Fallen Angels

Fallen Angels

1993
Fallen Angels
Fallen Angels

Fallen Angels

6.4 | en | Drama

A neo-noir anthology television series, set in somber Los Angeles right after World War II and before the election of American President John F. Kennedy. The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.

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Seasons & Episodes

2
1
EP9  Fearless
Nov. 12,1995
Fearless

In a tale that takes place in south-central Los Angeles, Fearless Jones and Paris Minton become involved with a femme fatale nightclub jazz singer. They try to help out Deletha by planning to steal her singing contract from the nightclub manager. Not all go as the wily sleuths planned.

EP8  Red Wind
Nov. 26,1995
Red Wind

Famed Los Angeles private dick Marlowe investigates a series of murders in noir fashion.

EP7  Fly Paper
Oct. 30,1995
Fly Paper

A well known socialite is missing and the famed shamus, the Continental Op, is on the trail in this story that takes place in 1929. The case takes the Continental Op to blackmail and murder.

EP6  The Black Bargain
Nov. 19,1995
The Black Bargain

It's the nature of noir never to know who your friends are. A mobster is hiding out in a hotel room and one by one his thug friends abandon him.

EP5  Tomorrow I Die
Nov. 05,1995
Tomorrow I Die

In pure noir fashion, where fatalism plays it's untimely hand, Hollywood actor Rich Thurber gets off the bus and enters a bar to take drink. The bar is then abruptly taken over by bank thieves. The hoods mistake Rich for a local politician and take him and Carol, the daughter of Los Angeles' top cop, for a ride they won't soon forget. Look for a surprising and riveting end.

EP4  Good Housekeeping
Oct. 29,1995
Good Housekeeping

In the noir world you never know how certain people can change your life forever. A woman is transformed when she falls for a wise guy.

EP3  A Dime a Dance
Oct. 22,1995
A Dime a Dance

A police detective investigates the untimely death of a nightclub dancer but the investigation is called off by the brass. The problem: the killer is still loose.

EP2  Professional Man
Oct. 15,1995
Professional Man

Johnny Lamb is an elevator man by day and a hit man by night. He's very good at his job; he's a professional. The Boss sends him on a job that makes Lamb confront his conscience, maybe for the first time. The episode has interesting male relationships seldom touched in hard-boiled novels nor found in film noir.

EP1  Love and Blood
Oct. 08,1995
Love and Blood

A dissatisfied boxer's wife leaves her husband for another man. But she wants to give the marriage another chance. However, fate touches Matt Cordell when he is framed for a murder.

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6.4 | en | Drama , Crime , Mystery | More Info
Released: 1993-08-01 | Released Producted By: Propaganda Films , Mirage Enterprises Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

A neo-noir anthology television series, set in somber Los Angeles right after World War II and before the election of American President John F. Kennedy. The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.

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Cast

Director

Rick Heinrichs

Producted By

Propaganda Films , Mirage Enterprises

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Reviews

BatBanks Smith These episodes remind me of old movie but there still film noir. I few of my favorite are "Dead End for Delia" with Gary Oldman, "A Dime of Dance" with Jennifer Gray & Eric Stolz, "Fearless", "Tomorrow I Die" with Bill Pullman & "Good-Housekeeper" with Dana Delany, William Peterson, Benicio Del Toro & Marcia Gay Harden. These few episodes were well-acted and had twist in the end. Some episodes were either boring or bad acting they did not keep my interest. I hope they put this show on DVD soon.
PUNISHER_ I remember watching these episodes on Showtime, and I would have to say that they are pretty interesting. The one with Joe Montegna was really interesting. Gary Oldman had a good role in one of the episodes. Above all, I would give the entire shows combined together, 6.5 out of 10.
alice liddell Trust Steven Soderbergh to make dangerous and thrilling a safely nostalgic TV show. His film, 'The Quiet Room' is an extension into noir of his SEX, LIES AND VIDEOTAPE subject matter, and provides a bridge between it and his later generic forays: the private, sexual space in the public domain; the Genetesque rites of sex and power, one corrupting the other (and vica versa); the malaise of middle-class inadequacy; the ultimate failure of all relationships because of lack of communication (this film begins the father/daughter problematic essayed so hauntingly in THE LIMEY). Brilliantly, painfully funny, the film is more stylistically imaginative than a TV programme has any right to expect.