Ridley_Scott The filmmakers did their hardest to convey this true story as being of national importance, but their work dwindles by the end of this documentary and you realize that the entire episode in Leith, North Dakota was literally about nothing at all.This is a documentary about two nearly impoverished white supremacists who pay a couple hundred bucks to buy up parcels of land in some backwater North Dakota town that nobody cares about. That's all this documentary is about, no joke.As the two white supremacists move into town some of the townsfolk find out who they are, thanks to media coverage, and then begins a campaign of back & forth harassment between the white supremacists and some of the townspeople.Eventually the white supremacists are arrested on trumped up charges that are later reduced, but amazingly none of the townspeople are arrested for their harassing activities toward the white supremacists (some of which are captured on video in the documentary).By the end of this documentary, you're left with a feeling of disdain for both the white supremacists and the townsfolk. You also realize that you would never want to live in North Dakota! Lastly, you realize that this documentary was almost entirely trivial and pointless, has absolutely ZERO national impact or relevance, and going by the reviews and online footprint, almost nobody saw this documentary! Btw, as a resident in a small southern town, I've lived near quite a few white supremacists. My attitude was always different strokes for different folks. I won't judge them if they don't judge me, etc. That seems to have worked well for me for nearly three decades.

Colin Lomas (colinlomasox) Leith, a registered ghost town in North Dakota, is home to twenty people and a single shop. The almost entirely forgotten town suddenly becomes the most discussed settlement in America as renowned white supremacist Craig Cobb moves in to buy up land and property to rent out or give away to the country's most notorious Nazi groups. Cobb's grand plan is to become mayor of the town and create America's first legal white-only town. This startling documentary details the events of the subsequent months.With its isolated small town backdrop and bleached, low-contrast colourisation of the stock, Welcome to Leith gives the impression of a fictional horror movie. During the winter months, you could be watching Fargo. As the feeling of threat and dread hover over the dinner table during the resident's mealtimes, it appears to come straight from a M Night Shyamalan nightmare.Cobb's appearance is part aging thrash metal guitarist, part Peter Stringfellow with jovial smiles that betray the viciousness below the surface. Dutton is an Iraq war veteran with possibly the worst Hitler moustache in history who seems to gain more sympathy from the audience than loathing. It feels that Dutton, although harbouring abhorrent beliefs, is principally concentrating on receiving approval from Cobb, who takes on an adopted father figure role. It's Dutton's girlfriend Deborah Henderson who is the truly chilling one, with a vicious uncompromising hatred for non-whites and a predatory growl constantly smeared across her face.What Nichols and Walker do exceptionally shrewdly is to give both corners of the ring the time to discuss their particular point of view. What this effectively does is give access to all of the players, something rarely achieved in a documentary about extremism, and this produces a wonderful insight into evil-doer's everyday life. Seconds after seeing Dutton performing aggressive sieg heils at a town meeting in the face of Leith's only black resident, Bobby Harper, we see him making banana fritters in his kitchen discussing his dreams of becoming a celebrity chef. The writers realise that given enough rope, the white supremacists will happily hang themselves anyway; the exasperated cries from the Cheyenne plains are clearly audible as Dutton argues that white births are now in the minority for the first time in American history. Cobb takes a DNA test on national television to prove his racial purity, only to find out he's fourteen percent African.This even handedness rightfully reaps rewards towards the end of the film as they manage to obtain video footage from Deborah Henderson's smartphone. This shows Cobb and Dutton marching through the town with loaded rifles shouting racial slurs at the residents. It is at this moment, with whispered comments such as 'Make sure they shoot first', the realisation sinks in that for all the talk and arrogant discrimination, there is a true threat of lethal violence involved here.Another attractive observation is the charming naivety the original residents have to extremism. Mayor Schock freely admits to not even knowing what a white supremacist was before meeting Cobb. It is refreshing then to observe how a community can pull together to defend one another's rights, and you get a stimulating insight into the way America works at ground level as the council try to work around the first amendment excuses Cobb obsesses on so well. When does one's right to freedom of speech become another's illegal hate- crime discrimination? The town's council at one point pass a new law requiring every living accommodation to have plumbed sewage, in one clean sweep making the majority of Cobb's rental properties, housing the white supremacists, illegal. This is a fascinating move to counteract Cobb's completely, and astonishingly, legal Nazi hate- speech and threats of gun violence.Welcome to Leith is a terrifying yet fascinating account of a dark recess of American society and culture. It is made with clarity and observed impartiality and stands out impressively against previous documentaries of a similar ilk.

davannacarter When I saw the trailer, the reviews, the promos, etc. they really had me hooked with lines like, "Gripping!", "Better than any fiction story", "A horror film come to life", "A town divided by hate", etc. I thought, "Wow. This seems like something I want to see. The town seems small. I'm guessing a few hundred people live there." But partway through the movie I learned the town only has around 20 people and my interest in it sank. I watched the movie with bored eyes as I wanted to finish it but couldn't get over my resentment at being mislead.The filmmakers and the reviewers make this seem like some harrowing story. But, in reality, nobody cares about some white supremacist setting up shop on a few acres of dirt with 24 people in North Dakota. Not even North Dakota people care about this. A place inhabited by 24 people isn't even a town. I'd call that merely a stretch of dirt with 24 people on it. Doesn't a town need at least 100 people? I may sound like a snob, but come on, does anyone really care if some white supremacist sets up shop in a place with two dozen people? If it was more than 100, I'd be interested. But a place with 24 people? Who cares? If you read about it in the newspaper, you'd think, "The New York Times is running an article about some deranged white supremacist setting up shop in the middle of nowhere in North Dakota amongst a so-called town of 24 people in the hopes of creating some booming all-white metropolis? Who cares? Is this news worthy? Let those supremacists set up shop up there. There are no women there. No jobs. Few other white supremacists are gonna make an effort to live there. If they don't freeze their balls off and return to the place they original came from, they'll die of boredom because there's nothing fun to do out there. I have better things to do than care about what happens to some pile of dirt in North Dakota. I'm gonna go watch paint dry."Am I lying when I say that's what people would think if this movie was a news article? The New Yorkers who made this documentary knew people would think this if they read it in an article. So in order to make this boring story interesting, they had to over blow the hype to the extreme. All this hype about how it's fascinating and some sort of interesting story about today's America is garbage. Don't believe the hype. This documentary is nothing more than these bored hipsters' trying their hardest to break into the film industry.

FlashCallahan The documentary chronicles the attempted takeover of Leith, North Dakota by white supremacist Craig Cobb. What begins as an 'enemy within' story, turns into something more sinister, as the local townsfolk realise that the man buying their land is trying to create a hub for America's neo- Nazi movement. As Cobb's disciples arrive the locals rise up, and what was at first, a predictable war of nerves, turns into something deeper, questioning the concrete Amendments placed by the US government.......When seeing the documentary on face value alone, it's another perfunctory documentary made to exploit something that is already beyond exploitation, radicals and there abhorrent positive opinions on racism.It follows the same style as most documentaries do, have the good old talking head section, footage from cameras and news reports, acting as a narrative charting the occurring events.And whenever we see the main protagonist, or his 'disciples', there is this weird haunting musical score, like moans in a warehouse, which, if on a compilation of incidental music, would be called 'the epitome of evil'.And of course, the makers of the film are almost godlike in the way they can edit the footage. They alone decide how to make Cobb look during the film. Pure evil, snivelling wreck, pathetic loner, they use all the tricks they can to make him look powerful at first, and slowly lose his grip on reality. But to be fair, it wouldn't take much trickery, the man is a despicable piece if work.But if you took away all these simple tricks of the documentary maker, you can see the bigger picture, not only was Cobb trying to create his own little supremacist village, according to the first amendment, he was doing the majority of it legally.It's a fascinating insight to the legal system, and just how twisting the system ever so slightly can veer one persons judgmental perspective on a stale cult that should have ended over a century ago, can tilt in his favour.It's a scary though that even in today's climate, this sort of frantic hatred is still active and almost imperative to some peoples way of life.It's just desserts that Cobb becomes the 'fugitive' of the piece come the end, and he is the one banished into the middle of nowhere.Powerful stuff for sure, it will anger you, as you would expect it to, but it's a reminder that there are some absolute maniacs about,thinking that what they do is perfectly acceptable.