dazzling37 I loved this documentary! I've always been taught to just 'ignore' men when they whistle or say something about me when I'm on the streets - my friends all do the same. It does make me angry though, that men can check me out and comment and talk to me, and I'm just supposed to avoid eye contact and pretend nothing's happened when something has happened and it does affect me.That's why I love this documentary, finally instead of just ignoring this issue - some women has turned the 'harassment' of men back onto them, by 'harassing' them about their harassment - by filming their actions with a video camera and then confronting them about it, on video.I also loved the way the director pointed out how invasive and inappropriate it was for a complete stranger to make a comment to another complete stranger like that. Women don't do anything like that to men, but many men seemed to think that it was totally okay to talk to a complete stranger like that. For many people, sexual harassment on the street/in public seems like a small thing, something that 'just happens' and you ignore - so I was glad that someone considered it offensive enough to make a documentary about it! The director's links between the concepts of stranger danger, rape, and being talked to (in a sexual way) by a stranger on the street was fantastic.

pcg9r Too many educational programs about sexism, sexual harassment, and sexual violence focus solely and intensely on the perceptions and experiences of the targets of these individual and institutional forms of discrimination. In doing so they fail to address or spotlight the actual roots of sexism: male privilege and men's abuse of the resulting power they are afforded-abuse intended to maintain their privilege, power, and control over women. The lack of a critical examination of the motivations, actions, and intentions of male predators leads in many cases to a societal problemization of women: `She shouldn't have worn that short skirt'; `Why did she go to his apartment'; `She shouldn't have gotten drunk'; and the ultimate denial of male responsibility, `She brought it on herself!' War Zone, a film by Maggie Hadleigh-West, literally turns this approach to understanding sexism, harassment, and violence on its head. The filmmaker shines the spotlight, and her video camera, on men whose actions and attitudes perpetuate a social context in which women are at best objectified and at worst abused, raped, or killed by men, often with little or no consequence.The context for War Zone is powerful in its simplicity. Hadleigh-West, equipped with a video camera, walks through four major cities (New York, San Francisco, Chicago, and New Orleans) to record the day-to-day abuse-sexualized comments, objectifying stares, uninvited physical contact, and other forms of harassment and sexism-women experience that rob them of the basic right to walk safely and comfortably in their own neighborhoods (or anywhere else). She challenges the continued institutional denial of sexism and its implications by documenting what may be its most pervasive and effective element-that even in the most public spaces, women must operate and function in a war zone.But instead of interviewing street harassment scholars or centering her own reactions to and perspectives on her abuse, Hadleigh-West turns the camera, and the heat of the spotlight, on her abusers. The film documents her confrontations with those abusers, but focuses tightly on their reactions to the turning of the tables. Every time she experiences harassment (which runs the gamut from objectifying stares to being followed) she directly turns the camera on the perpetrator. As a result, her abusers as well as (or including) male War Zone viewers, are forced to think and reflect more critically about the ways men maintain dominance and control. More specifically, the film illustrates how men continuously cycle sexism through what many men have traditionally argued to be harmless or natural interactions.Among all of the films related to sexism, harassment, and violence I have reviewed, War Zone, in both its form and content, stands out as the most unique, powerful, and important contribution to anti-sexist education. It elicits emotional responses from both women and men precisely because it is real, unstaged, honest and raw. It disallows the overwhelming comfort of denial by men. Meanwhile, the film demands a new urgency to establish space and validation for women to confront sexism in its most pervasive individual form, putting the onus of responsibility for change on those who benefit from its institutional form.This film can provide an especially powerful educational experience for high school and college students, but is appropriate for anybody in their teenage years or older. Every American Studies, Women's Studies, Cultural Studies, Sociology, and Psychology program should have a copy of War Zone in its library. It will also be an invaluable resource for activists or trainers who conduct workshops on sexual harassment, sexism, sexual violence, street harassment, masculinity, male identity, male privilege, and related topics.

John Seal This film should be shown to any boy on the cusp of manhood. The point of the film isn't to denigrate men, it's to remind them of the imbalance of the power relationship between the sexes. While I agree that Hadleigh-West occasionally seems overly sensitive, I think the film serves as a reminder that the line between flirtation and harassment is an invisible one, and the line is going to move considerably from person to person. The film was most effective when it confronted men who seemed willing to think or debate reasonably about their actions, but entertainment value is provided by some out and out male chauvinist pigs and Bible thumpers. There's even a nice old Jewish grandpa who gets the funniest moment in the film. My only major complaint is that sometimes the filmmaker settles on subjects who are clearly mentally handicapped, addicted to drugs or alcohol, or both. Powerful, unsettling, and thought provoking filmmaking.

lasherxl While the premise of the film sounded unique and intriguing after watching the first 5 minutes of the film I could have stopped there and gone on with my life. She does get some interesting comments and reactions from her subjects, but not really enough to add to the validity of the film. I also felt she went a bit overboard with many things. If a guy said a filthy comment, grabbed her, or made some disgusting gesture to her, I would say go for it, bring him down, he's a pig. What bothered me though is she would walk around in revealing clothes and be surprised when guys would look at her and give them hell about it.I think somehow she forgot that being attracted to other people is a part of human sexuality and a big part of who we all are. Guys will look at beautiful women, especially when they dress provocatively, just like women will look at men when they are wearing a tight tank or no shirt at all. Some women may hate me for this, but I hope not. I have much respect for women. I was raised by one. I also come from a Spanish family and we are very matriarchal. My grandmother was the center of my family for years, but I don't really feel this did anything to help women's rights and from what the filmmaker even said herself, some women were offended by her project.