pamelainva Interesting and honest account of what it was like to settle the west. It wasn't that long ago that the west was settled. The way the world is now isn't much more civilized that it was then. People haven't evolved much more since then. Good movie.

thomasvenneker As an eight year old boy I watched all episodes in a row at my grandma's house while sick, years later I re-watched it and was captivated exactly the same way I was all those years ago. The music fits great, and so do the actors. Now I watch the entire thing almost every year, still on VHS. If it is available on DVD near you, don't hesitate and buy it!

mcdowelldjl This would have been a 10 if not for too much repetition which started in episode 6. Before that, it keeps you glued to your seat. Conrad's makeup,performance and accent is outstanding. I didn't even recognize him immediately. Dr. Kildare (Chamberlain) previews himself for his later title, King of the Miniseries. Alex Karas surprises portraying a character through many decades. Yes, some of the costumes (the nylon stockings) and other touches are a little off. But where do we get such detail today except in cable-only outlets such as The Tudors. There is a strong ecological underpinning to the whole miniseries which sometimes slaps you right in the face as if you haven't read 'The Silent Spring'. Beware one scene will get you quoting I will not lay quiet in Montparnasse.

Poseidon-3 Staggering is a good word to describe this mammoth, epic miniseries which traces the birth of a Colorado town from the first time a white man sets foot on in up to the present day (of the time it was filmed.) The story is multi-generational, beginning with French-Canadian trapper Conrad and continuing on with his descendants and those of people he knew. Conrad and best pal Chamberlain's story eventually gives way to Pennsylvania Dutch pioneer and trader Harrison's, which in turn passes the torch to Dalton and his 6,000,000 acre ranch and then to town sheriff Keith and so on, before landing in 1978 with Janssen's bid at a political career. Along the way, many vignettes depict the vast changes, conflicts and hurdles, which affected the birth and growth of the town and its inhabitants. The cast is nothing short of jaw dropping with a plethora of notable television series stars appearing for either long or short stretches of time. Conrad, Chamberlain, Everett, Harrison, Weaver, Karras and Keith all get strong roles that afford them the chance to shine. There are several women, however, who also get to play terrific parts. Carrera is unforgettably gentle and beautiful as an Indian maiden, Zimbalist is wondrous as Harrison's determined wife and Redgrave has one of the best parts of her career as an English girl who transforms over time to a powerful and important pillar of the community. Naturally, there are a few folks who don't measure up in the acting department as well. Some of the smaller roles are essayed by people with limited thespian ability and McHattie is outrageously bad and over the top as Conrad's rebel Indian son. Also, Carlson, as Conrad's white daughter, and Raines, as his Indian one, have flat, unenthusiastic voices and give bland performances. Mostly, though, the cast is strong, although several actors are forced, due to the longevity of their characters in the storyline, to endure some really obvious, even shoddy, age makeup. Sadly, some folks, such as former screen hunks Walker, Rivero and Williams, get short shrift and barely appear at all. Among the more memorable sequences are Harrison and Zimbalist's trouble-plagued trip west, Weaver's taxing and dangerous cattle drive, the scheming of actors Zerbe, Nettleton and McKeon and the love story between Redgrave and her ranch hand Atherton. In truth, the miniseries could have ended one night early, with the prophetic words of Redgrave to her grandson, but it did not and so a lengthy and somewhat dull finale included Griffith, Janssen and Gless chewing over environmental issues with shady Vaughn. Exciting and dramatic sequences of the earlier hours segue into watching a red Ford truck follow Griffith and Gless around a muddy construction site, as if the driver and his pal could hear anything anyway! This, paired with the needless and protracted flashbacks, leaves a mildly unpalatable taste in the mouth. However, the bulk of the series is terrific, capped off by some great musical scoring by John Addison. Somewhere in the mêlée of period St. Louis (actually a redressed Augusta, KY riverfront) is teenage George Clooney as an extra townsperson! And where else can one find Dr. Kildare, Dr. Joe Gannon, Dr. Gonzo Gates, Dr. Sam Loomis, Dr. Sam Quinn, Dr. Buck James, Dr. Richard Kimble and Dr. Bobby Caldwell all in the same program?!