest of the movie is McCoy's fight to prove his innocence and save Day from a fate worse than death.Wheeler Oakman seems to be enjoying his role as villain, he's hamming it up in the best Snidely Whiplash tradition. And Day makes a perfect Little Nell.Tim McCoy, a silent western star, seems to have made the transition to sound easily enough. He's a stern and upright hero who's bound and determined prove his innocence.Note good performances by Tully Marshall as the father figure sheriff of the area who believes in McCoy and a young Walter Brennan as his less than scrupulous deputy.My VHS of this film is 58 minutes and I note that the running time is 64 minutes. That might explain some gaps in the story and maybe it was John Wayne who got cut out. This was the last Columbia movie that John Wayne ever appeared in. It seems as though Harry Cohn thought Wayne was putting the moves on a young starlet who rejected Cohn's advances even though Wayne wasn't involved. But after the Duke became a star and a legend, there wasn't enough money in the world that would get him to appear in a Columbia Studios film.But realizing this is a B western, it's not the worst one I've ever seen although somehow I doubt we'll ever see a director's cut.

Single-Black-Male In 1932, the 25 year old John Wayne went down poverty row with the independent production companies. In this film, he developed his fist fight scenarios, adding a bit of humour to his acting as well as drawing out his romantic side.