In part of an ongoing autobiographical-fictional collection entitled Why is water so heavy? (2022–present), interlocking the fluidity and borderless nature of water in relation to diaspora and landmarking. I dwell on self-ambiguity as time continues to spatialize fragments of my ancestral histories and cultural practices lost in water.
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In part of an ongoing autobiographical-fictional collection entitled Why is water so heavy? (2022–present), interlocking the fluidity and borderless nature of water in relation to diaspora and landmarking. I dwell on self-ambiguity as time continues to spatialize fragments of my ancestral histories and cultural practices lost in water.
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Ghislan Sutherland-Timm
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