Kirpianuscus romanticism. and the change of history. exotic landscapes, traditions and rules. and beautiful cinematography. a love story touching not only for its ingredients but for status of reflection of clash between two different cultures and for the last period of British India. the right word for define this series could be delight. not exactly as entertainment but as support for reflection and inspired definition of a period of fundamental transformation. not only social.

Pandelis This mini series was an unexpected eye candy one summer, for the lazy Sunday afternoons when we didn't expect something special to be broadcasted.I was fascinated with the fairytale-like story and the wind of adventure blown into it. Amy Irving was (as always) likable but I found Ben Cross too stoic and a bit cold. Omar Sharif brought an air of nobleness to an otherwise cruel environment.The most breathtaking scene was the suttee ceremony that haunted me for weeks after. Even though I know now that some women did it voluntary, it is the cruelest custom I ever heard...

Vash2001 The Far pavilions is based on M.M.Kaye's book 'The far pavilions'. It is a good but not completely faithful adaptation of a 1200 page novel condensed into a 5-hour miniseries, on a two-disk set.It is a visual feast depicting the British period in India, in the 19th century. The central character Ashton/Ash Pelham-Martyn spends first 11 years of his life in India, as an Indian (Ashok), after his birth parents who are British, are dead. Upon his return to India (from England), as a member of the British Army, Ash meets again the love of his life- Princess Anjuli- who was his childhood friend. She is about to be married to an old man who is a ruler of a princely state (Bhithor) in India. Anjuli is doing this only to help her younger sister, while sacrificing her own love. Anjuli, a Rajput woman with one-fourth Russian blood in her, would keep her word even though it means sacrificing her love for Ash/Ashok. While narrating their struggle against a society that strongly believed in caste and race, the movie paints a picture of the British and the Indians in that period of history quite well. The art direction, background music, and cinematography are excellent, showing the richness of the land. Many scenes were filmed in Rajasthan, a western state, that is rich in history of its people. The snow capped peaks of the Himalyas are lovely.Ben Cross does a superb job of expressing the inner struggle of Ash (Ashok/Ashton) as "two persons in one body" and the passionate but disappointed lover of the princess Anjuli. Amy Irving succeeds in showing the quiet strength, pride and sadness of Anjuli. Many well known actors have added to the characters- Christopher Lee as Rao Saheb (the uncle of the two princesses), Omar Sheriff as Koda Dad- the horse expert, and others.Where the movie/miniseries comes up short is toward the end.SPOILERS AHEAD...........About three fourth of the miniseries stays faithful to the book. However, the last 300 pages have been condensed considerably, and the events are shown in a different order. The fight in Afghanistan and the death of Wally Hamilton (and others) takes place earlier in the movie.In the book Anjuli, after escape from Bhithor, goes through a period of recovery. She has been emaciated due to starvation and torture. There are few signs of this in her appearance when she escapes Bhithor with Ash and his companions. In the book Ash marries her on a boat, because no one would perform religious rights for them. Although married, it is too dangerous for them to openly live as a couple. They eventually decide to move to a valley in the Himalayas -their Far Pavilions. The miniseries ends after escape from Bhithor, when Ash and Anjuli are finally together for good. Some of the earlier scenes (the wedding, the Suttee ceremony) are long drawn out. They could have been shortened to include the rest of the story, in its original order (the Afghan war takes place after the escape from Bhithor in the book).I had a problem with making Koda Dad such a major character in the movie. In the book, although an important influence on young Ash, he was not on that trip to Bhithor. He had long retired. Including him took away from some of the other characters like Sarji and Ash's favorite horse Dagobaz. The first disk is much more entertaining and more faithful to the book than the second one.The end in the miniseries seems sudden, compared to the slowness of earlier parts, and has less impact than in the book, which takes the time to show the struggles and strengths of the two main characters.Other than that, this is a good adaptation of the book. It fits in the 'movie' format. I like the book better for its details, but the movie is a feast for the eyes. It created in me the desire to read more about this period in history. Definitely recommended.

coulombe Someday, a distributor will make the complete miniseries available for the consumer. Any release of about 300 minutes has about 2 or 3 episodes cut from the original. The opening scenes of the current releases showing flashes of Ash's youth are pieces of these episodes which have been dropped since they would be considered nothing more than superfluous exposition to most Western viewers. But in order to fully appreciate M.M Kaye's story, they are vital and should be restored. These lost episodes impress the viewer with the customs of India, the background of Ash and Anjuli, the treachery of Biju Ram, the love of Sita and the wisdom of Koda Dad. Without them you don't really fully appreciate why Ash and Juli are so close, why Ash is torn between two cultures, and his relationship with Gulkote. The exposure to life in an Indian royal court contained in the lost episodes adds so much to the experience. So until you see a release that has a running time of about 400-500 minutes, let the buyer beware -- you are not getting the complete original of the mini-series.