beresfordjd I looked forward to this series immensely after having followed the gorgeous and supremely talented actress Suranne Jones since Coronation Street, Vincent and Unforgiven. The trailers made it look really good. But what a disappointment! Suranne was good in it, as was most of the cast (special mention for Anne Reid and Bernard Hill). However the writer Gwyneth Hughes(?) had totally over-egged the pudding to a ridiculous degree. How could it be that so many people on the train in the first episode were connected not only to each other but the incident? There were far too many plots and sub-plots and while it was never confusing it was irritating. The intimation of a terrorist element was a complete red herring and seemed to me to serve no real purpose other than to muddy the waters. Another thing I disliked in this was the background guitar music trilling away and just annoying the hell out of me without adding anything to the atmosphere. I recorded the whole series and watched it over 3 nights and it felt like a chore (I did want to see how it panned out). Quite liked the surprise death of a main character-a brave move. Overall though -must do better and a lot more succinctly.

rbaxter-2 I cannot believe that I wasted five hours of my life on this rubbish. The previous five day offering by this author was highly enjoyable and I was really looking forward to this. But most of the dialogue was completely incomprehensible. Suranne Jones was the principal culprit since she either mumbled or gabbled her lines, but most of the rest of the cast followed her example. Notable exceptions were Bernard Hill and Anne Reid, old stagers whose diction was exemplary. Do producers not listen to productions before they are aired to make sure the dialogue is audible? As a result I suppose I lost track of what was going on, and since the original plot line seemed to metamorphose into to the standard them-and-us thing between Muslims and the rest I soon lost interest. The ending was a complete anti-climax. A complete dud.

benjamin-twist This five part BBC drama is a bit like it's other flagship drama The Streets. That is well made, well acted with some interesting story lines but is confined by the Show's premise that all the characters live in the same street which limits what happens to them.Five Days is similar in so far as limiting the action to five days it gives little room for the story to breath. And the title implies that the action takes place over five consecutive days but it doesn't, so why bother? But what a disappointing story it is. Like the last series it starts off well with the discovery of an abandoned baby in a hospital and death of a young girl who jumped in front of a train. Was she pushed? Is there a connection between her and the baby? And we meet various characters who are on the train whose lives are connected in more ways than one.But as the episodes progress it becomes more apparent that they are going to have a hard job successfully tying up all the loose ends. It's it a bit far fetched to believe that the driver of the train is in a relationship with a woman who is seemingly responsible for the death of the person who jumped of the bridge. Also there is a lot of stodgy stuff about the Muslim faith and a couple of young men who have been to Pakistan for terrorist training. All this bogs down the plot rather than enhancing it and it's hard to see what message the writer is trying to convey. We get to the last episode expecting answers to all the questions raised earlier but a lot of these are mentioned almost in passing and you are likely to loose concentration waiting for something interesting to happen.The most unbelievable part of the last episode concerns the baby's Grandmother and her confused motives. She snatches the baby and takes him to the baby's mother who is a hopeless drug addict. Her plan seems to be that seeing the baby will force her to give up drugs and become a proper mother to the child. But the grandmother is also an ex-junkie and would know how difficult it is to come off drugs and anyway the girl dumped the baby in the hospital because she didn't want it. Also considering how manipulative the grandmother is it's hard to see why the baby's father would be so comfortable in her presence when they are both at the shopping centre with the social worker. She is the key to the whole story but her actions are explained in a few mumbled sentences at the end.All-in-all a great pity because the series has a good cast (especially Surrane Jones and David Morrissey) but in its attempt to be too clever it failed leaving this viewer with a slight feeling of being cheated.

timsmith37 A number of posters have commented on the unsatisfactory conclusion. This is always a problem with long, complex dramas. Crime is essentially banal, so the pay off is always anti-climactic, whilst detailed exposition detracts from the human drama. The writer has used a number of clever devices to try and get round this, but has not been entirely successful. Answers to precisely what happened and why may have been supplied, but if so they are well buried. The viewer inevitably feels a little cheated.But in a sense this is unimportant. The drama was never about the crime, or even the investigation, it was about the impact of events on the lives of those involved; the family, the investigators, the witnesses, the press. And as such it was gripping. The writing was a significant cut above the run of the mill for prime-time drama, and the performances uniformly good. In an ensemble piece it is invidious to focus on individuals, but Penelope Wilton deserves special mention for an extraordinary tour de force as the mother-wife-daughter, and Janet McTeer was in cracking form as a hard-bitten old cop.One of the most interesting aspects of the drama is the handling of race, as the elephant in the room that no-one is prepared to mention. Subtle, powerful stuff.