jshoaf I watched this on TV over a decade ago, kept a tape of it at whose spine I looked fondly from time to time, and finally saw it again on Netflix with my husband last night. He was not immediately enthralled (though I was, all over again). After the first hour or so, we had to keep watching as the suspense and loose ends multiply, and I had forgotten the twists and turns. I love way the plot works out and the loose ends are tied up. On second viewing, however, with a more critical companion, I realized how absurd some of the best plot developments and most memorable scenes actually are.At some level, the production works because of the way it is haunted by images of Baroque paintings, saints in various violent and twisted poses and situations. The love of art is intense in many of the characters, and when Maggie finally sees Artemesia's Judith canvas her face tells us that this violent, even horrible scene is beautiful. (Another important painting in the story is a Goya bullfight scene.) As in a Caravaggio painting, the faces--the performances--stand out as realistic, everyday people, recognizable in the street (or at least the streets of drama)--they are complex, confused, liable to do stupid things or to misunderstand a given situation completely. Many of them are obsessed by symbols, too--Charles dies at the beginning of the story because he cannot bear to see his long-dead wife's rather ugly portrait damaged; Maggie carries her father's cigarette case like a fetish. The way these characters meet each other and interact in the gloom of the plot is beautiful and moving. But their motivations remain murky and incomprehensible.Mirren performs a fabulous double role--Maggie the tough streetwise bohemian earth-mother artist and her alter ego The Countess, whose knowledge, apparent prosperity, and aristocratic manner hide a terrible fragility. Maggie is of course acting the role of The Countess, worrying that the mask may slip, but her sister at one point implies that she is also acting the role of Maggie. Maggie lives in her own world, a world of music, in which emotional attachments last a long time and give life shape and meaning. That "explains" everything.

TBJCSKCNRRQTreviews A break-in and robbery sets in motion the unfolding of a plot, and reveals unexpected secrets. That's about the briefest and least spoiler-filled description of what goes on in this I can provide. The story is impeccable, and immensely well-told. This is two episodes, both of about 100 minutes, so almost three hours and twenty all put together, and it's not boring for a second. The pacing is spot-on. Uncovering the mystery is interesting and keeps you watching, as does the genuine suspense that is built up expertly well in this. The sense of humor helps, as well, never letting this get too dark, and not being overdone or getting in the way of the overall serious tone, in spite of having a couple of entire sequences that are really, really funny. All of the acting performances are beyond reproach, if I don't necessarily fully accept Mirren as a former musician with the loose life-style that implies(no, the facial piercing didn't entirely sell it). That's probably mainly because I'm used to seeing her portray more dignified, in control women, anyway. The dialog is fantastic, memorable and clever, and writing as well as delivery are sharp as a prime quality razor-blade's edge. Cinematography and editing are magnificent, and not just "for a TV piece". Production value is high. This is rather credible, intelligent and entertaining, throughout. There is relatively brief nudity, some language and a bit of bloody violence. I recommend this to any fan of anyone who helped make it, British cinema and/or crime-dramas. 8/10

pswitzertatum Helen Mirren is always a joy to watch as she gets her chops around a part. I think she had fun here tramping skillfully through several cultures, costumes, and accents. It looks like she can sing, too. The Irish bit got lost along the way, however. The house and scenery are great wherever we are. And there are some pretty good supporting players on the trip. I think the writing on the initial screenplay sounds like it was good, from the featurette on the DVD, but somewhere along the road, either in the directing or the editing perhaps, something essential got lost. My willing suspension of disbelief went with it. Nice try, sort of fun to watch, except for Nero, who should burn with shame for his hamfisted acting. Why would Helen ever fall for him?!

gato This movie is totally worth watching, buying and keeping. Helen Mirren is just extraordinary and the plot is outstanding. You'll be caught in the plot from start to finish in one of the most intriguing and exciting mysteries ever put on the screen. Magnificent!