Petri Pelkonen
Two-Gun Gussie (1918) is a Harold Loyd western short comedy directed by Alfred J. Goulding.In this one Harold plays a mild-mannered young man who has left home and earns his living playing the piano in a saloon.The dangerous villain Dagger-Tooth Dan scares the local folks.Nobody's afraid of Harold.Except when the sheriff arrives with some letters he has received.Dan sees them and switches the information in them to make the sheriff think that the piano player is the dangerous one.Now Harold, starting to believe he really is dangerous, starts acting like one.Harry Pollard plays Snub the bartender, who doesn't get too much behind from Harold.Bebe Daniels is The Girl, who should have been seen more on screen.William Blaisdell is Dagger-Tooth while Charles Stevenson plays Whooping-Cough Charlie, the Sheriff.This is not the funniest of Harold Lloyd's short comedies, but it sure has got speed.Harold was an energetic young fellow who could move very rapidly from one scene to another.The ending in nice, where Harold accidentally fires his gun when Bebe is behind him.And then there's the little kiss.For us Harold Loyd fans this is a must-see.
wes-connors
A successful pianist, Harold Lloyd goes west, where he is less appreciated, to tickle the ivories at the "Howling Poodle Tango Bar". There, dastardly gunslinger William Blasdell (as Dagger-Tooth Dan) makes Mr. Lloyd's life difficult; he steals Lloyd's earnings and makes time with Bebe Daniels. Then, to avoid the attentions of sheriff Charles Stevenson (as Whooping-Cough Charlie), he infers Lloyd is the tough "Two-Gun Gussie". The funnier film moments follow, with Lloyd pretending to be a fearless hombre. "Snub" Pollard is good, as the bartender. *** Two-Gun Gussie (5/19/18) Alf Goulding ~ Harold Lloyd, William Blasdell, 'Snub' Pollard
MartinHafer
At the beginning of his career, Harold Lloyd copied other comedians' styles (such as his "Lonesome Luke", which was a derivation of Chaplin's "Little Tramp"). However, by 1917 Lloyd had perfected the look of his later characters (the glasses, hat and suit), but it took him another 'three or four years to soften and improve upon the character. You see, up until about 1920 or 1921, Harold Lloyd's characters in film were not especially sweet or likable--a far cry from his decent "everyman" character he later played to perfection in films like SAFETY LAST and THE FRESHMAN. Here in TWO-GUN GUSSIE, Lloyd is slightly more likable than he had been in many previous films, but still he isn't quite the sweet guy we're used to seeing in later films. Lloyd is a piano player and for some odd reason, he leaves his society home and goes West. Here he is mistreated until he is mistaken for a dangerous criminal. While this is excellent material for the comedian, his "fat-headed" reaction to his new-found respect makes him less than lovable, as he begins believing the stories and starts pushing people around for no particular reason. Also for no particular reason the film comes to an end with no real resolution. Sadly, Snub Pollard and Bebe Daniels are pretty much wasted in this rather forgettable film.By the way, don't assume I hate Lloyd. He is, in fact, my favorite of the silent comics. It's just that his early stuff, like Chaplin's, is very rough and relies too much on slapstick.
boblipton
An excellent early short comedy for Harold Lloyd's 'Glass' character. He plays a meek conservatory graduate who wows the matrons and winds up playing in a western saloon, where Snub is the bartender and Bebe the Salvation Army lass. Harold is, of course, confused for a dangerous character and the gags flow fast and free for a while. Even Snub gets one or two funny ones.
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