Zeke Pliskin A lot of people will argue that Chris Morris has gone off the boil. Perhaps he has, but his sense of satire is still sharper than anyone. Before he had great success spoofing media sensationalism of current affairs with the groundbreaking BrassEye and years before that The Day Today (with Steve Coogan). Here he takes it a step further and spoofs London journo scenesters, always trying to stay ahead of the pack with the next trend and fad.It follows the career of struggling columnist Dan Ashcroft, a semi-intellectual trapped between the idiots he works with and a more astute crowd and a man who epitomises everything that Dan hates about his life - his biggest disciple - Nathan Barley. From the first episode it lays out Dan's dilemma and as the series unfolds shows us why he isn't so very different from the people he hates and is surrounded by, perhaps that he is in some way responsible for them. A philosophical tale that everyone can relate to on some level.Whether this is an accurate spoof I can't tell, as I don't know anyone of the crowd Morris pokes fun at here so mercilessly. On my third and fourth viewings I still try to decide whether the writing is minimalist genius or just lazy. But for some reason it is humorous and believable... you can imagine tabloid writers sitting round a meeting table surrounded by office toys, desperately trying to "outcool" the next paper by spawning meaningless catchphrases and reviewing supposed artists who are nothing more than shameless fools. Whether it's happened yet, or it's a prediction of the sort of culture we're heading towards, it certainly entertains and forces questions about the way we perceive and are led by mass media. 8/10

Mr_Alex Opinions are mixed about Nathan Barley - suffice to say, if you expect Chris Morris and Charlie Brooker to re-hash their earlier work and be satisfied then you've misunderstood their ethos (wheras I'm guessing at it - but at least I'm making an effort!!)It's not Brasseye or TV Go Home, and why would it be? They're done, they exist and we can watch/read them. The target for their humour might be narrow, but it works from a city-dweller perspective - and as I recall from my youth, there's always stupid trend-focused fools in villages too!I loved it - you might? But it's not Jam or Brasseye, or TV Go Home or Charlie's Guardian columns (although I *would* like to see Charlie getting proper spleen-venting exposure!).

startledbunny Before I watched this series on DVD, I was wondering why there were so many bad reviews by fans of Chris Morris. But now I kind of understood the reason why. Because the story is pretty much about Chris Morris himself; a caricature of what he has achieved and people who appreciate his comedy. Chris Morris's followers are all despised in there. The person who you believe is your 'Preacher Man' now tells you he is an 'Idiot'.....who could instantly appreciate such things? From 'On the Hour 'to 'Blue Jam', he had been making, topical , but more and more excessive humour to the point that no one can really laugh out loud. (Oh, please, is there anyone who's cracked up with the joke about a man who kept committing suicide?) Those jokes are just like Nathan's trashbat.co.ck and what his people find 'COOL'. By watching this sitcom, one could guess a bit about his inner thoughts when he received all those praises and admiration on his works. He might have been in a gridlock because how deviantly he went, no one said no to him and the way out was to ridicule himself in the exactly same way as he did previously. I think Nathan Barley is a natural step for a comic genius like Chris Morris. I really loved it. Glad to purchase this DVD.

Dan Common Well, I thought this was just great. Starting as a light hearted satire then slowly, inexorably descending into darker and darker territory, right up until the very end. The final scenes going beyond comedy and pathos, Dan resignedly saying "Shut up" as he lets himself drop out the window, the Jam-like rewinding of the camera and the freeze frame of Pingu diving out the window, the final image retreating as Dan lies motionless in hospital...What's not to like about this series? The original music alone is incredible, a mix of IDM/electronica that's too convincing, too good to be just pastiche. Nathan's electro clash rap at the club is ... I don't possess an ounce of the wit necessary to describe it… "A night down the pub, with your mates, and its f--king mental!"… There are few conventional gags, but there are plenty of moments when I get a cold thrill down to the marrow that only comes from watching utter, deft genius on display. A desperately funny series, perhaps misunderstood. I think people may have watched this with far too many preconceptions, about Morris, about sitcoms, and were very quick to judge after just watching the first episode. People may have been upset recognizing themselves unflatteringly represented here, or irked that they were wrong footed in the way the series developed. Morris is a dark, dark, dark writer. A very funny writer too, and far, far more intelligent than 99.9% of his audience. That he lets any of us peasants see his work is a miracle, and we should be thankful for whatever he gives us.