The High Chaparral

The High Chaparral

1967
The High Chaparral
The High Chaparral

The High Chaparral

7.6 | TV-G | en | Drama

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

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Seasons & Episodes

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EP18  A Man to Match the Land
Mar. 12,1971
A Man to Match the Land

Albert Salmi is the sole survivor of an Indian battle who decides to live as an Apache. Needing to fulfill an Army contract for the sale of horses, John Cannon, Buck, Manolito and Wind head for Indian country to round up a wild herd. Confronted by a tribe of embittered Apaches led by White Horse and Red Eagle, Cannon is allowed access to the herd only on condition that White Horse accompany the group with Buck left behind in the Apache camp.

EP17  The Hostage
Mar. 05,1971
The Hostage

This episode involves the suspenseful moments spent by innocent bystanders taken hostage during an attempted bank robbery. During what he hoped to be the last robbery of his crime-filled career, Morgan MacQuarie imperils the lives of a group of hostages including Victoria and Wind. MacQuarie's problems mount when his robbery plan goes awry and the ensuing delay prompts an open defiance among his own men.

EP16  Sangre
Feb. 26,1971
Sangre

An all-out Indian war is threatened when a wounded Apache leader is held hostage at the Cannon ranch. Although the original intent to bring wounded Apache warrior Sangre to the Cannon ranch was to give him aid, his presence stirs up a bitter reaction from his own people and from Lt. Allen, head of a cavalry unit that wants Sangre on homicide charges. The circumstance places John Cannon and his ranch in the middle of an impending battle.

EP15  The New Lion of Sonora (2)
Feb. 19,1971
The New Lion of Sonora (2)

Gilbert Roland guest stars as the surprise heir to the Montoya ranch in this special two-hour presentation. The sudden, peaceful passing of Don Sebastian Montoya brings his daughter Victoria, his son Manolito, John Cannon and Buck to the Montoya ranch to attend funeral services and to settle estate matters. All are amazed to learn the will leaves the vast Montoya holding to Don Sebastian's ne'er-do-well brother Don Domingo, a charming, irresponsible rascal currently living in Mexico City. Upon his return to the family home to claim his legacy, Domingo shocks the family by announcing he plans to sell the ranch and travel. A series of unexplained raids on his new-found cattle and property serves to uncover a little-known dimension of Don Domingo

EP14  The New Lion of Sonora (1)
Feb. 19,1971
The New Lion of Sonora (1)

Gilbert Roland guest stars as the surprise heir to the Montoya ranch in this special two-hour presentation. The sudden, peaceful passing of Don Sebastian Montoya brings his daughter Victoria, his son Manolito, John Cannon and Buck to the Montoya ranch to attend funeral services and to settle estate matters. All are amazed to learn the will leaves the vast Montoya holding to Don Sebastian's ne'er-do-well brother Don Domingo, a charming, irresponsible rascal currently living in Mexico City. Upon his return to the family home to claim his legacy, Domingo shocks the family by announcing he plans to sell the ranch and travel. A series of unexplained raids on his new-found cattle and property serves to uncover a little-known dimension of Don Domingo

EP13  The Badge
Dec. 18,1970
The Badge

In a flashback sequence, John Cannon and brother Buck retrace their lives of years ago when lawman John captures Buck, who is wanted for bank robbery and murder. En route to town for trial, the brothers are followed by Buck's former partners, who are determined to see that the true story never is known.

EP12  Pale Warrior
Dec. 11,1970
Pale Warrior

Claiming to have been imprisoned by the Apaches for 15 years, a white man is befriended by the Cannons who soon regret their helpfulness. After aiding Talbot whom they find injured, John Cannon, Victoria, Buck and Manolito become suspicious of the man's true purpose for being in the Cannon Ranch area. It is Wind who uncovers evidence to confirm their suspicions.

EP11  A Matter of Vengeance
Nov. 27,1970
A Matter of Vengeance

Embittered over the loss of his home and grandson in fire during a bandit raid, Casement vows to track down Reese, Gail and Wiley, the men responsible. He trails them to Tucson where his friends of the Chaparral offer to help, but the determined Casement wants to face the men alone.

EP10  Fiesta
Nov. 20,1970
Fiesta

En route to a bordertown fiesta, Buck invites trouble when he befriends a Mexican boy. Buck encounters Homero Jose, an itinerant promoter whose income comes from fights he stages between friendless Mexican youths for anyone willing to wager on the outcome. Repelled by the sight of 11-year-old Beto being beaten, Buck takes him away in hopes of finding him a new home; but a vengeful Jose takes up their trail, vowing to get the boy back.

EP9  The Forge of Hate
Nov. 13,1970
The Forge of Hate

Efforts of a young Apache warrior to make peace with the white man are undermined by the belligerence of his long-embittered tribal chief. Determined to ease the ever-present threat of all-out war, youthful Two Pony negotiates a plan for peace with John Cannon whereby the Indian lad is temporarily housed at the High Chaparral to learn the blacksmith trade. His rebellious chieftain, Grey Wolf, thwarts the peace effort by carrying out a series of harassing attacks against Cannon and his herds.

EP8  Too Late the Epitaph
Nov. 06,1970
Too Late the Epitaph

Manolito is jailed in a case of mistaken identity on charges of holdup and murder. En route back to the Cannon ranch from a cattle purchase, Manolito is arrested when mistakenly identified as a member of a gang who held up a gold shipment hours earlier. He is released when an old friend Dave Redman, a fast-rising leader of the community in which Mano is being held, vouches for him. Later, when Mano finds himself framed for murder, he learns who his real friends are.

EP7  A Good Sound Profit
Oct. 30,1970
A Good Sound Profit

John Cannon faces alienation of family and friends when he maintains his decision to aid a band of revolutionists. John Cannon, seeing a financial windfall in the sale of guns, ammunition and horses to ill-equipped Mexican rebels, negotiates with their leader over strong objections from his Mexican-born wife, Victoria, and her brother, Manolito. Even when Manolito elects to leave the Cannon ranch for good, John continues his profit-making deals despite the reaction of his family.

EP6  It Takes a Smart Man
Oct. 23,1970
It Takes a Smart Man

Fearing for the life of his threatened brother Buck, John Cannon accepts the demands of a blackmailer. Confronted by the demands of one-time gunman Tulsa Red, John has little choice but to turn over $5,000 to the man who has threatened to goad Buck into a shootout that John knows his brother will lose. Upon learning of how he was used, an angered Buck takes his own steps to recover the money and his pride.

EP5  A Matter of Survival
Oct. 16,1970
A Matter of Survival

Returning home from a visit to her father's ranch, Victoria and her escorts Sam and Pedro find infant Joey, the only survivor of an Indian raid on his parent's wagon. When the boy's grandfather, Dan Casement, spared only because he had gone ahead to scout for water, insists on leaving with the child, a concerned Victoria balks, insisting that she can better care of the baby en route to the safety of the Cannon ranch. Relenting, Casement joins them in their slow trek across the desert while Indians stalk them, awaiting the best time to attack.

EP4  Wind
Oct. 09,1970
Wind

Returning home from a visit to her father's ranch, Victoria and her escorts Sam and Pedro find infant Joey, the only survivor of an Indian raid on his parent's wagon. When the boy's grandfather, Dan Casement, spared only because he had gone ahead to scout for water, insists on leaving with the child, a concerned Victoria balks, insisting that she can better care of the baby en route to the safety of the Cannon ranch. Relenting, Casement joins them in their slow trek across the desert while Indians stalk them, awaiting the best time to attack.

EP3  Only the Bad Come to Sonora
Oct. 02,1970
Only the Bad Come to Sonora

A half-breed Indian lad whose life has been saved by men of the Cannon ranch strives to repay the debt. John Cannon, Buck and Manolito intervene when ranchers Fraley and Henderson attempt to hang Wind, whom they accuse of rustling cattle. The boy's indebtedness later figures significantly in the defense against a series of mysterious and costly raids on a major cattle drive.

EP2  Spokes
Sep. 25,1970
Spokes

Needing to get away temporarily from the rigors of ranch life, Buck chooses the raucous Fourth of July holiday for the time and the roughest town in the territory for the place Soon after his arrival in Spokes, a lawless community run by tough China Pierce, Buck witnesses a saloon shootout in which Pierce's son Bud is killed by Jones, an old friendless trapper who is seriously wounded. Although it was a fair fight, cowering townspeople refuse to help Jones, so Buck goes to the man's aid and then mounts a vigil to await the inevitable explosive confrontation with Pierce.

EP1  An Anger Greater Than Mine
Sep. 18,1970
An Anger Greater Than Mine

Embittered former revolutionary Diego De La Paula leads his newly-formed army of liberation in a series of harassing raids on the vast lands and herds of the Cannons and Montoyas. He charges they won their wealth at the expense of his deposed hero, Maximilian. Aware of the seriousness and growing destructive power of the vengeful Diego, John Cannon and Don Sebastian Montoya join forces to thwart the attacks with a unique plan that results in a face-to-face confrontation between the elder Montoya and the self-styled liberator. good show

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7.6 | TV-G | en | Drama , Western | More Info
Released: 1967-09-10 | Released Producted By: Xanadu Productions Inc. , Country: United States of America Budget: 0 Revenue: 0 Official Website:
Synopsis

The High Chaparral is an American Western-themed television series starring Leif Erickson and Cameron Mitchell which aired on NBC from 1967 to 1971. The series, made by Xanadu Productions in association with NBC Productions, was created by David Dortort, who had previously created the hit Bonanza for the network. The theme song was also written and conducted by Bonanza scorer David Rose, who also scored the two-hour pilot.

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Cast

Henry Darrow , Cameron Mitchell , Leif Erickson

Director

David Dortort

Producted By

Xanadu Productions Inc. ,

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Reviews

clhct1 This series is worth watching. I had never heard of it until I stumbled upon it recently on one of the tv channels I do not normally watch. Great acting and scenery, realistic indian confrontations. This series is on par with some great western movies I remember. So glad to have found it.
katiagor I recently watched recordings of this western and thoroughly enjoyed the shows. The cast was wonderful. But I was especially impressed with the talents of Henry Darrow and Cameron Mitchell. A couple of episodes showcase their comedic talents and are a scream. This western holds it own today - much better than Bonanza in my opinion. The writing was good and the location settings make for a much more realistic presentation. And the conflicts with the Apache and the whites are more historically presented. Some of the episodes are better than others, of course, but the series holds up well 40 years later. It's not on the level of Lonesome Dove but LD was a mini series and not episodic TV from the late 1960s. I do wish old westerns had refrained from false eyelashes and excessive makeup on the women. But this show is wonderful. Makes me want to see other work by Cameron Mitchell and Henry Darrow especially as they really did steal the show!
bmeskunas This was an expensive western for the producers to deliver and it shows. Unlike other shows of its time and genre, the creators of The High Chaparral tried to move away from shallow hero/villain stereotypes and tired shoot-em-up story lines. The result was a brilliant - albeit short-lived - television series. In reality, this was more a family drama than a western.I can recall growing up on re-runs of this show in the 70's ... my friends and I all watched the show religiously and used to make believe we were characters in it.I remember an interview someone did with Michael Landon once ... this was right before "Little House" came out. Anyway, I remember his trashing "The High Chaparral" because the central figure, the patriarch John Cannon, was always quarreling with his son, Billy Blue. Mr. Landon insisted America didn't want to see this type of realism. He may have been right to a point, but I think it WAS this realism that made the show memorable. All of the main characters were lovable yet they were all far from perfect. Meanwhile, many of the villains had qualities that made the viewer identify with them. The lines between "good" and "bad" were hopelessly blurred on this show ... much like they are in real life. Add to that the realism of the Arizona desert, the dust, the sweat and the sun in their eyes and you felt like you were there. This was no small accomplishment for a show that came along in the sixties.I am absolutely bewildered as to why other (and, in my view, inferior) westerns ARE available on DVD but this one still isn't. Why is Paramount continuing to miss the boat?
nathan-110 This television series originally aired on NBC on Friday nights from 7:30 to 8:30 PM for almost its entire run. It ran right before another one of television's greatest programs, "The Name of the Game." I used to wonder if the reason I remembered this show with such admiration was due to the age that I was when the show originally ran, but recently seeing it again, I have to say that it stayed with me so long because it's just a fantastic show.The show is centered around the character of John Cannon, played flawlessly by Leif (pronounced "Life") Erickson, and his brother Buck, played by Cameron Mitchell. Also in the cast were Linda Cristal as John's wife Victoria, Henry Darrow as Victoria's brother Manolito, and Mark Slade playing John's son Billy Blue Cannon.When I was just a kid in grade school, my cousins and others I knew were tuned in to ABC's Friday night line-up, which was quite popular at the time. I couldn't tear myself away from this show though, and it's difficult to explain why without revealing too much about it. Let's just say that the stories were impeccably written and directed, doing much the same thing as Bonanza would do, alternating between high drama and humor. A good example of this is an episode entitled "The Firing Wall." If you ever get to see this series, keep an eye out for that episode. My personal favorite is an episode called "Champion of the Western World." Fun episode! The casting was perfect. Every regular cast member really seemed to like the characters they were portraying. Henry Darrow was outstanding in giving his character real depth and range of emotion. Cameron Mitchell also did some really fine work in this series. In fact, when you get right down to it, they all did! I could go on about this show by using all the known adjectives, stupendous!, wonderful!, ect..., but if you're reading this, then you probably already share a certain amount of the same enthusiasm that I have for this show. If you're reading just out of curiosity however, then if you ever get the opportunity to do so, by all means, treat yourself to one of the finest programs that television has ever offered.