HarlekwinBlog The drama presented here is well structured and well acted. Peter O'Tool and Peter Strauss bring a sense of depth to their characters and are more than ably supported by the rest of the cast. Production looks perhaps a little dated compared to modern standards.The series was filmed in Judea, lending a authenticity to the shots. We were lucky enough to visit the Holy Land in 2017. Part of our trip was to Masada. Knowing just a little of the historic context makes the drama more fulfilling but a worthy watch without it.

naseby Although TV movies often show they are just that, this four-part series, despite the talky atmosphere at times was really excellent. It had a great and talented cast, though notably, the Americans were the good-guy Zealots and the British the bad-boy Romans. Peter O'Toole (The commander, Flavius Silva) is Irish, he sounds British, of course. The Roman invasion of Judea in prompts Eleazer (Peter Strauss) and his 'renegade' Zealots to take refuge in the virtually impregnable Masada mountain/rock fortress in the middle of what is now the Negev desert, by the Dead Sea. It was formally a Herodian retreat.Flavius Silva is tasked with the Emperor Vespasian's (Timothy West) verve to capture the Zealots. Even though Judea is under Roman rule, the last vestige of a free Judea is atop a rock and must be dealt with. The first major fight the Romans have on arrival is the heat of the daytime desert, which is telling upon the Romans, much to the amusement and gloating of the Zealots on the rock.Silva lays claim to a slave girl as his mistress, (Barbara Carrera) arguing the morals of her people's just cause to have a free Judea, at the same time as stating she hates the Romans, she hates the Zealots too. Anthony Quayle as Rubius Gallus plays the brilliant part so well, as Silva's chum and wise engineer, 'the only man for the job'. He informs Silva that the only way to assault the fortress is to bring a large part of a rocky outcrop over and place it against the Masada fortress as an assault ramp for a siege tower to move up against the fort walls. Silva trusts his friend and implements the plan. He makes sure it's built out of sight of the Zealots though, in spite of Gallus's mention that Eleazer wouldn't be able to do anything about it even if he saw it coming. Adding to Silva's woes, Emperor's minion, Pomponius Falco (David Warner) arrives, as he puts it 'to take the burden' off Silva. He's actually trying to take the glory, being the Emperor's sycophant. He informs Silva he has the Emperor's stamp to end the siege, at least more quickly, or to accelerate himself quickly up the ladder more like! "I've seen good men slit their wrists over him," remarks Gallus - who, when he cops an arrow in his neck whilst surveying the ramp, gives Falco the excuse he needs to take command of the siege over Silva. "That was your irreplaceable officer." says Falco, who had no love lost with Gallus. Silva though, shows his mettle and ousts the little worm, after Falco has barbarically - get this - put jews in the catapults and fired them up the mountainside!With all the main distractions dealt with, Gallus, on his death-bed managed to utter a few last words to his engineers to complete the task. So much so, that the ramp is completed and the siege tower ready to ascend it. The main feature of the siege tower is, that it has a battering-ram mounted at the top of it, with metal plates in the front for protection. Gallus informed his men that the tower must be sent up the ramp at a certain time of day, so that the Zealots would have the sun in their eyes as the tower approaches them. On the day of the assault, the tower ascends the ramp and the scene, with special effects is very well-handled with the suspense, action and incidental music. One thing that amazes you is, that the Romans have the slaves 'pull' the tower up the ramp. (Blocks are sunk into the ramp and with pulleys, the tower is 'pulled' up the ramp - it seems a major engineering feat of the day and shows the Romans' resilience and determination in the field). "If I'd been here a thousand years, I'd have never thought of that.". said Falco earlier. As Eleazer and his 'rebels' are astounded by this shocking new tactic, he seems dumbfounded and unable to grasp the situation. Then he informs the rest of the Zealots to strip beams from Herod's old palace and put the earth between the beams, behind the stone wall that is the ram's target (To absorb the blows like a sponge). After a battle between Roman archers on the tower and Eleazer's, the ram reaches the walls and is pushed against it. Eleazer's new wall is absorbing the blows well. This stops the wall from shattering. The Romans are now perplexed. "We haven't been supplied with a wonder worker to raise Rubius Gallus from the dead, so I'm open to suggestions!" says Silva to his officers. After much debating, they set fire to the exposed beams of Eleazer's wonder walls. But then, the wind changes and it blows against the assault tower. The Romans sound the recall, intending taking the fort in the morning. The Zealots rejoice, but Eleazer knows, that it may only be putting off the inevitable for a while. "Remember who built it," says one of Silva's officers, "The iron (front) plates won't melt before the wind changes." Silva replies: "And they can't build another wall in the same place, the fire will keep them away." On Silva's men entering unopposed, there is an eerie silence. The Zealots have all taken their lives rather than be taken or killed by the Romans.This had a good script, though it is part-taken from a book, 'The Antagonists', some heady wheeling and dealing and corruption from the Roman side whilst, quite rightly, really, showing the Zealots as spirited and stubborn in the face of aggression. So much so, that Masada now serves as the 'swearing in' ceremony of the Israeli Defence Forces. A great mini-epic.

mistressmalevolent By casting Americans as the Jews and Brits as the Romans the original intention must have been to make the Romans the bad guys, but despite a highly effective "bad guy" supporting performance by David Warner (who won an Emmy for this) the Romans come across as reasonable and fair-minded and with the exception of a radiant Barbara Carrera the Jews come across highly unsympathetically as religious fanatics and terrorists. This is largely due to casting the cream of British theater acting as the Romans and comparatively weak US television actors as the Jews, the best of whom is Peter Strauss, who although a decent actor, has his limitations shown up in every scene he shares with O'Toole, who is at the top of his game throughout. O'Toole's penultimate soliloquy at Strauss's house is wonderfully written and breathtakingly accomplished; it is so powerful, and his disgust at the fate of the Jews so profound, that the closing real-life scenes at Masada are greatly diminished in impact and fail to achieve their intended emotional effect, coming across instead as banal and jingoistic. Still, well worth your time and money

rleroe Long-last on DVD, Masada depicts the true story of the Jewish struggle atop Masada following the A.D. 70 destruction of Jerusalem. While visiting the site in 1989 I was told that Peter Strauss asked to spend a night atop the mount, then the Israeli Air Force flew overhead scaring him considerably. The film wisely starts with a documentary showing the significance this site has today. Peter O'Toole is superb and the script is well-written. You expect the Roman General to be the "bad guy" and you discover otherwise. Much of the conversation is quite clever, especially from the Roman bureaucrats and the political intrigue. You'll want to read about the archaeological excavations and to visit Masada after seeing this wonderful movie. This is from the golden age of TV mini-series.