a_baron Sean Penn is an accomplished actor, but this documentary in which he is not seen, is unquestionably the most important film of his distinguished career. In the 1980s, a Satanic abuse panic spread throughout the United States, the most notable examples of which were McMartin and Bakersfield. The latter started as allegations of regular child sexual abuse, but grew into lurid tales of Satanism. One man was accused of murdering his son; the fact that the boy was very much alive did nothing to dampen the enthusiasm of the witchfinders.Any claim of sexual abuse that includes women should automatically be suspect; one woman is passable, but a group of them? They just don't do that sort of thing, yet the fantasies persist to this day. These poor people were sentenced to dozens and in some cases hundreds of years in prison after being convicted on hundreds of charges on no evidence worthy of the name.Jeff Modahl spent 15 years behind bars; he was freed only after a tape came to light of a therapist, (so-called) and law enforcement coaching one of the young non-victims. John Stoll served 20 years, being freed on his 61st birthday. Even more sadly, two of those accused died in prison without clearing their names."Witch Hunt" includes much archive footage, interviews with parents, children (some now with children of their own), and some comments from the unrepetent persecutors who claim there was no actual witch hunt. This documentary is more relevant than ever at the time of review in light of the ongoing persecution and wilful miscarriages of justice being enacted here in the UK.

daveatatime There isn't enough money in the world to pay back the men and women who were (and were not) featured in this film as the victims of false accusations and imprisonment.That being said, I do wish the documentary had at least asked some obvious questions. The DA's motive for arrests and convictions was clearly enough stated; get convictions seeming to clear the county of "bad guys" thereby furthering political careers.But who was doing the arresting? Who was handing down orders to do so? Who decided which people would get arrested and charged? Who was coming up with the elaborate details of these false charges? These questions leave a lot to wonder about. And in a film where you (or at least I) believe what is being put forth, which is the truth of the accused, you want there to be no stone unturned. You don't want there to be any question for the doubter that if the "right" people had been asked the "right" questions, we might have a different result.Ask the damn questions. Get answers from the people who still may even profit from the long ago verdicts. And if you can't, say so. At least say something about having tried.Make no mistake - I think this movie does a fantastic job on shedding light on a very dark side of humanity. And It left me wanting to give the most heartfelt hug to ALL the victims (both the charged and the then-children). Still, other questions include; What of the neighbors and surrounding community? What about family? What about friends or former friends? Why weren't any of them interviewed? What did they think originally? What do they think now in lieu of the reversals of convictions? The first person approach is powerful and poignant. But those prone to the sort of hysteria which prompted this sort of thing to gain ground in the first place will ask, with sword in hand, "why?"

veganrus This film chronicles the events which transpired in Kern County (Bakersfield) California, and the dozens of people who were falsely charged with child sexual abuse as part of massive "sex rings". Specifically, the film tells the story of John Stoll, Scott and Brenda Kniffen, Alvin and Debbie McCuan, Jeff Modahl, Jack and Jackie Cummings, Rick and Marcella Pitts.This film is filled with heroes.The film makers themselves: for tackling such a difficult, and generally unpopular subject matter, and for their fortitude to stick with the project over more than four years determined to see these stories of injustice told.Those who were falsely imprisoned, bared down, stood strong, and fought the good fight, no matter how long it took, to see the truth about their innocence told.Those who were involved as with the police, social services, and the District Attorney's office as children, who now as young adults have been brave enough to come forward with the truth about how those in authority were acting in true "criminal" behavior, and not those accused of sexual abuse.However, hearing these particular young adults speak of their pain, guilt, trauma, confusion, and remorse over allowing social service workers to convince them to lie when they were children was the most powerful aspect of this film for me.I have heard many, many stories of false arrest. There is no doubt that the stories of struggle and survival from those falsely accused are moving beyond words. However, hearing the pain and perspective from the different side of those wronged by the justice system; hearing how much these false arrests harmed the children involved, is the most powerful aspect of this new film.A must see!

Robert J. Maxwell If I were judging this as a public service message, I'd give it a higher grade. As a documentary film, it spends all but the last fifteen minutes of its time on case studies of four or five families convicted of child molestation in Bakersfield, California. There were several dozen convictions, some 35 of which were reversed years later -- and I mean years. One innocent man and wife were excoriated by the judge and received cumulative sentences of more than 500 years. Before finding an organization willing to look closely into their cases, four of the cases we follow served ten or twenty years. (What do you do when you've spent 20 years in jail and are released on your 60th birthday, as one victim was?) And it was hard time, too -- San Quentin, where child molesters must claim they were convicted of owning automatic weapons and possession of marijuana if they want to live.It's interesting to see the development of the cases, the means by which convictions were brought, and the experiences of the victims, their children, their families and friends.One weakness -- aside from the unnecessarily lugubrious score -- is that there is really no attempt at an explanation, no attempt that involves any sophistication anyway. One or another of the talking heads attributes the wave of mass hysteria to "political ambition," "zealotry," and what we would call "command pressure." But those explanations don't tell us much. Let me put it this way. Why -- out of all the avenues of advancement -- did the politically ambitious District Attorney (who has been reelected seven times) happen to choose child molestation as his conduit to power? "Zealotry" is a personality trait that explains nothing. It's like saying "greed causes robbery." And "command pressure" -- the sense that those above you must be given the performance that they want from you -- is omnipresent, and constants can't explain variations.I'd love to have seen the case studies squeezed into one hour and the rest of the time given over to an examination of the causes of this craze at the time it happened in Bakersfield -- or rather the causes of these kinds of crazes as they happen again and again, over generations, over centuries. Because, when you get right down to it, collectively and historically, we've seen all this before in one form or another. Witchcraft, Freemasons, hidden Communists, pre-school porno rings, and Satanism. For the past few years we've been working on "internet predators" that do not exist to any measurable extent, according to the only scientifically respectable study that I'm aware of. (I taught sociology, including classes on social problems that used to be called "mass hysteria.") What started this particular craze in this particular place? And, equally important, what stopped it when it was finally ended? The explanation must lie in the system itself, the entire social system, of which the legal system is only an instrument. You can't really blame it on an ambitious DA.Is there some reason society NEEDS an internal enemy to hate? Anyway, that's a lot of criticism of a film that desperately needed making and would have been far more useful if it had been made twenty or twenty-five years ago. God, how many lives have been ruined by our righteous wrath?